Over the past 20 years, Boeotia has been the focus of intensive archaeological investigation that has resulted in some extraordinary epigraphical finds. The most spectacular discoveries are presented for the first time in this volume: dozens of inscribed sherds from the Theban shrine of Heracles; Archaic temple accounts; numerous Classical, Hellenistic and Roman epitaphs; a Plataean casualty list; a dedication by the legendary king Croesus. Other essays revisit older epigraphical finds from Aulis, Chaironeia, Lebadeia, Thisbe, and Megara, radically reassessing their chronology and political and legal implications. The integration of old and new evidence allows for a thorough reconsideration of wider historical questions, such as ethnic identities, and the emergence, rise, dissolution, and resuscitation of the famous Boeotian koinon. Contributors include: Vassilios Aravantinos, Hans Beck, Margherita Bonanno, Claire Grenet, Yannis Kalliontzis, Denis Knoepfler, Angelos P. Matthaiou, Emily Mackil, Christel Müller, Nikolaos Papazarkadas, Isabelle Pernin, Robert Pitt, Adrian Robu, and Albert Schachter.

This is the second volume of A Social and Economic History of the Theatre to 300 BC and focuses exclusively on theatre culture in Attica (Rural Dionysia) and the rest of the Greek world. It presents and discusses in detail all the documentary and material evidence for theatre culture and dramatic production from the first two centuries of theatre history, namely the period c.500 to c.300 BC. The traditional assumption is laid to rest that theatre was an exclusively or primarily Athenian institution, with the inclusion of all sources of information for theatrical performances in twenty-two deme sites and over one hundred and twenty independent Greek (and some non-Greek) cities. All texts are translated and made accessible to non-specialists and specialists alike. The volume will be a fundamental work of reference for all classicists and theatre historians interested in ancient theatre and its wider historical contexts.

The goddess Hera is represented in mythology as an irascible wife and imperfect mother in the face of a frivolous Zeus. Beginning with the Iliad, many narrative traditions depict her wrath, the infidelities of her royal husband and the persecutions to which she subjects his illegitimate offspring. But how to relate this image to the cults of the sovereign goddess in her sanctuaries across Greece? This book uses the Hera of Zeus to open up new perspectives for understanding the society of the gods, the fate of heroes and the lives of men. As the intimate enemy of Zeus but also the fierce guardian of the legitimacy and integrity of the Olympian family, she takes shape in more subtle and complex ways that make it possible to rethink the configuration of power in ancient Greece, with the tensions that inhabited it, and thus how polytheism works.

In Epigraphica Boeotica II John Fossey continues to treat results of his nearly 50 years of research into the archaeology and inscriptions of Ancient Boiotia (Epigraphica Boeotica I, Amsterdam, 1991). The first part of the volume discusses the relations between Boiotia and other parts of the Greek world as seen in acts of proxenia and agonistic victor lists. After a section on dedications both religious and civic, there follows a series of studies of ancient tombstones, many of them spolia used in more recent buildings, with prosopographic and onomastic commentary on the names contained in them. Discussion throughout features letter forms and one specific example of this is an epigramme by the Roman philhellene emperor Hadrianus. An unusual rupestral text concludes the volume.