The World Health Organization's post-World War II work on the epidemiology and classification of mental disorders and its vision of a "world psyche." In 1946, the World Health Organization undertook a project in social psychiatry that aimed to discover the epidemiology and classification of mental disorders. In Mad by the Millions, Harry Y-Jui Wu examines the WHO's ambitious project, arguing that it was shaped by the postwar faith in technology and expertise and the universalizing vision of a "world psyche." Wu shows that the WHO's idealized scientific internationalism laid the foundations of today's highly highly metricalized global mental health system.

Today, interest in networks is growing by leaps and bounds, in both scientific discourse and popular culture. Networks are thought to be everywhere – from the architecture of our brains to global transportation systems. And networks are especially ubiquitous in the social world: they provide us with social support, account for the emergence of new trends and markets, and foster social protest, among other functions. Besides, who among us is not familiar with Facebook, Twitter, or, for that matter, World of Warcraft, among the myriad emerging forms of network-based virtual social interaction? It is common to think of networks simply in structural terms – the architecture of connections among objects, or the circuitry of a system. But social networks in particular are thoroughly interwoven with cultural things, in the form of tastes, norms, cultural products, styles of communication, and much more. What exactly flows through the circuitry of social networks? How are people's identities and cultural practices shaped by network structures? And, conversely, how do people's identities, their beliefs about the social world, and the kinds of messages they send affect the network structures they create? This book is designed to help readers think about how and when culture and social networks systematically penetrate one another, helping to shape each other in significant ways.

After the devastation of World War II, journalists, scholars, and citizens came together to foster a new culture of democracy in Japan. Adam Bronson explores this effort in a path-breaking study of the Institute for the Science of Thought, one of the most influential associations to emerge in the early postwar years. The institute's founders believed that the estrangement of intellectuals from the general public had contributed to the rise of fascism. To address this, they sought to develop a "science of thought" that would reconnect the world of ideas with everyday experience and thus reimagine Japan as a democratic nation, home to one hundred million philosophers. To tell the story of Science of Thought and postwar democracy, Bronson weaves together several strands of Japan's modern history that are often treated separately: the revival of interest in the social sciences and Marxism after the war, the appearance of new social movements that challenged traditional class and gender hierarchies, and the ascendance of a mass middle-class culture. This story is transnational in both connective and comparative senses. Most of the Science of Thought founders were educated in America, and they drew upon a network of American thinkers and institutions for support. They also derived inspiration from other efforts to promote a culture of democracy, ranging from thought reform campaigns in the People's Republic of China to the Mass Observation study of the British working classes. By tracing these sources of inspiration around the world, Bronson reveals the contours of a transnational intellectual milieu. Science of Thought embodied a vision of democratic experimentation that had to be re-articulated repeatedly in response to challenges that arose in connection with geopolitical events and social change, prompting the group's evolution from a small research circle in the 1940s into the standard-bearer for citizen activism in the 1960s. Through this history, Bronson argues that the significance of Science of Thought lay in the way it exemplified democracy in practice. The practical experience of the intellectuals and citizens associated with the group remains relevant to those who continue to grapple with the dilemmas of democracy today.

"Sixty Million Frenchmen does its job marvelously well. After reading it, you may still think the French are arrogant, aloof, and high-handed, but you will know why." --Wall Street Journal

This is a book about how to read visual images: from fine art to photography, film, television and new media. It explores how meaning is communicated by the wide variety of texts that inhabit our increasingly visual world. But, rather than simply providing set meanings to individual images, Visual Culture teaches readers how to interpret visual texts with their own eyes. While the first part of the book takes readers through differing theoretical approaches to visual analysis, the second part shifts to a medium-based analysis, connected by an underlying theme about the complex relationship between visual culture and reality. Howells and Negreiros draw together seemingly diverse methodologies, while ultimately arguing for a polysemic approach to visual analysis. The third edition of this popular book contains over fifty illustrations, for the first time in colour. Included in the revised text is a new section on images of power, fear and seduction, a new segment on video games, as well as fresh material on taste and judgement. This timely edition also offers a glossary and suggestions for further reading. Written in a clear, lively and engaging style, Visual Culture continues to be an ideal introduction for students taking courses in visual culture and communications in a range of disciplines, including media and cultural studies, sociology, and art and design.

It is a truism to suggest that celebrity pervades all areas of life today. The growth and expansion of celebrity culture in recent years has been accompanied by an explosion of studies of the social function of celebrity and investigations into the fascination of specific celebrities. And yet fundamental questions about what the system of celebrity means for our society have yet to be resolved: Is celebrity a democratization of fame or a powerful hierarchy built on exclusion? Is celebrity created through public demand or is it manufactured? Is the growth of celebrity a harmful dumbing down of culture or an expansion of the public sphere? Why has celebrity come to have such prominence in today’s expanding media? Milly Williamson unpacks these questions for students and researchers alike, re-examining some of the accepted explanations for celebrity culture. The book questions assumptions about the inevitability of the growth of celebrity culture, instead explaining how environments were created in which celebrity output flourished. It provides a compelling new history of the development of celebrity (both long-term and recent) which highlights the relationship between the economic function of celebrity in various media and entertainment industries and its changing social meanings and patterns of consumption.