These engaging folk tales from Cumbria were collected as fragments that the author has brought back to life. Shaped by the natural world, local customs and generations of chattering, these traditional tales reflect the unique Cumbrian wit and wisdom. Herein you will find intriguing accounts of Hunchback and the Swan, the Screaming Skulls of Calgarth, the Millom Hob Thross, Hughie the Graeme, Cumbrian Crack, and Billy Peascod's Harp. They will make you want to visit the places where they happened and meet some of the characters that feature in them. Including charming illustrations from the local artist Steven Gregg, this captivating collection will be enjoyed by readers time and again. Taffy Thomas has lived in Grasmere for well over thirty years, and is a highly experienced storyteller with a repertoire of more than 300 tales. In the 2001 New Year Honours List he was awarded the MBE for services to storytelling and charity, and in 2010 was appointed as the first UK Storyteller Laureate.

These engaging folk tales from Cumbria were collected as fragments that the author has brought back to life. Shaped by the natural world, local customs and generations of chattering, these traditional tales reflect the unique Cumbrian wit and wisdom. Herein you will find intriguing accounts of Hunchback and the Swan, the Screaming Skulls of Calgarth, the Millom Hob Thross, Hughie the Graeme, Cumbrian Crack, and Billy Peascod’s Harp. They will make you want to visit the places where they happened and meet some of the characters that feature in them. Including charming illustrations from the local artist Steven Gregg, this captivating collection will be enjoyed by readers time and again. Taffy Thomas has lived in Grasmere for well over thirty years, and is a highly experienced storyteller with a repertoire of more than 300 tales. In the 2001 New Year Honours List he was awarded the MBE for services to storytelling and charity, and in 2010 was appointed as the first UK Storyteller Laureate.

New insights into the changing human attitudes towards wild nature through the depiction of wolves in human culture and heritage. Few animals arouse such strong opinion as the wolf. It occupies a contested, ambiguous, yet central role in human culture and heritage. It appears as both an inspirational emblem of the wild and an embodiment of evil. Offering a mirror to different human attitudes, beliefs, and values, the wolf is, arguably, the species that plays the greatest role in shaping our views on what nature is or should be. North America and, more recently, Europe have witnessed a remarkable return of the grey wolf (Canis lupus, and its close relative the Eurasian wolf, Canis lupus lupus) to eco-systems. The essays collected here explore aspects of this recovery, and consider the history, literature and myth surrounding this iconic species. There are chapters on wolf taxonomy, including the coywolf, the red wolf, and the many faces of the dingo. We also meet the Tasmanian wolf and encounter Nazi Werewolves from Outer Space. The book explores the challenges of separating fact from fiction and superstition, and our willingness to co-exist with large carnivores in the twenty-first century. Biologists, historians, anthropologists, cultural theorists, conservationists and museologists will all find riches in the detail presented in this wolf collection.