This book publishes 323 handcopies of cuneiform tablets found in the academic papers of W. G. Lambert (1926–2011), one of the foremost Assyriologists of the twentieth century. Prepared by A. R. George and Junko Taniguchi, it completes a two-part edition of Lambert’s previously unpublished handcopies. Written by Babylonian and Assyrian scribes in ancient Mesopotamia, the texts collected here are organized by genre and presented with a descriptive catalogue and indexes. The contents include omen literature, divinatory rituals, religious texts, a scribal parody of Babylonian scholarship, theological and religious texts, lexical lists, god lists, and a small group of miscellaneous texts of various genres. The tablets are mainly from the British Museum, but some come from museums in Baghdad, Berlin, Chicago, Geneva, Istanbul, Jerusalem, New Haven, Oxford, Paris, Philadelphia, Tokyo, Toronto, and Washington. In addition, there are copies of eight tablets whose current whereabouts are unknown. This third collection of Lambert’s handcopies published by Eisenbrauns—following Babylonian Creation Myths and Cuneiform Texts from the Folios of W. G. Lambert, Part One—is a crucial part of the intellectual history of the field of Assyriology. In addition, many of these texts are published herein for the first time, making them a valuable and important resource for further study.

W. G. Lambert's line drawings of cuneiform tablets from the British Museum, together with his meticulous editions of their contents, form a contribution to Assyriology unrivaled in his generation. Upon his death in 2011, Lambert bequeathed his academic legacy to A. R. George, who discovered among its contents approximately 1,400 unpublished pencil drawings. He and Junko Taniguchi took over the task of converting the drawings into images suitable for publication. The first of two planned volumes, this book features drawings of 329 cuneiform tablets found in Lambert's academic papers. Written by Babylonian and Assyrian scribes between 2500 and 35 BC, the texts in this volume are organized by genre and provided with a descriptive catalogue and indexes. The contents include commemorative and votive inscriptions, late copies of royal inscriptions and royal correspondence, historical and historical-literary texts, Sumerian literature, Akkadian-language compositions of mythological and "epic" content, Babylonian and Assyrian hymns, prayers and praise poetry, incantations, wisdom literature, and fragments of unidentified literary works. The mass of unpublished cuneiform tablets in museums remains a largely unexplored resource with enormous capacity to illuminate all aspects of life in ancient Mesopotamia. This collection constitutes an important milestone on the road to a fuller comprehension of the written legacy of the ancient Babylonians.

Volume One: 120 ancient Mesopotamian texts from the Metropolitan Museum's extensive collection of cuneiform tablets are published here in a projected multi-volume edition. -- Metropolitan Museum of Art website.

The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Volume One: 120 ancient Mesopotamian texts from the Metropolitan Museum's extensive collection of cuneiform tablets are published here in a projected multi-volume edition. -- Metropolitan Museum of Art website.