This volume advances the contemporary debate on five central issues in the philosophy of film. These issues concern the relation between the art and technology of film, the nature of film realism, how narrative fiction films narrate, how we engage emotionally with films, and whether films can philosophize. Two new essays by leading figures in the field present different views on each issue. The paired essays contain significant points of both agreement and disagreement; new theories and frameworks are proposed at the same time as authors review the current state of debate. Given their combination of richness and clarity, the essays in this volume can effectively engage both students, undergraduate or graduate, and academic researchers.

This book provides an up-to-date and accessible overview of the hottest and most influential contemporary debates in philosophy of perception, written especially for this volume by many of the most important philosophers of the field. The book addresses the following key questions: Can perception be unconscious? What is the relation between perception and attention? What properties can we perceive? Are perceptual states representations? How is vision different from the other sense modalities (like hearing or smell)? How do these sense modalities interact with one another? Contributors are Ned Block, Berit Brogaard, Alex Byrne, Robert Kentridge, John Kulvicki, Heather Logue, Mohan Matthen, Bence Nanay, Matt Nudds, Casey O’Callaghan, Adam Pautz, Ian Phillips, Susanna Siegel and Wayne Wu.

While orthodox religion by its very nature is conservative, philosophy at its best is inherently radical. It challenges authority, tradition, and the whole idea of "dogma." For this reason, philosophy of religion can be explosively controversial. It is bound to disturb those who peddle incontrovertible truth and fascinate those who seek spiritual truth and are willing to follow the argument wherever it leads. This volume is designed for such seekers. It brings together an international team of leading philosophers of religion to explore and debate radical new ideas about religion, God, and ultimate reality. Four related questions are addressed: How might religion make progress? Is life after death a real possibility? Must a perfect God be motivated by our well-being? What alternatives are there to traditional theism and materialist atheism? The book begins with a vision for the field of philosophy of religion and ends with a capstone chapter that touches on all of the topics debated in the other chapters. The addition of chapter overviews, annotated suggestions for further reading, and annotated guides to three additional controversies make it an ideal textbook in addition to being an important source for scholars and seekers of all kinds.

Cognitive science is the study of minds and mental processes. Psychology, neuroscience, computer science, and philosophy, among other subdisciplines, contribute to this study. In this volume, leading researchers debate five core questions in the philosophy of cognitive science: Is an innate Universal Grammar required to explain our linguistic capacities? Are concepts innate or learned? What role do our bodies play in cognition? Can neuroscience help us understand the mind? Can cognitive science help us understand human morality? For each topic, the volume provides two essays, each advocating for an opposing approach. The editors provide study questions and suggested readings for each topic, helping to make the volume accessible to readers who are new to the debates.

Cover -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Contributors -- Bioethics: Current Controversies -- Part I Research Ethics: How Should We Justify Ancillary-Care Duties? -- 1 Locating Medical Researchers' Ancillary-Care Obligations within the Division of Moral Labor -- 2 The Grounds of Ancillary Care Duties -- Suggested Further Readings (Part I) -- Study Questions (Part I) -- Part II Clinical Ethics: Are Psychopaths Morally Accountable? -- 3 Fine Cuts of Moral Agency: Dissociable Deficits in Psychopathy and Autism -- 4 Holding Psychopaths Responsible and the Guise of the Good -- Suggested Further Readings (Part II) -- Study Questions (Part II) -- Part III Reproductive Ethics: Is There a Solution to the Nonidentity Problem? -- 5 Dividing and Conquering the Nonidentity Problem -- 6 The Nonidentity Problem: United and Unconquered -- Suggested Further Readings (Part III) -- Study Questions (Part III) -- Part IV Neuroethics: What Is Addiction and Does It Excuse? -- 7 Addiction, Habits, and Blame -- 8 How Addicts Lose Control -- Suggested Further Readings (Part IV) -- Study Questions (Part IV) -- Part V Public Health Ethics: Is Luck Egalitarianism Implausibly Harsh? -- 9 Rarely Harsh and Always Fair: Luck Egalitarianism and Unhealthy Choices -- 10 Luck Egalitarianism, Harshness, and the Rule of Rescue -- Suggested Further Readings (Part V) -- Study Questions (Part V) -- Supplemental Guide to Further Controversies -- Index

This volume collects twenty original essays on the philosophy of film. It uniquely brings together scholars working across a range of philosophical traditions and academic disciplines to broaden and advance debates on film and philosophy. The book includes contributions from a number of prominent philosophers of film including Noël Carroll, Chris Falzon, Deborah Knight, Paisley Livingston, Robert Sinnerbrink, Malcolm Turvey, and Thomas Wartenberg. While the topics explored by the contributors are diverse, there are a number of thematic threads that connect them. Overall, the book seeks to bridge analytic and continental approaches to philosophy of film in fruitful ways. Moving to the individual essays, the first two sections offer novel takes on the philosophical value and the nature of film. The next section focuses on the film-as-philosophy debate. Section IV covers cinematic experience, while Section V includes interpretations of individual films that touch on questions of artificial intelligence, race and film, and cinema’s biopolitical potential. Finally, the last section proposes new avenues for future research on the moving image beyond film. This book will appeal to a broad range of scholars working in film studies, theory, and philosophy.