On a sultry afternoon in the summer of 1936 a woman accidentally interrupts an attempted murder in a London hotel room. Nina Land, a West End actress, faces a dilemma: she's not supposed to be at the hotel in the first place, and certainly not with a married man. But once it becomes apparent that she may have seen the face of the man the newspapers have dubbed 'the Tie-Pin Killer' she realises that another woman's life could be at stake. Jimmy Erskine is the raffish doyen of theatre critics who fears that his star is fading: age and drink are catching up with him, and in his late-night escapades with young men he walks a tightrope that may snap at any moment. He has depended for years on his loyal and longsuffering secretary Tom, who has a secret of his own to protect. Tom's chance encounter with Madeleine Farewell, a lost young woman haunted by premonitions of catastrophe, closes the circle: it was Madeleine who narrowly escaped the killer's stranglehold that afternoon, and now walks the streets in terror of his finding her again. Curtain Call is a comedy of manners, and a tragedy of mistaken intentions. From the glittering murk of Soho's demi-monde to the grease paint and ghost-lights of theatreland, the story plunges on through smoky clubrooms, tawdry hotels and drag balls towards a denouement in which two women are stalked by the same killer. As bracing as a cold Martini and as bright as a new tie-pin, it is a poignant and gripping story about love and death and a society dancing towards the abyss.

Watch out, Broadway! Babymouse tries out for the school play in the next book in the Babymousetastic, highly illustrated Babymouse: Tales from the Locker series. All of middle school's a play--at least, it seems that way to Babymouse. So when she hears about auditions for the school play, she jumps at the chance. She knows she's destined to be the lead! Or the lead's best friend. Or...Clown #2? Babymouse scrambles to memorize her one line, work on set design, and try to wrap her head around stage directions. But when the big show has a major glitch, it will take all of Babymouse's newfound skills to save the play. Le exhausted sigh.

The fourth and final book in the USA Today bestselling Magnolia Steele Mystery series. Magnolia Steele has nothing left to lose. Her once-beloved father has been unmasked as a criminal, her mother is dead, and her two closest allies—her boyfriend and her sister-in-law—have broken her trust. Worse, the serial killer who has tormented her since her return to Franklin has escalated his behavior. Everyone around her encourages her to run away or hide, but Magnolia is determined to stand her ground. She intends to identify the serial killer herself, even if she has to burn every last bridge to do it. Her one lead is the apparent link between her father and the murders. Unsure of whom to trust, she forms a temporary alliance with a detective who’s on the outs with the Franklin police force. Together, they dig into the past for clues, but Magnolia doesn’t limit herself to secondary sources. Her father is still in town, very intent on a reunion, and her brother might finally be ready to talk about their shared past… As the situation escalates, Magnolia discovers that she has inherited her mother’s steel backbone. It will help her distinguish friend from foe, and it might just be her best hope for surviving her curtain call.

Stalking academia, re-ordering double printsand rewriting the autobiography of Buster Keaton, Clinton's hapless and sophomoric intellectual narrator offers his poignant and funny insights on modern-day culture in a series of slapstick misadventures.