This volume, introduced by Edgar Peltenburg, presents the results of latest research by young scholars working on aspects of Cypriot archaeology from the Bronze Age to the Venetian period. It presents a diversity excavation, material culture, iconographic and linguistic evidence to explore the themes of ancient landscape, settlement and society; religion, cult and iconography; and Ancient Cyprus and the Mediterranean.

Cyprus has a long and eventful history. The island lies in the eastern Mediterranean, where the cultures of Anatolia, Assyria, the Levant, Egypt, and Greece flourished in antiquity. Each of these great civilisations has left its mark on the history of Cyprus, through commercial ties, migration, conflicts, and technological innovations. The mining of copper in the Troodos Mountains led to lively trade, greatly boosting the prosperity of the island's various kingdoms. These independent states maintained relations with all the neighbouring states, leading to a cultural melting pot of languages, customs, and religions. Yet certain elements can be seen as truly Cypriot down the ages: the widespread veneration of the goddess Aphrodite, who was born from the foam of the waves off the island's west coast, the unique character of the arts in the Bronze and Iron Ages, and a marked capacity to absorb foreign influences without sacrificing the island's own distinctive character.0This book introduces readers to the main landmarks in the history of Cyprus. Various topics in the island's archaeological past are discussed, each one written by a leading expert. You will meet the first inhabitants of the island, who crossed the sea from the mainland in tiny boats and rafts, bringing their livestock with them. And you will read about the ships, which started their journey across the Mediterranean laden with cargoes of copper ingots. Discussions of the history of archaeological investigations of the island range from random acts of plunder in the nineteenth century to ongoing scientific investigations. Several chapters focus on the highlights of Cypriot art in the collections of the museums of Cyprus, Stockholm, and Leiden.00Exhibition: Rijksmuseum van Oudheden, Leiden, the Netherlands (11.10.2019-15.3.2020).

The Mediterranean island of Cyprus is the site of enduring political, military, and economic conflict. This interdisciplinary collection takes Cyprus as a geographical, cultural and political point of reference for understanding how conflict is mediated, represented, reconstructed, experienced, and transformed. Through methodologically diverse case studies of a wide range of topics—including public art, urban spaces, and print, broadcast and digital media—it assembles an impressively multifaceted perspective, one that provides broad insights into the complex interplay of culture, conflict, and identity.

The beginning of the Late Bronze Age on Cyprus saw a range of dramatic changes occurring in the settlement patterns and material culture of the island, accompanied by evidence for increased interaction with the surrounding region. These include population movements from small inland to larger, nucleated coastal settlements, an increase in social stratification and copper production, the first evidence for literacy, and Cyprus becoming increasingly involved in the complex exchange networks of the eastern Mediterranean. Central to any study of the island's prehistory is the coastal settlement of Enkomi, often considered to be the first state-like entity on the island and identified with the Alashiya of contemporary textual. The author's main goal in this volume is to examine the archaeological evidence for the beginnings of the transformation of Cypriot society as it stands, to seek to understand the individual aspects of the process and to separate this from the later LCIIC outcomes. The author utilises the Enkomi pottery assemblage to examine the introduction of wheelmade pottery and thereby investigate the processes through which Cypriot society became highly complex, including whether the evidence points to early centralized control or independent regional developments. However, in order to understand the pottery, it was necessary to investigate all types of archaeological evidence pertaining to the early history of the site and this volume also includes discussion of architecture, tombs and other aspects of material culture. Part 1 provides the theoretical background to investigations of social complexity and discusses the applications. Part 2 addresses the evidence for both settlement and ceramics during the Cypriot Bronze Age. Part 3 is devoted to the analysis of the Enkomi data. Part 4 presents the author's conclusions.

There are countless references to Cyprus in Venice: in palaces, primarily that of Queen Caterina Corner, in the church of Saints Giovanni e Paolo, where the skin of Mark Antonius Bragadin (the staunch defender of Famagusta) is guarded, in the spices, and especially in the wine of Cyprus (Commandaria), that is today still recalled in Venetian sayings. The Venetian past, too, has many references in Cyprus where evidence is focused on the fortresses and fortifications of Nicosia, Famagusta and Kerynia and in the lions that adorn them as well as in traditional dishes and language. The papers presented here have been selected from 30 given at the 10th Annual Meeting of young researchers in Cypriot archaeology (POCA 10), held in Venice where it celebrated two important events: the 500th anniversary of the death of Caterina Cornaro (1454–1510) and the twinning of the cities of Venice and Larnaca. Papers cover a wide range of subjects reflecting the many centuries of trade in products (especially textiles) and the cultural exchange in ideas, religious practices and people between the island and City at various times from prehistory to the Ottoman period. Archaeological and historical data are brought together to showcase recent research.

This volume investigates how the structure and use of space developed and changed in cities, and examines the role of different societal groups in shaping urbanism. Culturally and chronologically diverse case studies provide a basis to examine recent theoretical and methodological shifts in the archaeology of ancient cities. The book's primary goal is to examine how ancient cities were made by the people who lived in them. The authors argue that there is a mutually constituting relationship between urban form and the actions and interactions of a plurality of individuals, groups, and institutions, each with their own motivations and identities. Space is therefore socially produced as these agents operate in multiple spheres.

The only one-volume scholarly survey of the ethnic groups, economy, religion, literature, and art of the multicultural Lusignan Kingdom of Cyprus during the first centuries of Frankish rule following the conquest of the Byzantine island in the Third Crusade.