This title was first published in 2001. Questioning the authority of the discipline of international relations, in particular structural realism, to recognize the influence of varied social phenomena on possible outcomes, this book demonstrates how seemingly insignificant acts propagated through music, humour and poetry can disturb official culture and initiate social change. This thought-provoking work is compelling reading for undergraduate and postgraduate students of both international relations and cultural studies alike.

There have been few efforts to overcome the binary of China versus the West. The recent global political environment, with a deepening confrontation between China and the West, strengthens this binary image. Post-Chineseness boldly challenges the essentialized notion of Chineseness in existing scholarship through the revelation of the multiplicity and complexity of the uses of Chineseness by strategically conceived insiders, outsiders, and those in-between. Combining the fields of international relations, cultural politics, and intellectual history, Chih-yu Shih investigates how the global audience perceives (and essentializes) Chineseness. Shih engages with major Chinese international relations theories, investigates the works of sinologists in Hong Kong, Singapore, Pakistan, Taiwan, Vietnam, and other academics in East Asia, and explores individual scholars' life stories and academic careers to delineate how Chineseness is constantly negotiated and reproduced. Shih's theory of the "balance of relationships" expands the concept of Chineseness and effectively challenges existing theories of realism, liberalism, and conventional constructivism in international relations. The highly original delineation of multiple layers and diverse dimensions of "Chineseness" opens an intellectual channel between the social sciences and humanities in China studies.

This title was first published in 2001. Questioning the authority of the discipline of international relations, in particular structural realism, to recognize the influence of varied social phenomena on possible outcomes, this book demonstrates how seemingly insignificant acts propagated through music, humour and poetry can disturb official culture and initiate social change. This thought-provoking work is compelling reading for undergraduate and postgraduate students of both international relations and cultural studies alike.

Political Culture (defined as the values, beliefs, and behavioral patterns underlying the political system) has long had an uneasy relationship with political science. Identity politics is the latest incarnation of this conflict. Everyone agrees that culture and identity are important, specifically political culture, is important in understanding other countries and global regions, but no one agrees how much or how precisely to measure it. In this important book, well known Comparativist, Howard J. Wiarda, traces the long and controversial history of culture studies, and the relations of political culture and identity politics to political science. Under attack from structuralists, institutionalists, Marxists, and dependency writers, Wiarda examines and assesses the reasons for these attacks and why political culture went into decline only to have a new and transcendent renaissance and revival in the writings of Inglehart, Fukuyama, Putnam, Huntington and many others. Today, political culture, now updated to include identity politics, stands as one of these great explanatory paradigms in political science, the others being structuralism and institutionalism. Rather than seeing them as diametrically exposed, Howard Wiarda shows how they may be made complementary and woven together in more complex, multicausal explanations. This book is brief, highly readable, provocative and certain to stimulate discussion. It will be of interest to general readers and as a text in courses in international relations, comparative politics, foreign policy, and Third World studies.

An original theory of politics and international relations based on ancient Greek ideas of human motivation.

With contributions from Homi Bhabha, Kwame Anthony Appiah, Will Hutton, Jürgen Habermas and Amartya Sen, among others, this dazzling compendium of some of the world’s most prominent and diverse thinkers examines the question, ‘What is the future of culture in the age of globalization?’ These essays represent a major theoretical and methodological challenge to the social sciences, and question the nature of globalization and the culture of change.

Emotions work to define who we are as well as shape what we do and this is no more powerfully at play than in the world of politics. Ahmed considers how emotions keep us invested in relationships of power, and also shows how this use of emotion could be crucial to areas such as feminist and queer politics. Debates on international terrorism, asylum and migration, as well as reconciliation and reparation, are explored through topical case studies. In this book the difficult issues are confronted head on. The Cultural Politics of Emotion is in dialogue with recent literature on emotions within gender studies, cultural studies, sociology, psychology and philosophy. Throughout the book, Ahmed develops a theory of how emotions work, and the effects they have on our day-to-day lives. New for this editionA substantial 15,000-word Afterword on 'Emotions and Their Objects' which provides an original contribution to the burgeoning field of affect studiesA revised BibliographyUpdated throughout.