Sudan: The Land and the People presents the whole of Africa's largest country. Nearly one-third the size of the United States, Sudan sprawls over more than one million square miles. Here for more than a thousand years Arabs and Africans have collided and blended to produce people who share a turbulent history and rich cultural heritage. More than 350 unique languages, customs, and artistic traditions combine to form the ethnic patchwork of Africa's most diverse country. Internationally renowned photographer Michael Freeman traveled the length and breadth of Sudan to capture these extraordinary photos of modern Sudan. Sudan's richness is not only in its water, minerals, and oil, but in its ethnic and cultural mixture. Its promise lies in a durable end to conflict through acceptance of its plurality and diversity to realize prosperity for an entire region.

Sudan is a country with a varied history. This book delves into the details of the country and explores aspects such as festivals, traditions, government, and its people today. Full of photographs and up-to-date information, this comprehensive overview is sure to engage and inform young readers.

Amid a Sudan's dark history, saturated with conflicts and tragic current events, lies a culture with deep roots, going back as far as 8000 BC. With several hundred ethnic groups and languages, Sudan is one of the world's most diverse countries. Learn how these cultures have blended and collided throughout the centuries, and examine how traditions and customs are kept alive today. Religious beliefs, social customs, arts, literature, and cuisine are among the topics discussed in this volume, which is ideal for high school and undergraduate students. Chapters include coverage on historical background, religions and worldviews, literature and media, art and architecture, cuisine and traditional dress, gender roles, marriage, and family, social customs, and music and dance. A timeline of key events and bibliographical essay including print and nonprint sources supplement the work.

Ethnography, People, customs, traditions. Africa, Arabs, Sudan, Baggara, marriages

This book provides a comprehensive analysis of Animism as a religion and a culture of the Nilotic peoples of the Upper River Nile in modern "Southern Sudan". It gives an account of how the animistic ritual performances of the divine chief-priests are strategies in conflict management and resolution. For centuries, the Nilotic peoples have been resisting changes to new religious identities and conservatively remained Animists. Their current interactions with the external world, however, have transformed their religious identities. At present, the Nilotics are Animist-Christians or Animist-Muslims. This does not mean that the converted Nilotics relinquish Animism and become completely assimilated to the new religious prophetic dogmas, instead, they develop compatible religious practices of Animism, Christianity and Islam. New Islamic fundamentalism in Sudan which is sweeping Africa into Islamic religious orthodoxy, where Sharia (Islamic law) is the law of the land, rejects this compatibility and categorises the Nilotics as "heathens" and "apostates". Such characterisation engenders opposing religious categories, with one side urging Sharia and the other for what this study calls "gradable" culture. Kuel Jok is a researcher at the Department of World Cultures at the University of Helsinki. In Sudan, Jok obtained a degree in English Linguistics and Literature and diplomas in Philosophy and Translation. He also studied International Law in Egypt. In Europe, Jok acquired an MA in Sociology from the University of Joensuu, Finland and a PhD in the same field from the University of Helsinki, Finland.

Sudanese Intellectuals in the Global Milieu: Capturing Cultural Capital propels Sudanese intellectuals into the global intellectual milieu and argues for their place in world intellectual history. The contributors posit that Sudan is currently in its most uncertain and perhaps most generative period, as the unrest, conflicts, and upheavals of the twentieth and twenty-first centuries threw Sudanese intellectuals and activists into identity, economic, environmental, religious, and existential crises. Despite these crises, the unrest has created a period of knowledge production and cultural production in Sudan. The contributors to the collection are Sudanese intellectuals who explore the history and evolution of knowledge production, thought, and cultural capital in Sudan.

South Sudan became independent in 2011 after decades of rebel wars with the Government of Sudan. Independence prompted discussions about South Sudanese identity and shared history, in which material objects and cultural heritage featured as vitally important resources. However, the long-term effects of colonialism and conflict had largely precluded any concerted attempts to preserve material culture within the country; museums remained in Khartoum, the capital of the formally united Sudan. Furthermore, tens of thousands of objects had been removed from what is now South Sudan during the nineteenth and twentieth centuries to museum and private collections around the world.Up to now there have been few attempts to reconnect the history of these South Sudanese museum collections with people in or from South Sudan. Pieces of a Nation is the first extended study of South Sudanese material cultural heritage in museum collections and beyond.The chapters discuss a range of different objects and practices - from museum objects taken from South Sudan in the context of enslavement and colonialism in the nineteenth and twentieth centuries to efforts by South Sudanese to preserve their country's cultural heritage during recent conflicts.With essays by 32 contributors in Europe, South Sudan, Uganda, and Australia, this book delivers a unique range of perspectives on museum objects from South Sudan and on heritage practices in the country and among its diaspora. Written by curators, academics, heritage professionals, and artists in accessible and engaging style, it is intended for scholars, museum professionals, and a wide range of individuals interested in South Sudan, African arts and cultures, the history of museum collecting and colonialism, and/or the role of material heritage in peacebuilding and refugee contexts.At a time of widespread, prominent debates over the provenance of museum collections from Africa and calls for restitution, this book provides an in-depth empirical study of the circumstances and practices that led to South Sudanese objects entering foreign museum collections and the importance of these objects in South Sudan and around the world today.