Comprised of a series of 45 full-color illustrated portraits of many different women, all of whom have "Mae" in their names, and accompanying text that captures their idiosyncratic voices, experiences, and perspectives on life, this volume presents an exuberant celebration of the strength, endurance, pride, and kinship of black women--and the debut of an exciting new author-artist.

The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.

Reesy Snowden & Misty Fine have been friends since childhood. Misty's work life is thriving & she has found Mr. Right at last. Although Reesy's trying to be happy for her friend, she is troubled by this intrusion into the one friendship that has always come first for both women. Nonetheless, Reesy's dreams of a dance career have become reality & she is also seeing a man who might be a keeper. Unfortunately, her self-destructive tendencies threaten to destroy her, until true love & friendship save the day.

The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.

A fascinating look at a pivotal period in Zora Neale Hurston's life that reimagines her complicated legacy. Zora Neale Hurston, an anthropologist and writer best known for her classic novel Their Eyes Were Watching God, led a complicated life often marked by tragedy and contradictions. When both she and her writing fell out of favor after the Harlem Renaissance, she struggled not only to regain an audience for her novels but also to simply make ends meet. In The Chase and Ruins, Sharony Green uncovers an understudied but important period of Hurston's life: her stay in Honduras in the late 1940s. On the eve of an awful accusation that nearly led to her suicide, Hurston fled to Honduras in search of a lost Mayan ruin. During her yearlong trip south of the US border, she appears to have never found the ruin she was chasing. But by escaping the Jim Crow south to Honduras, she avoided racist violence in the United States while still embracing her privilege—and power—as a US citizen in postwar Central America. While in Honduras, Hurston wrote Seraph on the Suwanee, her final novel and her only book to feature white characters, in an attempt to appeal to Hollywood's growing appetite for "crackerphilia" (stories about poor white folks) and to finally secure herself some financial stability. In a letter to her editor, Hurston wrote that in Honduras, she may not have found the Mayan ruin she was looking for, but she finally found herself. Hurston's experience in Honduras has much to teach us about Black women's lives and the thorny politics of postwar America as well as America's long and complicated entanglement with Central America. In an attempt to find historical meaning in an extraordinary woman's conceptions of herself in a changing world, Green unearths letters, diaries, literary writings, research reports, and other archival materials. The Chase and Ruins encourages us to reckon with and reimagine Hurston's fascinating life in all of its complexity and contradictions.

A Bird by Bird for the African-American market--A top-notch writer's guide filled with practical guidance, essays, and journal exercises for the African-American writer including advice from E.Lynn Harris, Charles Johnson, and Yolanda Joe. In her introduction, Jewell Parker Rhodes writes: "Never (in four years of college or five years of graduate school) was I assigned an exercise or given a story example that included a person of color...While the educational system and the publishing world have become progressively more welcoming of African-American authors, there is still little attention to educating, supporting, and sustaining the writing process of African-American authors. Free Within Ourselves is a solid first step--it is the book I wished I had when I started out as a writer. It is meant to be a song of encouragement for African-American artisits and visionaries. Free Within Ourselves is a step-by-step introduction to fictional technique, exploring story ideas, and charting one's progress, as well as a resource guide for publishing fiction." For the legions of people who have a novel stuck in their word processors, help is finally on the way! Free Within Ourselves is an excellent guide to all the elements necessary to crafting fiction: character development, point of view, plot, atmosphere, dialogue, diction, sentence variety, and revision. Writing techniques are taught using exercises, journaling, story examples, and analyses of famous writing fragments, as well as several complete stories (including those of James Baldwin, Zora Neale Hurston, and Edwidge Dandicat, among others). The book is further enhanced by inspirational advice from successful contemporary black writers (such as Bebe Moore Campbell, Rita Dove, Henry Louis Gates, John Edgar Wideman, and others), a bibliography, and a guide to workshops, journals, magazines, contests, and fellowships supportive of black arts.

The first travel book for the sisters!