Articles chiefly on the dance styles accompanying Maharas, a form of Rāsalīlā, Vaishnava drama, from Manipur, India, and the contribution of Sija Laioibi, b. 1771, Vaishnava woman saint and princess from the royal state.

The Indira Gandhi Rashtriya Manav Sangrahalaya, Bhopal has a project to map the cultural heritage of North-East India. One volume is planned on each state. Manipur is one of the unique multi-ethnic states of North-East India which has a complex but distinctive cultural heritage of its own. This book presents the different facets of the cultural heritage of the border state of Manipur ingrained within its historicity, identity and political ecology. This book will be of much value for scholars across the disciplinary frames and pave the way for further research. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.

Manipur Remains An Unknown Area To Most Indians And One Reason For This May Will Be The Absence Of Good Books About The People And Problems Of Manipur. This Book Fills The Void.

Dance occupies a prestigious place in Indian performing arts, yet it curiously, to a large extent, has remained outside the arena of academic discourse. This book documents and celebrates the emergence of contemporary dance practice in India. Incorporating a multidisciplinary approach, it includes contributions from scholars, writers and commentators as well as short essays and interviews with Indian artists and performers; the latter add personal perspectives and insights to the broad themes discussed. Young Indian dance artists are courageously charting out new trajectories in dance, diverging from the time-worn paths of tradition. The classical forms of Bharatnatyam, Kathak, Odissi and Manipuri, to name a few, are rich resources for choreographers exploring contemporary dance. This volume speaks about their struggles of working within and outside tradition as they grapple with national and international audience expectations as well as their own values and sense of identity. The artists represented here continue to question the uneasy relationship that exists between the insular world of dance and outside reality. Simultaneously, they are actively creating new dance languages that are both articulate in a performative context and demand examination by researchers and critics.

Beyond the Heteronorm: Interrogating Critical Alterities in Global Art and Literature explores exclusionary practices inspired by the construct of gender and how these conventions often misconstrue and convolute sex, gender, and sexual orientation. The contributors to this collection examine literary and visual representations of critical alterities from around the globe to produce empathic and inclusive analyses of experiences shared between diverse subordinated and minoritized socio-cultural entities and collectives. Organized into three parts, the chapters critique the concepts of personhood, performativity, and the post-binary. This edited collection deconstructs gender essentialism and embraces gender inclusivity in both theory and practice.