Developed from papers presented at the first European Colloquium on Pacific Studies this volume addresses the dynamics of contemporary Oceanic religions. In particular, the contributors investigate how indigenous populations have come to terms with the enormous impact of colonization and missionization while maintaining a distinct cultural and religious identity.

The ten volumes of "Handbook of Pragmatics Highlights" focus on the most salient topics in the field of pragmatics, thus dividing its wide interdisciplinary spectrum in a transparent and manageable way. While other volumes select philosophical, cognitive, grammatical, social, variational, interactional, or discursive angles, this second volume reviews basic topics and traditions that place language use in its cultural context. As emphasized in the introduction, and as revealed in the choice of articles, culture is by no means to be seen as standing in opposition to society and cognition; on the contrary, the notion cannot be understood without insight into the intricate interactions of social and cognitive structures and processes. In addition to the topical articles, a number of contributions to this volume is devoted to aspects of methodology. Others highlight the role of eminent scholars who have made the study of cultural dimensions of language use into what it is today."

The publication of the anthology The Invention of Tradition two decades ago generated an intensive, productive and sometimes confusing debate about issues of cultural politics and continuity. This new book follows up on the debate in two ways. In a substantive introduction the editors disentangle some of the conceptual knots and assess the relevance of the scholarship on invented traditions for an understanding of the relationship between culture and agency. In addition, nine chapters exemplify and develop different aspects of the theoretical discussions through selected case studies from five different regions-Europe, Africa, Indonesia, Australia and the Pacific.

Anthropologist Ad Borsboom devoted his academic careerfrom 1972 onwards to the transmission of cultural knowledge.Borsboom handed the insights he acquired during many years offieldwork among Australian Aborigines on to other academics,students, and the general public. This collection of essays by hiscolleagues, specializing in cultures from across the globe, focuses onknowledge transmission. The contributions deal with local formsof education or pedagogy, the learning experiences of fieldwork,and the nexus of status and education. Whereas some essays arereflexive, others are personal in nature. But all of the authors arefascinated by the divergent ways in which people handle :"knowledge."The volume provides readers with respectful representationsof other cultures and their distinct epistemologies.

Engendering objects explores social and cultural dynamics among Maisin people in Collingwood Bay (Papua New Guinea) through the lens of material culture. Focusing upon the visually stimulating decorated barkcloths that are used as male and female garments, gifts, and commodities, it explores the relationships between these cloths and Maisin people. The main question is how barkcloth, as an object made by women, engenders people’s identities, such as gender, personhood, clan and tribe, through its manufacturing and use. This book describes in detail how barkcloth (tapa) not only visualizes and expresses, but also materializes and defines, people’s multiple identities. By ‘following the object’ and how it is made and used in the performance of life-cycle rituals, in exchanges and in church festivities, this interaction between people and things, and how they are mutually constituted, becomes visible. How are women’s bodies and minds linked with the production of barkcloth? How do cloths produced by women both establish and contest clan identity? In what ways is the commodification of barkcloth related to gender dynamics? Barkcloth and its associated designs show how gender ideologies and the socio-material constructions of identity are performed and, as such, developed, established and contested. The narratives of both men and women reveal the ways in which barkcloth provides a link with the past and dreams for the future. The author argues that the cloths and their designs embody dynamics of Maisin culture and in particular of Maisin gender relations. In contributing to the current debates on the anthropology of ‘art’, this study offers an alternative way of understanding the significance of an object, like decorated barkcloth, in shaping and defining people’s identities within a local colonial and postcolonial setting of Papua New Guinea. “Engendering Objects is among the most comprehensive and innovative new works emerging from Melanesia examining the intimate connections between material culture, cultural identity and gendered personhood. Drawing upon extensive ethnographic fieldwork, archival research and examination of museum collections, Anna-Karina Hermkens traces the enduring yet innovative place of tapa (barkcloth) among the Maisin people. Written with warm compassion and immediacy, the book is a theoretically provocative, accessible and compelling portrait of changing life in a Papua New Guinean village society.” – John Barker, University of British Columbia “This book makes a most welcome contribution to the study of the materiality by showing how gender is performed in the sensuous terms of clothing, food, and the exchange of objects. Anna-Karina Hermkens accomplishes this with enviable care and intellectual resources, and a prose and ethnography that make the book a pleasure to read.” – David Morgan, Duke University “Anna-Karina Hermkens takes us to look at designs on bark cloth from Papua New Guinea through a magnifying glass. A fascinating perspective on material culture evolves. Beyond the art work we discover individuals – mainly women – painting their stories about who they and their beloved are as women and men, as traditional members of a clan, and also what they head for as strugglers in a new economy driven world.” – Christian Kaufmann, Honorary Research Associate, Sainsbury Reseach Unit, University of East Anglia, Norwich UK, former curator for Oceania at the Museum der Kulturen Basel

In Pacific societies, local knowledge, which has been accumulated over thousands of years and is irreplaceable, is rapidly disappearing. With the extinction of languages, the ability to observe and interpret the world from varying perspectives is also being lost. At the same time, an enormous body of knowledge about nature, plants and animals is vanishing. However, in parallel with this, the people of the Pacific are confronted with new modes of knowledge and newly introduced technologies through imported educational systems, missions of various denominations, and the media. They do not passively assimilate this knowledge but adopt, adapt, and apply it in a syncretistic way.These changes will have permanent effects on the individual lives of people in the region and their knowledge about themselves and their surrounding 'world'. This stimulating book tracks the course of these developments and offers revealing insights into the complexity of Pacific peoples' responses to the process of globalization.

Who made Mama Raja ill? This question, buzzing around the village, starts off this anthropological study on healing performances in the context of religious change. The fascinating case is presented of a seriously ill woman of high standing in northwest Ayfat, located in the interior of the Bird’s Head in West Papua. By unravelling the various explanations of the cause of the illness, and the path Mama Raja followed in search of healing, the author documents how, why, and when Papuan people make their choices in their search for healing. The study offers an ethnographically rich journey through the variety of healing methods in current Ayfat society: indigenous (obtained during female and male initiation rites), biomedical (the missionary hospital), and Christian (created by ritual healers since the coming of the missionaries). Likewise, the causes ascribed to illness range from sorcery, witchcraft, violation of ancestral or biblical rules, to biomedical conditions, a multiplicity of ways of understanding illness and healing that emerged in the context of religious change. Making choices among the variety of healing performances, and the creation of new performances, are shown to be dynamic processes. At the core are the innovative contributions of local healers, particularly women, who chose to create new performances in the face of religious change. Restoring the Balance looks at indigenous and Christian religious practices, and how people in northwest Ayfat have found a way to integrate the two and bring both sides into balance. This book will be hightly useful to anthropologists and others interested in Melanesian and eastern Indonesian cultures, healing, spiritual healing, or religious change. It would make an attractive case study for university courses at any level.