CURSO RÁPIDO SOBRE MAGIA DO CAOS A magia moderna que todos usam e ninguém conta. O hobby oculto dos ricos e famosos. CONTEÚDO DO CURSO: 1 Presente Pop 2 Um pouco de história sobre a magia do caos 3 Os 7 princípios de Kibalyon A-Principio do Mentalismo B-Principio de Correspondencia C-Principio de Vibração D-Principio de Polaridade E-Principio de Ritmo F-Principio de Causa e Efeito G-Principio de Gênero 4 Níveis de consciência A-Nível beta ou plano físico B-Nível alfa ou plano astral ou mental C-Nível Theta ou mental ou “espiritual” 5 Nossa mente não descansa jamais 6 Exercício um. Atrair pessoas interessantes a sua vida para encontros sexuais 7 Exercício dois. Jogos de azar 8 Exercício três: Outras formas de ganhar dinheiro 9 O sigilo contrário 10 Exercício quatro: Outras formas menos convencionais de usar o Método Quântico e ganhar dinheiro com jogos de azar 11 Exercício cinco: Como criar una empresa e leva-la rapidamente ao sucesso 12 A arte da transmutação mental 13 Método para sair de qualquer poço emocional, com outro exercício Cada vez mais famosos e milionários vem demonstrando sua fixação pelas ciências ocultas. A sociedade escrava, em si, não tem ideia do poder destes exercícios; realmente, em si, não tem ideia de nada. E os mesmos que trabalham nas sombras para enriquecer mais e mais, fazem filmes e outras formas de desinformação, como a construçao da nova era, o segredo e a lei da atração. Puras perdas de tempo. A ciência oculta de verdade, a que gera resultados, é outra. O anterior só pode te deixar maluco., gerando quantidades industriais de desejos não realizados, o que, por sua vez, provoca obsessão e consequentemente se perde a sanidade. O sucesso requer outro exercício. Esta significativa parcela da população mundial que se tornou famosa, utiliza mecanismos de engenharia psíquica para manipular resultados, um eve

In The Ritual Process: Structure and Anti-Structure, Victor Turner examines rituals of the Ndembu in Zambia and develops his now-famous concept of "Communitas." He characterizes it as an absolute inter-human relation beyond any form of structure.The Ritual Process has acquired the status of a small classic since these lectures were first published in 1969. Turner demonstrates how the analysis of ritual behavior and symbolism may be used as a key to understanding social structure and processes. He extends Van Gennep's notion of the "liminal phase" of rites of passage to a more general level, and applies it to gain understanding of a wide range of social phenomena. Once thought to be the "vestigial" organs of social conservatism, rituals are now seen as arenas in which social change may emerge and be absorbed into social practice.As Roger Abrahams writes in his foreword to the revised edition: "Turner argued from specific field data. His special eloquence resided in his ability to lay open a sub-Saharan African system of belief and practice in terms that took the reader beyond the exotic features of the group among whom he carried out his fieldwork, translating his experience into the terms of contemporary Western perceptions. Reflecting Turner's range of intellectual interests, the book emerged as exceptional and eccentric in many ways: yet it achieved its place within the intellectual world because it so successfully synthesized continental theory with the practices of ethnographic reports."

Rosalind Brodsky, the alter ego of artist Suzanne Treister, is a delusional time traveller who believes herself to be working at the Institute of Militronics and Advanced Time Interventionality in the twenty-first century. HEXEN 2039 charts Brodsky's scientific research in the development of new mind control technologies through a series of drawings, diagrams and photographs. By turns baroque, challenging, comic, elegant, mysterious and intriguing, these works uncover or construct links between conspiracy theories, occult groups, Chernobyl, witchcraft, the US film industry, British Intelligence agencies, Soviet brainwashing, and behaviour control experiments of the US Army and its Civil Affairs and Psychological Operations Command (PSYOP), in light of alarming new research in contemporary neuroscience. In addition, an essay by Richard Grayson examines Treister's practice in detail. As a whole, this fascinating and complex body of work questions the way we look at history and the future, science, technology, politics, and narrative. A rich and engaging book, HEXEN 2039 is part artist's monograph and part chilling premonition of the future, echoing the world of graphic novels and computer games. The book also includes a 62 x 53 cm poster.

An invaluable tool for learners of Portuguese, this Frequency Dictionary provides a list of the 5000 most commonly used words in the language. Based on a twenty-million-word collection of Portuguese (taken from both Portuguese and Brazilian sources), which includes both written and spoken material, this dictionary provides detailed information for each of the 5000 entries, including the English equivalent, a sample sentence, and an indication of register and dialect variation. Users can access the top 5000 words either through the main frequency listing or through an alphabetical index. Throughout the frequency listing there are also thrity thematically-organized ‘boxed’ lists of the top words from a variety of key topics such as sports, weather, clothing and relations. An engaging and highly useful resource, A Frequency Dictionary of Portuguese will enable students of all levels to get the most out of their study of Portuguese vocabulary. Former CD content is now available to access at www.routledge.com/9780415419970 as support material. Designed for use by corpus and computational linguists it provides the full text in a format that researchers can process and turn into suitable lists for their own research work.

Isis Unveiled H. P. Blavatsky - Includes the complete Volumes I and II of Isis Unveiled. Blavatsky's first major work on theosophy, examining religion and science in the light of Western and Oriental ancient wisdom and occult and spiritualistic phenomena.

In the tradition of A History of Reading, this book is an account of Manguel’s astonishment at the variety, beauty and persistence of our efforts to shape the world and our lives, most notably through something almost as old as reading itself: libraries. The Library at Night begins with the design and construction of Alberto Manguel’s own library at his house in western France – a process that raises puzzling questions about his past and his reading habits, as well as broader ones about the nature of categories, catalogues, architecture and identity. Thematically organized and beautifully illustrated, this book considers libraries as treasure troves and architectural spaces; it looks on them as autobiographies of their owners and as statements of national identity. It examines small personal libraries and libraries that started as philanthropic ventures, and analyzes the unending promise – and defects – of virtual ones. It compares different methods of categorization (and what they imply) and libraries that have built up by chance as opposed to by conscious direction. In part this is because this is about the library at night, not during the day: this book takes in what happens after the lights go out, when the world is sleeping, when books become the rightful owners of the library and the reader is the interloper. Then all daytime order is upended: one book calls to another across the shelves, and new alliances are created across time and space. And so, as well as the best design for a reading room and the makeup of Robinson Crusoe’s library, this book dwells on more "nocturnal" subjects: fictional libraries like those carried by Count Dracula and Frankenstein’s monster; shadow libraries of lost and censored books; imaginary libraries of books not yet written. The Library at Night is a fascinating voyage through the mind of one our most beloved men of letters. It is an invitation into his memory and vast knowledge of books and civilizations, and throughout – though mostly implicitly – it is also a passionate defence of literacy, of the unique pleasures of reading, of the importance of the book. As much as anything else, The Library at Night reminds us of what a library stands for: the possibility of illumination, of a better path for our society and for us as individuals. That hope too, at the close, is replaced by something that fits this personal and eclectic book even better: something more fragile, and evanescent than illumination, though just as important.