D. H. Lawrence's "The Complete Novels" offers a comprehensive collection of the author's works, showcasing his signature style of psychological realism and exploration of human relationships in the context of early 20th-century England. Lawrence's ability to dissect the complexities of love, desire, and societal expectations is evident in each novel, making this anthology a must-read for those interested in modernist literature. His use of vivid imagery and introspective storytelling sets him apart as a master of prose, with each novel holding a mirror to the human experience. The compilation includes celebrated works such as "Sons and Lovers," "Women in Love," and "Lady Chatterley's Lover. D. H. Lawrence's own tumultuous personal life and unconventional views on sexuality and relationships greatly influenced his writing, infusing his novels with a raw and provocative honesty that continues to resonate with readers today. This comprehensive collection serves as a testament to Lawrence's enduring legacy in the literary world. I highly recommend D. H. Lawrence's "The Complete Novels" to enthusiasts of modernist literature and those intrigued by profound explorations of the human psyche. This anthology provides a captivating insight into the complexities of human emotions and societal constraints, making it a timeless addition to any reader's collection.

E-artnow presents to you the greatest novels by one of the greatest novelists of English literature. This edition includes: The White Peacock The Trespasser Sons and Lovers The Rainbow Women in Love The Lost Girl Aaron's Rod Kangaroo The Boy in the Bush The Plumed Serpent Lady Chatterley's Lover The Man Who Died (The Escaped Cock) The Ladybird The Fox The Captain's Doll St Mawr The Virgin and the Gypsy The Savage Pilgrimage – A Biography of D. H. Lawrence by Catherine Carswell D. H. Lawrence is best known for his novels Sons and Lovers, The Rainbow, Women in Love and Lady Chatterley's Lover. In these books, Lawrence explores the possibilities for life within an industrial setting. In particular Lawrence is concerned with the nature of relationships that can be had within such a setting. Though often classed as a realist, Lawrence in fact uses his characters to give form to his personal philosophy. His depiction of sexuality, though seen as shocking when his work was first published in the early 20th century, has its roots in this highly personal way of thinking and being. In his later years Lawrence developed the potentialities of the short novel form in The Ladybird, The Fox, The Captain's Doll, St Mawr, The Virgin and the Gypsy and The Escaped Cock.

You could describe D.H. Lawrence as the great multi-instrumentalist among the great writers of the twentieth century. He was a brilliant, endlessly controversial novelist who transformed, for better and for worse, the way we write about sex and emotions; he was a wonderful poet; he was an essayist of burning curiosity, expansive lyricism, odd humor, and radical intelligence, equaled, perhaps, only by Virginia Woolf. Here Geoff Dyer, one of the finest essayists of our day, draws on the whole range of Lawrence’s published essays to reintroduce him to a new generation of readers for whom the essay has become an important genre. We get Lawrence the book reviewer, writing about Death in Venice and welcoming Ernest Hemingway; Lawrence the travel writer, in Mexico and New Mexico and Italy; Lawrence the memoirist, depicting his strange sometime-friend Maurice Magnus; Lawrence the restless inquirer into the possibilities of the novel, writing about the novel and morality and addressing the question of why the novel matters; and, finally, the Lawrence who meditates on birdsong or the death of a porcupine in the Rocky Mountains. Dyer’s selection of Lawrence’s essays is a wonderful introduction to a fundamental, dazzling writer.

A rich compilation of the previously uncollected Russian and English prose and interviews of one of the twentieth century's greatest writers, edited by Nabokov experts Brian Boyd and Anastasia Tolstoy. “I think like a genius, I write like a distinguished author, and I speak like a child": so Vladimir Nabokov famously wrote in the introduction to his volume of selected prose, Strong Opinions. Think, Write, Speak follows up where that volume left off, with a rich compilation of his uncollected prose and interviews, from a 1921 essay about Cambridge to two final interviews in 1977. The chronological order allows us to watch the Cambridge student and the fledgling Berlin reviewer and poet turn into the acclaimed Paris émigré novelist whose stature brought him to teach in America, where his international success exploded with Lolita and propelled him back to Europe. Whether his subject is Proust or Pushkin, the sport of boxing or the privileges of democracy, Nabokov’s supreme individuality, his keen wit, and his alertness to the details of life illuminate the page.

A Lambda Literary Awards Finalist Named one of the best books of 2017 by NPR's Book Concierge A revelatory narrative of the intersecting lives and works of revered authors Virginia Woolf, T. S. Eliot, E. M. Forster and D. H. Lawrence during 1922, the birth year of modernism The World Broke in Two tells the fascinating story of the intellectual and personal journeys four legendary writers, Virginia Woolf, T. S. Eliot, E. M. Forster, and D. H. Lawrence, make over the course of one pivotal year. As 1922 begins, all four are literally at a loss for words, confronting an uncertain creative future despite success in the past. The literary ground is shifting, as Ulysses is published in February and Proust’s In Search of Lost Time begins to be published in England in the autumn. Yet, dismal as their prospects seemed in January, by the end of the year Woolf has started Mrs. Dalloway, Forster has, for the first time in nearly a decade, returned to work on the novel that will become A Passage to India, Lawrence has written Kangaroo, his unjustly neglected and most autobiographical novel, and Eliot has finished—and published to acclaim—“The Waste Land." As Willa Cather put it, “The world broke in two in 1922 or thereabouts,” and what these writers were struggling with that year was in fact the invention of modernism. Based on original research, Bill Goldstein's The World Broke in Two captures both the literary breakthroughs and the intense personal dramas of these beloved writers as they strive for greatness.