A Comprehensive Study of Uttarakhand presents a comprehensive and exhaustive study of the Indian State of Uttarakhand, which allows the reader to get a complete understanding of the state. The book is divided into two parts. The first part is the sectional study of the state in a comprehensive manner including the general profile of the state symbols, history from prehistoric to modern times, geography, environment and ecology, the economy of the state, society and culture, polity, governance and various policies, programmes of the State government. The second part of the book is a detailed, micro-level study of the State, which includes a district-wise study of the history, geography, culture, folk songs and dances, important locations, tourist destinations and any other important aspect of a district, covering all thirteen districts of Uttarakhand in detail. There's also a Random Facts sections capturing all the exciting things to know about Uttarakhand, and this book is designed in such a way that it is helpful to persons aspiring to clear State Public Service Examinations in Uttarakhand.

Colonialist, nationalist, and regionalist ideologies have profoundly influenced folk music and related musical practices among the Garhwali and Kumaoni of Uttarakhand. Stefan Fiol blends historical and ethnographic approaches to unlock these influences and explore a paradox: how the œfolk designation can alternately identify a universal stage of humanity, or denote alterity and subordination. Fiol explores the lives and work of Gahrwali artists who produce folk music. These musicians create art as both a discursive idea and as a set of expressive practices across strikingly different historical and cultural settings. Juxtaposing performance contexts in Himalayan villages with Delhi recording studios, Fiol shows how the practices have emerged within and between sites of contrasting values and expectations. Throughout, Fiol presents the varying perspectives and complex lives of the upper-caste, upper-class, male performers spearheading the processes of folklorization. But he also charts their resonance with, and collision against, the perspectives of the women and hereditary musicians most affected by the processes. Expertly observed, Recasting Folk in the Himalayas offers an engaging immersion in a little-studied musical milieu.