International Series in Experimental Social Psychology, Volume I: Culture in Contact: Studies in Cross-Cultural Interaction is part of a series of books that presents development in the field of social psychology; each volume contains materials such as empirical research, research procedures, theoretical formulations, and critical reviews of the relevant literature. This particular volume covers the processes and outcomes of cross cultural encounters. The book consists of eight chapters, which are organized into three parts. Part I discusses various types and purposes of cross-cultural contact and reviews the major empirical findings relating to the field. Part II deals with the processes underlying effective communication between culturally diverse persons. Part III concerns itself with practical outcomes of culture contact, such as the reactions of the persons engaged in the meeting. The text will be of great interest to researchers and professionals concerned with the nature of cross-cultural interactions, such as sociologists and social psychologists.

A landmark work on human migration around the globe, Cultures in Contact provides a history of the world told through the movements of its people. It is a broad, pioneering interpretation of the scope, patterns, and consequences of human migrations over the past ten centuries. In this magnum opus thirty years in the making, Dirk Hoerder reconceptualizes the history of migration and immigration, establishing that societal transformation cannot be understood without taking into account the impact of migrations and, indeed, that mobility is more characteristic of human behavior than is stasis. Signaling a major paradigm shift, Cultures in Contact creates an English-language map of human movement that is not Atlantic Ocean-based. Hoerder describes the origins, causes, and extent of migrations around the globe and analyzes the cultural interactions they have triggered. He pays particular attention to the consequences of immigration within the receiving countries. His work sweeps from the eleventh century forward through the end of the twentieth, when migration patterns shifted to include transpacific migration, return migrations from former colonies, refugee migrations, and distinct regional labor migrations in the developing world. Hoerder demonstrates that as we enter the third millennium, regional and intercontinental migration patterns no longer resemble those of previous centuries. They have been transformed by new communications systems and other forces of globalization and transnationalism.

People have long been fascinated about times in human history when different cultures and societies first came into contact with each other, how they reacted to that contact, and why it sometimes occurred peacefully and at other times was violent or catastrophic. Studies in Culture Contact: Interaction, Culture Change, and Archaeology, edited by James G. Cusick,seeks to define the role of culture contact in human history, to identify issues in the study of culture contact in archaeology, and to provide a critical overview of the major theoretical approaches to the study of culture and contact. In this collection of essays, anthropologists and archaeologists working in Europe and the Americas consider three forms of culture contact—colonization, cultural entanglement, and symmetrical exchange. Part I provides a critical overview of theoretical approaches to the study of culture contact, offering assessments of older concepts in anthropology, such as acculturation, as well as more recently formed concepts, including world systems and center-periphery models of contact. Part II contains eleven case studies of specific contact situations and their relationships to the archaeological record, with times and places as varied as pre- and post-Hispanic Mexico, Iron Age France, Jamaican sugar plantations, European provinces in the Roman Empire, and the missions of Spanish Florida. Studies in Culture Contact provides an extensive review of the history of culture contact in anthropological studies and develops a broad framework for studying culture contact’s role, moving beyond a simple formulation of contact and change to a more complex understanding of the amalgam of change and continuity in contact situations.

How is cultural identity accomplished interactively? What happens when different cultural identities contact one another? This book presents a series of papers, from classic essays to original expositions, which respond to these questions. The view of communication offered here -- rather than ignoring culture, or making it a variable in an equation -- is based on cultural patterns and situated communication practices, unveiling the multiplicity of factors involved in particular times and places. The contributors to this unusual volume represent a wide range of fields. Their equally diverse offerings will serve to clarify cultural distinctiveness in some communication phenomena, and lay groundwork for the identification of cross-cultural generalities in others.

This antique text contains a detailed treatise on the contacting of indigenous tribes and communities on the continent of Africa. This brochure is a reprint of a series of papers that appeared during 1934, 1935 and 1936 in the journal of the African Institute, the sponsor of the field-work out of which these discussions arose. Since all the contributors write from their first-hand experience, the essays have that peculiarly attractive freshness that can only come when those faced with problems of method describe and evaluate the devices they employ with the difficulties that face them in the course of their research. This text has been elected for modern republication due to its educational and historical value, and we are proud to republish it here complete with a new introductory biography of the author. Bronislaw Kasper Malinowski (1884-1942) was a Polish anthropologist,who is commonly hailed as one of the most influential anthropologists of the 20th-century.

The exhibition "Beyond Babylon : Art, Trade, and Diplomacy in the Second Millennium B.C.," held in 2008 - 2009 at The Metropolitan Museum of Art, demonstrated the cultural enrichment that emerged from the intensive interaction of civilizations from western Asia to Egypt and the Aegean in the Middle and Late Bronze Ages. During this critical period in human history, powerful kingdoms and large territorial states were formed. Rising social elites created a demand for copper and tin, as well as for precious gold and silver and exotic materials such as lapis lazuli and ivory to create elite objects fashioned in styles that reflected contacts with foreign lands. This quest for metals--along with the desire for foreign textiles--was the driving force that led to the establishment of merchant colonies and a vast trading network throughout central Anatolia during the early second millennium B.C. Texts from palaces at sites from Hattusa (modern Bogazköy) in Hittite Anatolia to Amarna in Egypt attest to the volume and variety of interactions that took place some centuries later, creating the impetus for the circulation of precious goods, stimulating the exchange of ideas, and inspiring artistic creativity. Perhaps the most dramatic evidence for these far-flung connections emerges out of tragedy--the wreckage of the oldest known seagoing ship, discovered in a treacherous stretch off the southern coast of Turkey near the promontory known as Uluburun. Among its extraordinary cargo of copper, glass, and exotic raw materials and luxury goods is a gilded bronze statuette of a goddess--perhaps the patron deity on board, who failed in her mission to protect the ship. To explore the themes of the exhibition--art, trade, and diplomacy, viewed from an international perspective--a two-day symposium and related scholarly events allowed colleagues to explore many facets of the multicultural societies that developed in the second millennium B.C. Their insights, which dramatically illustrate the incipient phases of our intensely interactive world, are presented largely in symposium order, beginning with broad regional overviews and examination of particular archeological contexts and then drawing attention to specific artists and literary evidence for interconnections. In this introduction, however, their contributions are viewed from a somewhat more synthetic perspective, one that focuses attention on the ways in which ideas in this volume intersect to enrich the ongoing discourse on the themes elucidated in the exhibition.