“Ireland's play slyly makes the case that it is not discrimination that ensures survival ... but rather the ability to be two opposing things at once: Irish and British, politician and terrorist, even comedy and tragedy. If tragicomedy is the natural Irish form, Ireland makes his own inversion here, beginning with amused splutters, ending in hard gulps” The Irish Times Eric Miller is a Belfast Loyalist. He believes his five-week old granddaughter is Gerry Adams. His family keep telling him to stop living in the past and fighting old battles that nobody cares about anymore, but his cultural heritage is under siege. He must act. David Ireland's black comedy takes one man's identity crisis to the limits as he uncovers the modern day complexity of Ulster Loyalism. Cyprus Avenue premiered at the Abbey Theatre, Dublin in 2016, before transferring to the Royal Court Theatre, The MAC in Belfast and The Public Theater in New York. It won Best New Play at the Irish Times Theatre Awards and the James Tait Black Prize for Drama, 2017. This edition features a new introduction by Professor Ondrej Pilny.

Gerry Adams has disguised himself as a newborn baby and successfully infiltrated my family home. Eric Miller is a Belfast Loyalist. He believes his five-week old granddaughter is Gerry Adams. His family keep telling him to stop living in the past and fighting old battles that nobody cares about anymore, but his cultural heritage is under siege. He must act. David Ireland's black comedy takes one man's identity crisis to the limits as he uncovers the modern day complexity of Ulster Loyalism. Cyprus Avenue was first performed at the Abbey Theatre, Dublin, on 11 February 2016, before transferring to the Royal Court Theatre, London in April 2016.

In this new series from Paul Charles, formerly retired policeman Brendy McCusker is forced to return to work following his wife's flight to America with their nest-egg. On his first major case in Belfast he partners with DI Lily O'Carroll to locate the two missing sons of a wealthy businessman. But before that case is resolved, an American banker working in Belfast is brutally murdered down on leafy Cyprus Avenue and McCusker and O'Carroll are put on the case. While the list of suspects grows ever longer, McCusker find himself juggling his move to Belfast, O'Carroll's frequent blind dates, his status as a hired-back rent-a-cop, and being a single man while trying hard not to have his head turned by Belfast's beautiful women - one mysterious one in particular. There is no relief when McCusker and O'Carroll eventually find a suspect with an air-tight alibi , which only one of the detectives believes is genuine... "Continuously absorbing, with a nice rapport between the hero and heroine."--Kirkus Reviews "Introducing a new lead character and a new setting gives the book a real sense of freshness. Readers will definitely want to see more of Brendy McCusker."--Booklist "Charles launches his new Brendy McCusker series with this twist-filled tale of betrayal and revenge."--Publishers Weekly "Charles has created an endearing character in his new novel."--NY Journal of Books

Irish Theatre in the Twenty-First Century is the first in-depth study of the subject. It analyses the ways in which theatre in Ireland has developed since the 1990s when emerging playwrights Martin McDonagh, Conor McPherson, and Enda Walsh turned against the tradition of lyrical eloquence with a harsh and broken dramatic language. Companies such as Blue Raincoat, the Corn Exchange, and Pan Pan pioneered an avant-garde dramaturgy that no longer privileged the playwright. This led to new styles of production of classic Irish works, including the plays of Synge, mounted in their entirety by Druid. The changed environment led to a re-imagining of past Irish history in the work of Rough Magic and ANU, plays by Owen McCafferty, Stacey Gregg, and David Ireland, dramatizing the legacy of the Troubles, and adaptations of Greek tragedy by Marina Carr and others reflecting the conditions of modern Ireland. From 2015, the movement #WakingTheFeminists led to a sharpened awareness of gender. While male playwrights showed a toxic masculinity on the stage, a generation of female dramatists including Carr, Gregg, and Nancy Harris gave voice to the experiences of women long suppressed in conservative Ireland. For three separate periods, 2006, 2016, 2020-2, the author served as one of the judges for the Irish Times Irish Theatre Awards, attending all new productions across the island of Ireland. This allowed him to provide the detailed overview of the 'state of play' of Irish theatre in each of those times which punctuate the book as one of its most innovative features. Drawing also on interviews with Ireland's leading theatre makers, Grene provides readers with a close-up understanding of Irish theatre in a period when Ireland became for the first time a fully modernized, secular, and multi-ethnic society.

What can we learn about Van Morrison’s life and work as a songwriter through his songs? This book looks closely at the lyrics and music from a selection of his songs. Some are very well-known - ‘Brown Eyed Girl’, ‘Cleaning Windows’ and ‘The Healing Game’. Others are less familiar. Through these songs the book offers insights into some of the most important ideas that the songwriter has explored across his five-decade plus career, starting from the Them period and extending through his solo albums. These readings show how thinking about Morrison’s use of place provides a specific lens that contributes to a greater understanding of his art. The songs are organized into chapters that reflect many of the important places in Morrison’s work as he ventured professionally and imaginatively away from the places of his upbringing towards a wider musical world. These places are in city streetscapes and country landscapes – in home places of streets and ditches, in the enclosed spaces of rooms, in the expansive reaches of the natural world, in indeterminate and specific foreign lands. A picture emerges of the journey that Van Morrison details through his songs, one that sees him first wandering as a boy through his East Belfast haunts, and then venturing out to a wider world away from this local place.

In Another World is a unique trip through Belfast, mapped into the mystic through the timeless music of Van ‘the Man’ Morrison. The aptly soulful and inventive prose stems from the electric wit of acclaimed poet and fellow Belfast man, Gerald Dawe. Struck by the extraordinary brand of rhythm and blues that was Morrison’s brainchild, Dawe’s book is a celebration of the inspirations that underlie Morrison’s music. Silhouetted in the work is Belfast, moody and vibrant, and the formative influence of the pre-Troubles northern capital on Morrison’s musical direction. Dawe’s writing transmutes the tender and unforgettable strains of Morrison’s work, from the release in 1968 of Astral Weeks to the publication in 2014 of Lit Up Inside: Selected Lyrics. A powerful tribute to mark Van Morrison’s accomplishments, In Another World taps into his legacy’s eclectic soul and is kin to its enchantments.