This volume tackles the unique scholarly challenges of Cultural Interaction Studies in an East Asian context. Leading experts in a variety of related fields – from religion and history to geography, language, literature, Sinology and Japanology – have contributed a total of 18 articles, collected under the following six rubrics: "New Directions in Regional Studies", "New Trends in Humanities Studies", "Material Circulation and Cultural Transmission in East Asia", "China's Experience of Cultural Interaction with the West", "Transformation of Japanese Scholarship from Early Modern to Modern Times", and "The Wisdom of Selective Adaptation and Constructive Dialog". Among the eight award-winning contributors, Ge Zhaoguang (1950–) has received critical acclaim for his What is China? Territory, Ethnicity, Culture, and History (2014), while Nakanishi Susumu (1929–) has been internationally recognized for his lifelong devotion to the study of ancient Japanese literature. Nakanishi's determination to inherit Prince Shotoku's spirit of peaceful coexistence with Japan's neighboring countries led him to propose the new era name "Reiwa", which was officially adopted for use by the Emperor Naruhito upon his enthronement on May 1, 2019.

This volume tells the story of the importance of the Confucian traditions and why and how Confucian texts were reinterpreted within the different ambiances and contexts around East Asia. The vitality of East Asian Confucianisms stems from the desire of Confucian thinkers to interpret the core values of the Confucian classics in line with conditions and changes in their own times and location. Although all the interpretations that were advanced in China, Korea and Japan were specific to their own era, they do still share some themes. This book reveals that »East Asian Confucianisms« forms an intellectual community that is transnational and multi-lingual and has evolved in interaction between Confucian »universal values« and the local conditions present in each East Asian country.

This book uses a cultural interaction approach to discuss numerous temples and shrines of Sinitic origin that house Daoist, Buddhist, and folk gods. Such deities were transmitted outside the Chinese continent, or were introduced from other regions and syncretized. Examples include temple guardian gods that arrived in Japan from China and later became deified as part of the Five Mountain system, and a Daoist deity that transformed into a god in Japan after syncretizing with My?ken Bosatsu. The profoundly different images of Ksitigarbha in China and Japan are discussed, as well as Mt. Jiuhua, the center of Ksitigarbha in modern China. Lastly, the process by which Sinitic gods were transmitted to regions outside of the Chinese continent, such as Taiwan, Singapore, and Okinawa, is explored.

Silk Road studies has often treated material artifacts and manuscripts separately. This interdisciplinary volume expands the scope of transcultural transmission, questions what constituted a “book,” and explores networks of circulation shared by material artifacts and manuscripts. Featuring new research in English by international scholars in Buddhist studies, art history, and literary studies, the essays in Beyond the Silk and Book Roads chart new and exciting directions in Silk Road studies. Contributors are: Ge Jiyong, George A. Keyworth, Ding Li, Ryan Richard Overbey, Hao Chunwen, Wu Shaowei, Liu Yi, Lan Wu, Sha Wutian, Michelle C. Wang, and Stephen Roddy.

Chinese Writing and the Rise of the Vernacular in East Asia is a wide-ranging study of vernacularization in East Asia - not only China, Japan, Korea, and Vietnam, but also societies that no longer exist, such as the Tangut and Khitan empires. Peter Kornicki takes the reader from the early centuries of the common era, when the Chinese script was the only form of writing and Chinese Buddhist, Confucian, and medical texts spread throughout East Asia, through the centuries when vernacular scripts evolved, right up to the end of the nineteenth century when nationalism created new roles for vernacular languages and vernacular scripts. Through an examination of oral approaches to Chinese texts, it shows how highly-valued Chinese texts came to be read through the prism of the vernaculars and ultimately to be translated. This long process has some parallels with vernacularization in Europe, but a crucial difference is that literary Chinese was, unlike Latin, not a spoken language. As a consequence, people who spoke different East Asian vernaculars had no means of communicating in speech, but they could communicate silently by means of written conversation in literary Chinese; a further consequence is that within each society Chinese texts assumed vernacular garb: in classes and lectures, Chinese texts were read and declaimed in the vernaculars. What happened in the nineteenth century and why are there still so many different scripts in East Asia? How and why were Chinese texts dethroned, and what replaced them? These are some of the questions addressed in Chinese Writing and the Rise of the Vernacular in East Asia.

North American Society for Oceanic History John Lyman Book Award in Naval and Maritime Reference Works and Published Primary Sources - Honorable Mention In this innovative study, Jun Kimura integrates historical data with archaeological findings to examine a wide array of eleventh- through nineteenth-century ships from China, Korea, and Japan. Chinese junks and Japanese sailing ships were known throughout the world, and this work illustrates why their innovative designs have survived the centuries. Kimura presents an extensive dataset of excavated coastal and oceangoing ships that traveled the Yellow Sea, the East China Sea, and the South China Sea. Three detailed case studies include the Shinan and Quanzhou wrecks and the Takashima underwater site. Using travel documents, cargo manifests, iconographic paintings, and other descriptive resources, as well as the archaeological evidence of hull components, wooden timbers, and iron remains, Kimura sheds new light on East Asian shipbuilding traditions.

This volume looks at facets of cultural interactions between India and Thailand---two historically significant countries of the South East Asian region. For the first time a comprehensive discussion on historical and contemporary cultural interactions between Indian and Thailand has been attempted in this volume. Asianization has become an important contemporary concept and, in this context, understanding cultural exchange within Asia is an important exercise. The chapters in this volume include contributions from noted scholars based in India and Thailand on different areas of cultural exchange: from religion, to art, artefacts, clothing, music---especially Indian classical music, cuisine, and the contemporary use of shared civilizational tools in the cultural diplomacy of both countries. Written in a lucid and accessible language, the chapters in this insightful volume are of interest to academics and researchers of cultural studies, Asian studies, development studies, modern Asian history, policy makers and general readers.