This book is a coloring book for adults and children. The world of cute creatures, textile dolls is waiting for you. Only your imagination and pencils will save these pups, because they are so different and each lives in their own world. Turn their world and these cute dolls into a bright and magical tale . for this you will need your fantasy .. Good luck

Hand-sewing soft dolls has never been easier with these adorable patterns from the Gingermelon Dolls designer. The eagerly anticipated first book by popular toy designer Shelly Down, My Felt Doll shows sewers of all abilities how to make adorable soft dolls—and more than forty accompanying accessories—using the most basic of materials and skills. With just felt sheets and a handful of simple notions, you will learn how to sew the simple yet delightful doll pattern and then discover eleven imaginative variations on the design—from a mermaid to a witch, from a princess to a superhero, and from a ballerina to a bride—guaranteed to delight little girls everywhere. With no hems to sew and all the stitching done by hand, My Felt Doll makes a great entry point to sewing dolls for beginners and even children. Full-size templates make life easy—trace straight from the page with no need to enlarge. “Totally lovely . . . The instructions are clear and Shelly’s hand-drawn illustrations for each step are a perfect accompaniment . . . This is one of those instances in which buying a book is really worthwhile.” —While She Naps “Great for absolute beginners with no sewing experience . . . Also, a great addition to an experienced plushie maker . . . as the details and color palette will surely inspire you in your next customization.” —Noisybeak “The cutest book . . . Since the dolls are entirely handsewn out of wool felt, they take a little extra time, but the end results were so cute!” —Clover & Violet

Rebecca Rubin is growing up in New York City in 1914. She dreams of being a star on the silver screen, but starts on the stage at her school. She has to share the spotlight with her cousin Ana, and Rebecca fears the audience will laugh instead of applaud. Will Ana hurt or help the show? Illustrations.

A collection that tracks the astonishing impact of one vernacular aesthetic category—the cute—on postwar and contemporary art. The Cute tracks the astonishing impact of a single aesthetic category on post-war and contemporary art, and on the vast range of cultural practices and discourses on which artists draw. From robots and cat videos to ice cream socials, The Cute explores the ramifications of an aesthetic “of” or “about” minorness—or what is perceived to be diminutive, subordinate, and above all, unthreatening—on the shifting forms and contents of art today. This anthology is the first of its kind to show how contemporary artists have worked on and transformed the cute, in ways that not only complexify its meaning, but also reshape their own artistic practices. Artists surveyed include Peggy Ahwesh, Cosima Von Bonin, Nayland Blake, Paul Chan, Adrian Howells, Juliana Huxtable, Larry Johnson, Mike Kelley, Dean Kenning, Wyndham Lewis, Jeff Koons, Sean-Kierre Lyons, Mammalian Diving Reflex, Alake Shilling, Annette Messager, Mariko Mori, Takashi Murakami, Charlemagne Palestine, David Robbins, Mika Rottenberg, Allen Ruppersberg, Jack Smith, Kara Walker, Andy Warhol, Yoshitomo Nara Writers include Sasha Archibald, Roland Barthes, Leigh Claire La Berge, Lauren Berlant, Ian Bogost, Jennifer Doyle, Lee Edelman, Adrienne Edwards, Lewis Gordon, Rosemarie Garland-Thompson, Stephen Jay Gould, Lori Merish, John Morreall, Juliane Rebentisch, Frances Richard, Carrie Rickey, Friedrich Schiller, Peter Schjeldahl, Kanako Shiokawa, Angelik Vizcarrondo-Laboy, Kevin Young

A guide to trade names, brand names, product names, coined names, model names, and design names, with addresses of their manufacturers, importers, marketers, or distributors.

Examines what is called the Ceremonial Occasions industry in Japan, in particular the commercialized production of contemporary weddings there. Based on anthropological fieldwork conducted in a wedding parlour.

To serve the doll-collecting community, particularly avid Black-doll enthusiasts, Ms. Garrett continues to write about the dolls she loves. In this, her third doll publication, dolls, both old and new, blog their experiences over a two-year period as chosen dolls in Garrett's extensive and quite eclectic Black-doll collection.If you love dolls, possess a vivid imagination, and enjoy combining the two, you will derive great pleasure reading The Doll Blogs, another first for Debbie Behan Garrett. Garrett takes the reader on an imaginative voyage in doll-collecting world where she meets and greets new dolls, reacquaints herself with old ones, and continues the passion for all as a doll whisperer, allowing the dolls to speak through her. The dolls (some more vocal than others, with personalities all their own) find delight in telling their unique stories, sharing their experiences, and relaying how they entered Garrett's collection.This first book devoted to dolls that speak in blog form is masterfully engaging, a sure delight.