This is an examination of the interactions between people of different cultures as portrayed in relatively modern, commonly available American and European films. The cinema is a desirable medium through which to show cultural differences because it vividly portrays settings, actions and emotions, all of which greatly influence viewers' perceptions. Films showing relations of the United States, north and south; Japan, China, India, Asia, and Africa meeting the West; the clash between American Indians and white settlers; various other intercultural contrasts, multicultural voices in film, and the connection between popular film and intercultural studies--all are examined in this work. Each chapter concludes with a filmography.

Take Your Group to a Place ...Where they can see people’s needs in a new wayWhere they can understand their callingWhere they will learn how their faith can shape cultureThis six-session DVD and corresponding curriculum helps your group experience and envision how followers of Christ can be a counterculture for the common good. Together you’ll experience stories of other believers who changed the culture around them, including Andy Crouch, Mako Fujimara, Rudy Carrasco, Mark Buchanan, Tal James, Frederica Mathewes-Green, and others. You’ll watch how their journeys unfolded, their challenges, and their breakthroughs. Also included on the DVD are insights from trusted pastors and Christian leaders such as Tim Keller, Lauren Winner, James Meeks, Brenda Salter McNeil, and Ken Fong.

The cultural sector is gaining increasing importance in our economies, consistantly registering growth rates above average GDP. This book presents insights on how cultural institutions can find new perspectives in their management and provides ideas to hasten culture's role as an economic developer.

Martial Culture, Silver Screen analyzes war movies, one of the most popular genres in American cinema, for what they reveal about the narratives and ideologies that shape U.S. national identity. Edited by Matthew Christopher Hulbert and Matthew E. Stanley, this volume explores the extent to which the motion picture industry, particularly Hollywood, has played an outsized role in the construction and evolution of American self-definition. Moving chronologically, eleven essays highlight cinematic versions of military and cultural conflicts spanning from the American Revolution to the War on Terror. Each focuses on a selection of films about a specific war or historical period, often foregrounding recent productions that remain understudied in the critical literature on cinema, history, and cultural memory. Scrutinizing cinema through the lens of nationalism and its “invention of tradition,” Martial Culture, Silver Screen considers how movies possess the power to frame ideologies, provide social coherence, betray collective neuroses and fears, construct narratives of victimhood or heroism, forge communities of remembrance, and cement tradition and convention. Hollywood war films routinely present broad, identifiable narratives—such as that of the rugged pioneer or the “good war”—through which filmmakers invent representations of the past, establishing narratives that advance discrete social and political functions in the present. As a result, cinematic versions of wartime conflicts condition and reinforce popular understandings of American national character as it relates to violence, individualism, democracy, militarism, capitalism, masculinity, race, class, and empire. Approaching war movies as identity-forging apparatuses and tools of social power, Martial Culture, Silver Screen lays bare how cinematic versions of warfare have helped define for audiences what it means to be American.

The cultural sector is gaining increasing importance in our economies, consistantly registering growth rates above average GDP. This book presents insights on how cultural institutions can find new perspectives in their management and provides ideas to hasten culture's role as an economic developer.

In Where Cultures Meet, editors Weber and Rausch have collected twenty essays that explore how the frontier experience has helped create Latin American national identities and institutions. Using 'frontier' to mean more than 'border,' Weber and Rausch regard frontiers as the geographic zones of interaction between distinct cultures. Each essay in the volume illuminates the recipro-cal influences of the 'pioneer' culture and the 'frontier' culture, as they contend with each other and their physical environment. The transformative power of frontiers gives them special interest for historians and anthropologists. Delving into the frontier experience below the Rio Grande, Where Cultures Meet is an important collection for anyone seeking to understand fully Latin American history and culture.

This study deals with the filmic self-representation of Native Americans. It focuses on five contemporary features directed by indigenes, and it deconstructs the ways in which they respond to the legacy of the Hollywood Indian. By telling their own cinematic stories, Native Americans have taken up the battle against the century-old one-dimensional characterizations of America's original peoples in the mainstream culture. These indigenous filmmakers highlight the variety and complexity of modern Native America. (Series: MasteRResearch - Vol. 1)