How do people communicate their romantic feelings? Gift giving is one way. Giving and receiving of gifts is a characteristic of intimate relationships. Gifts are a message, a form of communication with a tangible material object, about love, affection, or concern for the recipient. The "romantic gift" evokes a multitude of intertwined meanings: passion, intimacy, affection, persuasion, care, celebration, altruism, and nostalgia. They can also connote the negative images of obligation and reciprocity. Romantic gift giving may be practiced at rituals, during rites of passage, or for casual occasions, to affirm the continued importance of the romantic relationship. We may even romanticize the giving of gifts to the self, to nonhuman companions, and to others we do not know personally. If loving and giving are a practice, then romantic gift giving is a practice of loving with intimate—or would-be intimate—others. This book addresses gift giving among consumers attempting to express and construct romantic love. It lies at the intersection of consumption, markets, and culture. In societies shaped by the globalizing neo-liberal economic order, increasing wealth disparity, and a partially digitized social environment that they help to co-construct, it may be time to rethink romantic love. Gift giving is a key arena to do so, as gifts make love tangible and act as carriers of meaning as well as cultural symbols. In gift giving the meanings of romance are renewed, renegotiated, and reconstructed. Gifts, Romance, And Consumer Culture demonstrates a wide variety of scholarly work bearing on romantic gift giving using an interpretive consumer research perspective. The book introduces critical studies by scholars in this unfolding and new interdisciplinary field.

Global Gifts considers the role that the circulation of material culture played in the establishment of early modern global diplomacy.

The Caucasus region of Eurasia, wedged in between the Black and Caspian Seas, encompasses the modern territories of Armenia, Azerbaijan, and Georgia, as well as the troubled republic of Chechnya in southern Russia. A site of invasion, conquest, and resistance since the onset of historical record, it has earned a reputation for fearsome violence and isolated mountain redoubts closed to outsiders. Over extended efforts to control the Caucasus area, Russians have long mythologized stories of their countrymen taken captive by bands of mountain brigands.In The Captive and the Gift, the anthropologist Bruce Grant explores the long relationship between Russia and the Caucasus and the means by which sovereignty has been exercised in this contested area. Taking his lead from Aleksandr Pushkin's 1822 poem "Prisoner of the Caucasus," Grant explores the extraordinary resonances of the themes of violence, captivity, and empire in the Caucasus through mythology, poetry, short stories, ballet, opera, and film. Grant argues that while the recurring Russian captivity narrative reflected a wide range of political positions, it most often and compellingly suggested a vision of Caucasus peoples as thankless, lawless subjects of empire who were unwilling to acknowledge and accept the gifts of civilization and protection extended by Russian leaders.Drawing on years of field and archival research, Grant moves beyond myth and mass culture to suggest how real-life Caucasus practices of exchange, by contrast, aimed to control and diminish rather than unleash and increase violence. The result is a historical anthropology of sovereign forms that underscores how enduring popular narratives and close readings of ritual practices can shed light on the management of pluralism in long-fraught world areas.

Starting with the premise that the work of art is a gift and not a commodity, this revolutionary book ranges across anthropology, literature, economics, and psychology to show how the 'commerce of the creative spirit' functions in the lives of artists and in culture as a whole.

How are we to proclaim Christ in different cultures? This question was central to a landmark study on worship and culture conducted by the Lutheran World Federation between 1992 and 1999. Much has changed in the years since then: the world today more than ever is a multicultural global village. Worship and Culture revisits that LWF study and publication, shedding new light on the question from recent theological and sociological scholarship to expand and enrich the texts in the original three-volume work. This book includes texts from the main statements that came out of the original project as well as updated essays from some of the original contributors. It also adds new essays, prayers, and hymns to the conversation, inviting readers to consider what the life of the church should look like in today’s hybrid, multicultural world. Contributors Julio Cezar Adam Scott Anderson Mark P. Bangert Thomas F. Best Stephen Burns Anscar J. Chupungco, OSB Joseph A. Donnella II Norman A. Hjelm Margaret Mary Kelleher, OSU Dirk G. Lange Gordon W. Lathrop Anita Monro Martha Moore-Keish Melinda A. Quivik Gail Ramshaw S. Anita Stauffer Benjamin M. Stewart Glaucia Vasconcelos Wilkey Joyce Ann Zimmerman, CPPS

A coastal region's oldest inhabitants, particularly families of watermen and commercial fishers, often possess the deepest knowledge about a region and its ecological problems. Because of this, assaults on watermen lifeways and commercial fishing families--whether from organized recreational interests, real estate developers, or public policy makers--reduce the cultural and biological diversity of the coast and often upset the delicate environmental balance. Through the lens of the Mid-Atlantic Coast, especially the Chesapeake Bay and the Albemarle and Pamlico Sounds of North Carolina, David Griffith develops the theme that environmental degradation follows the loss of the most intimate understandings of coastal ecosystems. In The Estuary's Gift, Griffith traces the development of Mid-Atlantic cultures from the Algonquins and the earliest European families who hunted whales and netted herring, to present-day commercial fishing families who work the complex estuarine systems of the coast. In the process, he chronicles a series of developments that erode communities across American landscapes: the wearing away of local and regional history that results when national retail and restaurant chains convert local merchants into clerks and busboys, or the loss of biological diversity that follows the reconfiguration of countrysides to support monocrop agriculture, industrial chicken production, hog farming, forestry, and mining. Griffith insists that we heed the ways we treat one another in light of the ways we treat nature, measuring both by the standards we invoke when we give and receive gifts. Stories of conflict among fishers, of Mexican immigrant women brought to seafood houses to pick the meat from cooked, cooled crab--displacing and replacing African-American women--and of the slow yet steady attempts to criminalize family fishing practices that reach back thirteen generations show the ways in which the rights, obligations, and responsibilities of gift exchange have eroded. Only when we consider human relations as an integral part of the natural cycles will we begin to restore the balance. More than an account of the decline of fishing families or stressed natural resources, The Estuary's Gift illustrates how pressing social problems, such as environmental degradation and assaults on working families, play out in local contexts and local history.