Matthew Marks is pleased to announce his next exhibition will be Cy Twombly Photographs. The exhibition will consist of twenty-nine color photographs. This is the first time Twombly has exhibited work in this medium.Cy Twombly began experimenting with color photography in the early 1980s. About four years ago he started working with the master printers Michel and Jean-Francois Fresson at the Atelier Fresson in Savigny sur Orge, France. The Fresson technique is a unique photographic printing process carried on exclusively by the Fresson family since 1990. The photographs which result have an unusually rich surface and extraordinary, saturated colors over which the artist is able to maintain exceptional control. Fresson prints are the most permanent photographic color images made today.The subject matter of Twombly's photographs are flowers, trees and ancient Roman sculptures. The majority of the works in the exhibition have been put together by the artist into groups of five or six images. Theirs is similar to the way Twombly has presented his paintings and drawings in the past. While not as abstract as his work in other media, the photographs Twombly will show are close in feeling to his larger scale work and are important to an understanding of his subject matter and working methods.The last exhibition in New York consisting of entirely new work by Cy Twombly was held in 1982. -- Press Release (see link).

Through her photographs inside Twombly's studio Sally Mann captures his artistic life without his actual presence.

Luscious reproductions of more than 50 of Twombly's paintings, drawings and little-known sculptures, along with classical works of art, tell the story of an American abstractionist's poetical dialogue with antiquity Cy Twombly's first visit to Italy as a young man ignited a lifelong passion for classical culture that is everywhere present in his art. Painted canvases, works on paper and small-scale sculptures reveal the historical soul of Twombly's abstract compositions. Taking on myths and heroes as personal guides, he created a psychologically complex dialogue with the visual and literary art of antiquity. This sumptuously illustrated publication reproduces a carefully chosen selection of the artist's paintings, drawings and sculptures alongside works of classical antiquity, including a number from his personal collection. Illuminating essays by leading scholars and writers, including Anne Carson, Jennifer R. Gross, Brooke Holmes and Mary Jacobus, explore the often enigmatic engagement of Twombly's art with the world of the past. Cy Twombly(1928-2011) was born in Lexington, Virginia, and lived and worked in New York in the early 1950s and at Black Mountain College in North Carolina. After traveling around North Africa, Spain and Italy, he settled in Rome, where he remained for the rest of his life.

Cy Twombly (1928-2011) created art that was remarkable for its versatility, sensitivity and originality. Throughout his career, he followed his own artistic pathway, independent from contemporary trends, and for a long time his work went unnoticed by a wider audience. By the time of his death in Rome, at the age of 83, he was internationally recognized as one of the greatest and most idiosyncratic artists of the 20th and early 21st century. This book provides an authoritative overview of Twombly's complex body of work, bringing together the most important of his paintings and painting cycles, as well as a selection of his drawings, sculptures and photographs.

This National Book Award finalist is a revealing and beautifully written memoir and family history from acclaimed photographer Sally Mann. In this groundbreaking book, a unique interplay of narrative and image, Mann's preoccupation with family, race, mortality, and the storied landscape of the American South are revealed as almost genetically predetermined, written into her DNA by the family history that precedes her. Sorting through boxes of family papers and yellowed photographs she finds more than she bargained for: "deceit and scandal, alcohol, domestic abuse, car crashes, bogeymen, clandestine affairs, dearly loved and disputed family land . . . racial complications, vast sums of money made and lost, the return of the prodigal son, and maybe even bloody murder." In lyrical prose and startlingly revealing photographs, she crafts a totally original form of personal history that has the page-turning drama of a great novel but is firmly rooted in the fertile soil of her own life.