Cyberpunk as you've never seen it before… Science fiction is all about outrageous ideas. Nice Malay girls breaking the rules. Censorship. Brain drain. Moral policing. Migrant exploitation. All the stuff of fiction, obviously. But these 14 short stories take it one step further. The nice Malay girls are cyborgs. The spambots are people. The brains have drained into cyberspace, and the censorship is inside your head. Welcome to Cyberpunk: Malaysia. (Contents in this ebook are exactly the same as the print version, just with a different cover.) Line-Up: Underneath Her Tudung / Angeline Woon Codes / Anna Tan Personal / Sharmilla Ganesan Attack of The Spambots / Terence Toh ONE HUNDRED YEARS: Machine / Rafil Elyas What the Andromaid Reads at Night / Ted Mahsun KAKAK / William Tham Wai Liang The Wall That Wasn’t a Wall / Kris Williamson The Twins / Adiwijaya Iskandar October 11 / Chin Ai-May Undercover in Tanah Firdaus / Tina Isaacs Unusual Suspects / Tariq Kamal The White Mask / Zedeck Siew Extracts from DMZINE #13 (January 2115) / Foo Sek Han (Buku Fixi) (Fixi Novo)

This book comprises a collection of essays that address a significant gap in the study of Malaysian Literature in English by exploring selected local and diasporic writings produced in the new postcolonial millennium, including works by established, emerging, and new writers. The literary developments in this new millennium have been substantial and are reflected in the production of new voices, viewpoints, themes, trends, styles, and forms. By articulating these changing postcolonial perspectives and conditions, the chapters in this volume can inform and enrich the study of nation, society, and culture in a globalized and hyperreal age. Tapping into the difference, diversity, and hybridity of 21st-century historicized and glocalized multicultural Malaysia, the millennium writings explore the changing identities and relations and their social, cultural, and political dimensions through the intersections of race, gender, sexuality, and class. By examining new, different, or changing ideas, forms, themes, and representations, this book considers the vital ways the millennium voices and viewpoints can potentially help us critically rethink and resituate postcolonial studies on Malaysia as they spotlight challenges and new directions in the field. The book will be of interest to researchers, academics, and scholars in the field of Malaysian writing in English, Southeast Asian literature, Asian literature, diaspora, and literary studies. The chapters in the book were originally published as a special issue in the Journal of Postcolonial Writing.

In this companion, an international range of contributors examine the cultural formation of cyberpunk from micro-level analyses of example texts to macro-level debates of movements, providing readers with snapshots of cyberpunk culture and also cyberpunk as culture. With technology seamlessly integrated into our lives and our selves, and social systems veering towards globalization and corporatization, cyberpunk has become a ubiquitous cultural formation that dominates our twenty-first century techno-digital landscapes. The Routledge Companion to Cyberpunk Culture traces cyberpunk through its historical developments as a literary science fiction form to its spread into other media such as comics, film, television, and video games. Moreover, seeing cyberpunk as a general cultural practice, the Companion provides insights into photography, music, fashion, and activism. Cyberpunk, as the chapters presented here argue, is integrated with other critical theoretical tenets of our times, such as posthumanism, the Anthropocene, animality, and empire. And lastly, cyberpunk is a vehicle that lends itself to the rise of new futurisms, occupying a variety of positions in our regionally diverse reality and thus linking, as much as differentiating, our perspectives on a globalized technoscientific world. With original entries that engage cyberpunk’s diverse ‘angles’ and its proliferation in our life worlds, this critical reference will be of significant interest to humanities students and scholars of media, cultural studies, literature, and beyond.

A genre-defining—and redefining—collection of the boldest, most rebellious, and most prescient speculative fiction, featuring stories from all over the globe. “The sky above the port was the color of television, tuned to a dead channel.” Almost forty years ago, William Gibson wrote the line that began Neuromancer—and a movement that would change the face of science fiction. Award-winning anthologist Jared Shurin brings together over a hundred stories from more than twenty-five countries that both establish and subvert the classic cyberpunk tropes and aesthetic—from gritty, near-future noir to pulse-pounding action. Urban rebels undermine monolithic corporate overlords. Daring heists are conducted through back alleys and the darkest parts of the online world. There’s dangerous new technology, cybernetic enhancements, scheming AI, corporate mercenaries, improbable weapons, and roguish hackers. These tales examine the near-now, extrapolating the most provocative trends into fascinating and plausible futures. We live in an increasingly cyberpunk world—packed with complex technologies and globalized social trends. A world so bizarre that even futurists couldn’t explain it—though many authors in this book have come closer than most. As both an introduction to the genre and the perfect compendium for the lifelong fan, The Big Book of Cyberpunk offers a hundred ways to understand where we are and where we’re going.

In the four decades or so since its invention, the internet has become pivotal to how many societies function, influencing how individual citizens interact with and respond to their governments. Within Southeast Asia, while most governments subscribe to the belief that new media technological advancement improves their nation’s socio-economic conditions, they also worry about its cultural and political effects. This book examines how this set of dynamics operates through its study of new media in contemporary Malaysian society. Using the social imaginary framework and adopting a socio-historical approach, the book explains the varied understandings of new media as a continuing process wherein individuals and their societies operate in tandem to create, negotiate and enact the meaning ascribed to concepts and ideas. In doing so, it also highlights the importance of non-users to national technological policies. Through its examination of the ideation and development of Malaysia’s Multimedia Super Corridor mega project to-date and reference to the seminal socio-political events of 2007-2012 including the 2008 General Elections, Bersih and Hindraf rallies, this book provides a clear explanation for new media’s prominence in the multi-ethnic and majority Islamic society of Malaysia today. It is of interest to academics working in the field of Media and Internet Studies and Southeast Asian Politics.

One takes a very long emotional rollercoaster ride in a novel, but in an anthology, one takes many many short emotional rides. And that's what this anthology will do to you: bring you on different rides of new Malaysian writings. So sit back with your cuppa and enjoy the read. Featuring the following new voices: Chloe Lim | Nurhayati Mohd Fadzil | Aimee Lee | Archana Vijai Kumar | Sukanya Dhanarajan | Najrina Suhana Abdul Jalil | Kaljit Kaur | Chong Beng Wei | Peter Soh | Khayma Balakrishnan | Sarah Alwi | Sanjugtha Vigneswaran

The Malaysian Writers Society presents a decade of quality short stories in The Best of Malaysian Short Fiction in English 2010–2020. A wish for better weather has unexpected consequences. A pianist finds an unlikely audience in her next-door neighbour. A girl attempts Mount Kinabalu only to regret it. Curated by editors Zhui Ning Chang and JY Tan, The Best of Malaysian Short Fiction in English 2010–2020 spans the speculative and realist to thrillers and drama. It explores the bold new directions of contemporary Malaysian writing and hints at the new heights of our future national literature. The Best of Malaysian Short Fiction in English 2010–2020 includes: Hugo Award winner Zen Cho; 2019 Commonwealth Short Story Prize Regional Winner Saras Manickam; Fixi Novo Contest winners Terence Toh and Chua Kok Yee; and USA Today bestselling author Cassandra Khaw.