‘ONE OF THE BEST CRIME WRITERS OUT THERE’ Elly Griffiths ‘I BARELY CAME UP FOR AIR’ Jo Furniss ‘CONFIRMS WATKINS IN THE FRONT RANK OF BRITISH CRIME WRITERS' Daily Mail ‘A RIVETING AND PROPULSIVE THRILLER’ Kia Abdullah ‘SMART AND ATMOSPHERIC’ T. M. Logan

"When controversial internet celebrity Violet Armstrong vanishes in the middle of a scorching Peak District summer, the case sparks a media frenzy.The clock is ticking for DI Meg Dalton and her team to find Violet before online threats explode into real-life violence. And then the blood and hair of a young woman are found in an empty pig trough at the local abattoir...The more Meg finds out about this unnerving case, the more she becomes convinced that something very, very bad has happened to Violet. With temperatures rising and the press demanding answers, the case is about to take a terrifying turn..."--Publisher.

"A ten year old girl is found running through the woods, barefoot and wearing only a blood-soaked nightdress. She has no memory of what happened to her, but her father is found stabbed to death in their nearby house. At first, DI Meg Dalton blames an intruder, but why had the girl's murdered father been so obsessed with the creepy statues in the woods, and with the girl's recent heart transplant? Meg's investigation leads her down a chilling path. The girl has been having nightmares, and seems to remember things that happened to her heart donor. Who was the donor child and what happened to her? And does this have anything to do with the murder of the girl's father? Meg is forced to question her deepest beliefs to discover the shocking truth before the killer strikes again."--Publisher.

’Cleverly crafted, twisty, gripping and suspenseful’ B. A. Paris Only the killer holds the key. . .

‘The Circle meets Black Mirror in a thrilling, plausible and gripping debut. Frighteningly inventive.’ John Marrs, bestselling author of The One ‘Wow wow wow! What a story that was!... An unputdownable thriller... Absolutely brilliant read that had me on the edge of my seat!’ NetGalley reviewer, 5 stars

Drawing on previously untapped archival materials including letters, interviews, and more, Bernard F. Dick traces the history of Columbia Pictures, from its beginnings as the CBC Film Sales Company, through the regimes of Harry Cohn and his successors, and ending with a vivid portrait of today's corporate Hollywood. The book offers unique perspectives on the careers of Rita Hayworth and Judy Holliday, a discussion of Columbia's unique brands of screwball comedy and film noir, and analyses of such classics as The Awful Truth, Born Yesterday, and From Here to Eternity. Following the author's highly readable studio chronicle are fourteen original essays by leading film scholars that follow Columbia's emergence from Poverty Row status to world class, and the stars, films, genres, writers, producers, and directors responsible for its transformation. A new essay on Quentin Tarantino's Once Upon a Time...in Hollywood rounds out the collection and brings this seminal studio history into the 21st century. Amply illustrated with film stills and photos of stars and studio heads, Columbia Pictures is the first book to integrate history with criticism of a single studio, and is ideal for film lovers and scholars alike.