"Two Hannah Swensen holiday mysteries in one volume"--Cover.

“Strap in for a hilarious and satisfying ride.” —Terry Fallis, bestselling author of Operation Angus A once-famous TV sleuth An amateur theater production An onstage murder A town full of suspects… Miranda Abbott, once known for the crime-solving, karate-chopping church pastor she played on network television, has hit hard times. She’s facing ruin when a mysterious postcard arrives, summoning her to Happy Rock, a small town in the Pacific Northwest. But when she gets there, nothing is what she expected. In dire straits, she signs up for an amateur production at the Happy Rock Little Theater. On opening night, one of the actors is murdered, live, in front of the audience. But no one actually saw what happened. Now everyone is under a cloud of suspicion, including the town doctor, the high school drama teacher, an oil-stained car mechanic, an elderly gentleman who may have been in the CIA—and Miranda herself. Clearly, the only way to solve this mystery is for Miranda to summon her skills as television’s Pastor Fran. Because the show must go on! Miranda Abbott Mystery Book 1: I Only Read Murder by Will Ferguson and Ian Ferguson Book 2: Mystery in the Title by Ian Ferguson and Will Ferguson Book 2: Mystery in the Title by Will Ferguson and Ian Ferguson

The author, a former BBC radio producer, conducted interviews with many leading British composers of the day, and his account provides for a unique insight into this often overlooked genre. Based on Michael Hall's many interviews with leading British composers of the genre, this book looks at the heyday of the British Music Theatre in the 1960s and 70s, a period when the author as a BBC radio producer was actively involved with the contemporary music scene. Music Theatre - a composite of music, singing, dancing and speaking distinct from traditional opera and ballet - has its roots in works by Monteverdi, Schoenberg, Satie, Stravinsky, Weill, Hindemith and Eisler, but flourished anew in the 1960s, in America, Britain and Europe. Hall's book presents an account of the context for the activity of Birtwistle, Goehr and Maxwell Davies; it uncovers details of little-known early works by other major figures such as Cardew and Tavener; and it recognises the highly distinctive contributions of composers whose works are less well known. Music Theatre in Britain also throws new light upon the reaction of British composers to the economic and social upheavals of 'the Sixties', offering a distinct and valuable contribution to our understanding of the relationship of the post-war musical avant-garde to social movementsand ideology. Music Theatre in Britain will be of interest to all those working in the field of late twentieth-century British music, to students of composition, and to composers, performers and producers of Music Theatre. MICHAEL HALL, who died in August 2012, had a long career as a conductor, founder of Royal Northern Sinfonia, BBC producer and broadcaster, university lecturer and writer on music.

A P.I.’s bookkeeper takes a side gig in sleuthing when an amateur production of The Mousetrap features a real-life murder in this cozy mystery novel. Sophie “Phee” Kimball is trying to get work done at her private investigation company, but it’s hard to focus when her old crush just moved to Arizona to join the staff. The last thing she needs is more distraction—like constant updates from her mom on the local production of Agatha Christie’s “The Mousetrap.” Practically everyone from Mom’s book club and retirement community, with the possible exception of her chiweenie dog, wants to join the cast and crew. But someone’s playing the role of a killer for real. After a much-despised cast member is found dead in the theater, Phee has no choice but to immerse herself in all the backstabbing, backstage gossip. Especially if her drama-queen mother is right about the threatening note left on her windshield—which could spell curtains for another victim

When mystery writer Mary Graves is found dead, it's up to a detective with anger issues to figure out who among Graves' guests is a murderer. Is it the oil tycoon, the scientist, the Shakespearean actor, the countess, the psychic, or the maid? ...Say, this is starting to sound like a mystery novel! A hilarious one-act whodunnit brimming with larger-than-life characters. Mystery-Comedy One-act 35-45 minutes 9 actors (suggested casting: 6F, 3M)