Annotation Examines Haiti's people and society, history, religion, social customs, media, literature and language, and arts.

Culture and Customs of Haiti begins with an overview of the mountainous island that seemed forbidding to European colonizers. Historical periods, including French colonization, U.S. occupation in the early 20th century, Independence and the Duvaliers' reigns, until today, are reviewed and provide the framework for the volume. A chapter on the people and society details the pride of the black state that managed the only successful slave revolution in history. The extremes of society from the elite to the peasantry and slum dwellers are depicted, along with Haitians in diaspora. Religion in Haiti, with the strong amalgamation of Roman Catholicism and vaudou, a West African import, is then explained. A Social Customs chapter notes the joy that is found in such an economically depressed culture. The media and literature and language chapters necessarily unfold in the context of Haiti's political history. A section on writing in Creole is especially intriguing. Finally, chapters on the performing arts and visual arts evoke the energy and color of the people in such forms as vaudou jazz and dance, contemporary rara rock, and the folkloric influence on Haitian painting. A chronology and glossary supplement the text.

"Explores the geography, history, government, economy, people, and culture of Haiti"--Provided by publisher.

Vodou, the folk religion of Haiti, is a by-product of the contact between Roman Catholicism and African and Amerindian traditional religions. In this book, Leslie Desmangles analyzes the mythology and rituals of Vodou, focusing particularly on the inclusion of West African and European elements in Vodouisants' beliefs and practices. Desmangles sees Vodou not simply as a grafting of European religious traditions onto African stock, but as a true creole phenomenon, born out of the oppressive conditions of slavery and the necessary adaptation of slaves to a New World environment. Desmangles uses Haitian history to explain this phenomenon, paying particular attention to the role of the seventeenth- and eighteenth-century maroon communities in preserving African traditions and the attempts by the Catholic, educated elite to suppress African-based "superstitions." The result is a society in which one religion, Catholicism, is visible and official; the other, Vodou, is unofficial and largely secretive.

Marchons Unis: A Celebration of Haitian Flag Day is a light, refreshing book that informs about the Haitian culture and highlights the traditions around the Haitian Flag Day. It teaches children about the celebration of an important national Haitian holiday and the events that take place on that special day through the eyes of a young Haitian girl.

In Haiti, History, and the Gods, Joan Dayan charts the cultural imagination of Haiti not only by reconstructing the island's history but by highlighting ambiguities and complexities that have been ignored. She investigates the confrontational space in which Haiti is created and recreated in fiction and fact, text and ritual, discourse and practice. Dayan's ambitious project is a research tour de force that gives human dimensions to this eighteenth-century French colony and provides a template for understanding the Haiti of today. In examining the complex social fabric of French Saint-Domingue, which in 1804 became Haiti, Dayan uncovers a silenced, submerged past. Instead of relying on familiar sources to reconstruct Haitian history, she uses a startling diversity of voices that have previously been unheard. Many of the materials recovered here—overlooked or repressed historical texts, legal documents, religious works, secret memoirs, letters, and literary fictions—have never been translated into English. Others, such as Marie Vieux Chauvet's radical novel of vodou, Fonds des Nègres, are seldom used as historical sources. Dayan also argues provocatively for the consideration of both vodou rituals and narrative fiction as repositories of history. Her scholarship is enriched by the insights she has gleaned from conversations and experiences during her many trips to Haiti over the past twenty years. Taken together, the material presented in Haiti, History, and the Gods not only restores a lost chapter of Haitian history but suggests necessary revisions to the accepted histories of the New World.