Lying at the centre of a tumultuous region, the Central African Republic and its turbulent history have often been overlooked. Democracy, in any kind of a meaningful sense, has eluded the country. Since the mid-1990s, army mutinies and serial rebellion in CAR have resulted in two major successful coups. Over the course of these upheavals, the country has become a laboratory for peacebuilding initiatives, hosting a two-decade-long succession of UN and regional peacekeeping, peacebuilding and special political missions. Drawing together the foremost experts on the Central African Republic, this much-needed volume provides the first in-depth analysis of the country’s recent history of rebellion, instability, and international and regional intervention.

Examines the culture and customs of the people of the Central African Republic.

The Central African Republic (CAR) came into existence on 1 December 1958 as a semi-autonomous member state of the Communauté (French Community), meaning that France still controlled its currency, defense, foreign affairs and national security. The history of the CAR can be interpreted in radically different ways. One the one hand the people of Central Africa have suffered enormously at the hands of slave traders, concessionary companies, French colonialists and African rulers, and their country remains largely ‘undeveloped.’ On the other most Central Africans have retained free use of land on which they grow crops and from which they extract numerous valuable resources. Their way of life is in the long run perhaps more sustainable than those of the ‘experts’ who come to assist them. The theme of essential continuity in the history of the CAR is as important, if not more important in the long run, than the themes of violent change, exploitation, and enduring dependence. Deep roots of continuity provide a surprising stability in the face of dramatic and often very painful change on the surface. The Historical Dictionary of the Central African Republic contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 1200 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Central African Republic.

The Oxford Handbook on United Nations Peacekeeping Operations presents an innovative, authoritative, and accessible examination and critique of the United Nations peacekeeping operations. Since the late 1940s, but particularly since the end of the cold war, peacekeeping has been a central part of the core activities of the United Nations and a major process in global security governance and the management of international relations in general. The volume will present a chronological analysis, designed to provide a comprehensive perspective that highlights the evolution of UN peacekeeping and offers a detailed picture of how the decisions of UN bureaucrats and national governments on the set-up and design of particular UN missions were, and remain, influenced by the impact of preceding operations. The volume will bring together leading scholars and senior practitioners in order to provide overviews and analyses of all 65 peacekeeping operations that have been carried out by the United Nations since 1948. As with all Oxford Handbooks, the volume will be agenda-setting in importance, providing the authoritative point of reference for all those working throughout international relations and beyond.

Vansina’s scope is breathtaking: he reconstructs the history of the forest lands that cover all or part of southern Cameroon, Gabon, Equatorial Guinea, the Congo, Zaire, the Central African Republic, and Cabinda in Angola, discussing the original settlement of the forest by the western Bantu; the periods of expansion and innovation in agriculture; the development of metallurgy; the rise and fall of political forms and of power; the coming of Atlantic trade and colonialism; and the conquest of the rainforests by colonial powers and the destruction of a way of life. “In 400 elegantly brilliant pages Vansina lays out five millennia of history for nearly 200 distinguishable regions of the forest of equatorial Africa around a new, subtly paradoxical interpretation of ‘tradition.’” —Joseph Miller, University of Virginia “Vansina gives extended coverage . . . to the broad features of culture and the major lines of historical development across the region between 3000 B.C. and A.D. 1000. It is truly an outstanding effort, readable, subtle, and integrative in its interpretations, and comprehensive in scope. . . . It is a seminal study . . . but it is also a substantive history that will long retain its usefulness.”—Christopher Ehret, American Historical Review

Zambia stands out in Africa as one of the continent's most peaceful countries. In its early years as an independent state, Zambia became a regional bulwark against imperialism and colonial domination and South African apartheid. Today, it stands out as an important example of Africa's recent democratization, experiencing both incredible success as well as some notable setbacks. The country is also one of the most urbanized in Sub-Saharan Africa. As a result of this urban influx, Zambia's diverse ethno-linguistic groups interact regularly. Moreover, many contemporary Zambian households, especially those in cities, are also exposed to the media, technology, and influences of western urbanized cultures, from Internet cafes to hip hop music. The interesting ways that tradition and modernity conflict and combine in contemporary Zambia are prime considerations in this book. This book explores Zambia's culture, with an eye toward its historical experiences and its particular endowments. It focuses on how traditional and modern interact, and sometimes collide, in the country through topics such as religion, gender roles and family, cuisine, the arts, literature, and more. The major groups are examined to give the reader an idea about how many Zambians live.

A fascinating account of the effects of turbulent history on one of Africa’s most storied kingdoms, Kongo: Power and Majesty presents over 170 works of art from the Kingdom of Kongo (an area that includes present-day Republic of Congo, Democratic Republic of Congo, and Angola). The book covers 400 years of Kongolese culture, from the fifteenth century, when Portuguese, Dutch, and Italian merchants and missionaries brought Christianity to the region, to the nineteenth, when engagement with Europe had turned to colonial incursion and the kingdom dissolved under the pressures of displacement, civil war, and the devastation of the slave trade. The works of art—which range from depictions of European iconography rendered in powerful, indigenous forms to fearsome minkondi, or power figures—serve as an assertion of enduring majesty in the face of upheaval, and richly illustrate the book’s powerful thesis.