Although editions of Nemesianus have been surprisingly numerous, very few have contributed appreciably to our understanding of this author, and most texts have been based on a very limited number of manuscripts. There has been no commentary of any length since that of Burman (1731) and there has never before been one in English covering the whole corpus. This book is an attempt to remedy those deficiencies. The text is the first to have been based on an examination of all the known manuscripts, and a detailed and accurate apparatus criticus is provided. The textual history of both poems is thoroughly discussed. The question of the authenticity of the Eclogues is examined and Nemesianus' authorship is held to be proved. The commentary is mainly concerned with textual and grammatical matters. There is also a bibliography.

Grattius' Cynegetica, a Roman didactic poem on hunting with dogs, is the author's only surviving work, though it reaches us now in an incomplete form. Thanks to a passing reference by Ovid in his Epistulae ex Ponto it can confidently be dated to the Augustan period, and yet while his literary contemporaries have been and continue to be subjects of academic scrutiny, Grattius is seldom read and remains almost completely unappreciated in classical and literary scholarship. This volume is the first book-length study of Grattius in English or any other language and sets out to rehabilitate the neglected poet by making him and his work accessible to a wide audience. Prefaced by an introduction to the poet and his work, as well as the Latin text of Cynegetica and a new English translation, it presents a broad collection of interpretive essays from an international team of scholars. These essays explore the poem within its literary, intellectual, and socio-political contexts and look forward to Grattius' (more charitable) posthumous reception in Europe in the sixteenth to eighteenth centuries. As a whole they aim to reveal his enduring relevance for the tradition of didactic poetry and the study of other Augustan poetry and culture, and to provide an impetus for future discussions.

In this volume an international team of early career and more established scholars explores the ways in which didactic poets of Greco-Roman antiquity use imagery, broadly defined, in order to convey their teaching.

A sport and a military exercise, hunting involved aggressive action with weapons and dogs, and pursuit to the point of combat and killing, for the sake of recreation, food or conquest. The Stag of Love explores the body of erotic metaphor that developed from the hunt together with Ovid's flourishing legacies. While representing a range of human experience, the metaphor finds its dominant expression in the literature of love. As Marcelle Thiébaux demonstrates, the hunt's disciplined violence represented sexual desire, along with strategies and arts for getting love, the joys of love, and love's elevating mystique. The genre gave rise to a lavish imagery of footprints and tracking, arrows, nets, dogs and leashes, wounds, dismemberment and blood, that persisted to Shakespeare's day.Thiébaux opens with an account of a medieval chase and its ceremonies. She introduces hunt manuals that defined and gentrified the sport, in stages from the party's departure to the ferocity of the struggle to the animal's death. These stages adapted readily to narrative structures in the love chase, showing pursuit, confrontation with the beloved, and consummation. In English literature Thiébaux considers Beowulf, Aefric's Life of St. Eustace, Sir Gawain and the Green Knight, and Chaucer. She discusses Aucassin and Nicolete, Chrétien de Troyes' Erec, Gottfried von Strassburg's Tristan, the Nibelungenlied, and Wolfram von Eschenbach's works. The study ends with a scrutiny of newly recovered or little-known narratives of the thirteenth, fourteenth and fifteenth centuries. Originally published in 1974 and now issued in paperback for the first time, The Stag of Love brings to life a theme of perennial interest to medievalists, and to all readers intrigued by the imaginative treatment of love in the Western world.