The essays in this volume study cultural conversions that arose from missionary activities in the Middle East, Africa, and South Asia during the nineteenth and twentieth centuries. Both Catholic and Protestant missionaries effected changes that often went beyond what they had intended, sometimes backfiring against the missions. These changes entailed wrenching political struggles to redefine families, communities, and lines of authority. This volume’s contributors examine the meanings of "conversion" for individuals and communities in light of loyalties and cultural traditions, and consider how conversion, as a process, was often ambiguous. The history of Christian missions emerges from these pages as an integral part of world history that has stretched beyond professing Christians to affect the lives of peoples who have consciously rejected or remained largely unaware of missionary appeals.

In the terms of Durkheimian sociology, conversion is a fait social. Although they are rarely treated as a cultural phenomenon, conversions can obviously be examined for the norms, values and presuppositions of the cultures in which they take place. Thus conversion can help us to shed light on a particular culture. At the same time, the term evokes a dramatic appeal that suggests a kind of suddenness, although in most cases conversion implies a more gradual process of establishing and defining a new - religious - identity. From 21-24 May, 2003, the University of Groningen hosted an international conference on 'Cultures of Conversion'. The contributions have been edited in two volumes, which pay special attention to the modes of language and idiom in conversion literature, the meaning and sense of religious-ideological discourse, the variety of rhetorical tropes, and the effects of the conversion narrative with allusions to religious or political conventions and idealizations. The present volume offers in-depth studies of conversion that are mainly taken from the history of India, Islam and Judaism, ranging from the Byzantine period to the new Muslimas of the West. The other volume, Paradigms, Poetics and Politics of Conversion, in addition to stimulating case studies, contains theoretical contributions on the theory of conversion, with special attention to the rational choice theory and to the history of research into conversion.

This volume considers the concept of conversion as a tool for understanding transformations to modernity. It examines conversions to modernity within the Ottoman domain, India, China, and Japan as a reaction to the pressures of colonialism and imperialism.

This volume fundamentally improves our understanding of processes like the secularization of society, and the growth of mass ideological movements, by looking upon these transformations to modernity as a species of conversion akin to religious conversion. The geographical areas covered by the contributors—the Ottoman domain, India, China, and Japan—provide striking examples of the dynamic force of conversion as a reaction to the tremendous pressures exerted by colonialism and imperialism and by the types of transformations constitutive of modernity.

This book explores the role of conversion to Islam in the emergence of the Ottoman Empire, its imperial ideology and Sunni identity, and its relationship with its Muslim and non-Muslim subjects, in the context of the early modern Mediterranean.

This book takes a close look at Shakespeare’s engagement with the flurry of controversy and activity surrounding the concept of conversion in post-Reformation England. For playhouse audiences during the period, conversional thought encompassed a markedly diverse, fluid amalgamation of ideas, practices, and arguments centered on the means by which an individual could move from one category of identity to another. In an analysis that includes chapter-length readings of The Taming of the Shrew, Henry IV Part I, The Merchant of Venice, Othello, and The Tempest, the book argues that Shakespearean drama made a unique and substantive intervention in public discourse surrounding conversion, and continues to speak meaningfully about conversional experience for audiences in the present age. It will be of particular benefit to students and scholars with an interest in theatrical history, performance theory, theology, cultural studies, race studies, and gender studies.

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