Doubts about the contribution of cult-prophetic speech to psalmody remain in debate. Psalms containing first-person divine speech exhibit numerous features and suggest life settings that conform to actual prophetic speech. Alternative explanations lack comparable examples external to psalms. On the other hand, Assyrian cultic prophecies parallel the characteristics of prophetic speech found in psalms. The Assyrian sources support possible composition and performance scenarios that overcome objections raised against the compatibility of genuine prophecy with psalmody. A model of cultic prophecy remains the best explanation for the origin of psalms containing first-person divine speech.

This collection of eight essays deals with a wide range of historical, literary, and methodological issues. First, what were the links between the cultic and the prophetic personnel? Did prophets have ritual/cultic functions in temples? Did prophetic actions and/or utterances play a role in the performance of the cult? What were the ritual aspects of divinations? Second, how do literary texts describe the interaction between prophecy and cult? Third, how can various theories (e.g. religious theory, performance theory) enable us to reach a better understanding of the interplay between divination and cultic ritual in ancient Israel and the wider ancient Near East? Marian Broida explores the ritual elements as described in the biblical accounts of intercession. Lester Grabbe revisits the important question of whether cultic prophecy existed in the Jerusalem temple in ancient Israel. Anja Klein maintains that while Psalms 81 and 95 may indirectly testify to a form of cultic prophecy, they do not themselves constitute cultic prophecy. Jonathan Stökl discusses the notion of "triggering" prophecy and suggests that enquiring of Yhwh may in itself be understood as a kind of ritualised behaviour. John Hilber considers the performance of the rituals that accompanied prophetic affirmation of victory in the Egyptian cult. Martti Nissinen looks more broadly at the question whether prophets in the ancient world functioned as ritual performers. Lena-Sofia Tiemeyer investigates the priests' mediating and predictive functions as depicted in the Deuteronomistic History. Alex Jassen argues that Jews in the Second Temple Period perceived the priests and the temple to be a new locus of prophetic activity.

This successful volume of essays by distinguished scholars not only makes a contribution to the study of Old Testament prophets but also summarizes scholarship in a way particularly appropriate to students, giving access to material available otherwise only in other languages or in journals difficult to obtain.

Using comparative anthropology to get at the social dimensions of prophetic activity, Robert Wilson's study brings the study of Isrealite prophecy to a new level. Looking at both modern societies and Ancient Near Eastern ones, Wilson sketches the nature of prophetic activity, its social location, and its social functions. He then shows how these features appear in Israelite prophecy and sketches a history of prophecy in Israel.

Sigmund Mowinckel is widely recognized as one of the leading forces in Psalms research during the twentieth century. Indeed, the culmination of Mowinckel’s thought and work, The Psalms in Israel’s Worship, continues to play a significant role in Psalms scholarship today. Not as well known are the seminal studies that prepared the ground for Mowinckel’s later work, the six Psalmenstudien that are translated here into English for the first time. In these studies Mowinckel explores with care and in detail such topics as: “'Awen and the Psalms of Individual Lament”; “YHWH’s Enthronement Festival and the Origin of Eschatology”; “Cultic Prophecy and Prophetic Psalms”; “The Technical Terms in the Psalm Superscriptions”; “Blessing and Curse in Israel’s Cult and Psalmody”; and “The Psalmists.” Anyone interested in Psalms study, especially the possible role of the New Year’s enthronement festival within Israel’s cult and its relation to the Psalter, will find much to consider in these classic works.

The writings of the prophets make up over a quarter of the Old Testament. But perhaps no other portion of the Old Testament is more misunderstood by readers today. For some, prophecy conjures up knotted enigmas, opaque oracles and terrifying visions of the future. For others it raises expectations of a plotted-out future to be reconstructed from disparate texts. And yet the prophets have imprinted the language of faith and imagination with some of its most sublime visions of the future - nations streaming to Zion, a lion lying with a lamb, and endlessly fruiting trees on the banks of a flowing river. We might view the prophets as stage directors for Israel's unfolding drama of redemption. Drawing inspiration from past acts in that drama and invoking fresh words from its divine author, these prophets speak a language of sinewed poetry, their words and images arresting the ear and detonating in the mind. For when Yahweh roars from Zion and thunders from Jerusalem, the pastures of the shepherds dry up, the crest of Carmel withers, and the prophetic word buffets those selling the needy for a pair of sandals. The Dictionary of the Old Testament: Prophets is the only reference book of its kind. Not only does it focus exclusively on the prophetic books; it also plumbs their imagery of mountains and wilderness, flora and fauna, temple and Zion. It maps and guides us through topics such as covenant and law, exile and deliverance, forgiveness and repentance, and the Day of the Lord. Here the nature of prophecy is searched out in its social, historical, literary and psychological dimensions as well as its synchronic spread of textual links and associations. And the formation of the prophetic books into their canonical collection, including the Book of the Twelve, is explored and weighed for its significance. Then too, contemporary approaches such as canonical criticism, conversation analysis, editorial/redaction criticism, feminist interpretation, literary approaches and rhetorical criticism are summed up and assayed. Even the afterlife of these great texts is explored in articles on the history of interpretation as well as on their impact in the New Testament.

Hermann Gunkel's commentary on Psalms (Die Psalmen, HKAT)—considered by many to be his magnum opus—was published in 1926. But he was unable to complete his final work on the Psalms. The severe suffering of the final months of his life forced him to hand over his incomplete manuscript, at Christmastime 1931, to his pupil Joachim Begrich. Gunkel died on 11 March 1932. Begrich put the final touches on the organization of Gunkel's last work on Psalms, and it was published in 1933 as Einleitung in die Psalmen: die Gattungen der religiosen Lyrik Israels. As with much of Gunkel's other work, the influence of Einleitung in die Psalmen on the study of the Pslams, Hebrew poetry, and, indeed, the whole realm of Old Testament literature, lyric, and cult, as already noted, "can scarcely be overestimated.”