Can you ever escape your childhood?

Lieutenant Horatio Caine of the Miami-Dade Crime Lab is called in to investigate a mysterious death at an organic eatery. He finds the victim, waiter Phillip Mulrooney, bent over a stainless steel toilet, his clothing shredded. There are burn marks on his face and cell phone fragments scattered around, and his shoes are blown off his feet. Incredible as it seems, the initial evidence points to death by lightning strike. The staff at The Earthly Garden believe Mulrooney's death is an act of God -- punishment for straying from the Vitality Method, their spiritual philosophy that inner beauty can be revealed by nurturing the physical and spiritual. The only philosophy Lieutenant Horatio Caine believes in is justice for the victim -- and he'll move heaven and earth to get it.

“A must-read for those with a taste for cult narratives.”—Publishers Weekly From the author of Cursed Objects and The United States of Cryptids, an eye-popping compendium of the 30 most infamous, audacious, and dangerous cults in history Have you ever wondered how ordinary people end up enmeshed in extreme cults? Everything you’ve ever wanted to know about history’s most notorious cults—and the psychology of the people who join them—is packed into this accessible, engaging volume. Walk in the footsteps of those who were lured into such sinister groups as: Branch Davidians: This cult was waiting out the apocalypse when the FBI infamously raided their compound in Waco, Texas. Los Narcosatánicos: This group of drug traffickers in 1980s Mexico committed human sacrifice and believed their leader had magic powers. Breatharianism: Breatharians believe that humans can live on air alone, and their founder claimed to have gone without food for seventeen years. NXIVM: This twenty-first-century cult attracted Hollywood actresses and engaged in sex trafficking, forced labor, and racketeering under the guise of personal development seminars. Heaven’s Gate: The Heaven’s Gate UFO cult ended in the suicide of thirty-nine members who believed they would ascent to a spaceship after death. In this fascinating collection, weird history expert J. W. Ocker sheds light on the terrifying attraction of cults, demonstrating the elasticity of belief, the desperateness of belonging, and the tragedy of trust.

An analysis of Bob Dylan fandom that shares insights into the music artist's influential role in American culture, contrasting the activities of particularly devout fans against Dylan's intensely private nature.

"An invaluable collection for anyone researching or teaching cult cinema ... The Cult Film Reader is an authoritative text that should be of value to any student or researcher interested in challenging and transgressive cinema that pushes the boundaries of conventional cinema and film studies." Science Fiction Film and Television "A really impressive and comprehensive collection of the key writings in the field. The editors have done a terrific job in drawing together the various traditions and providing a clear sense of this rich and rewarding scholarly terrain. This collection is as wild and diverse as the films that it covers. Fascinating." Mark Jancovich, Professor of Film and Television Studies, University of East Anglia, UK "It's about time the lunatic fans and loyal theorists of cult movies were treated to a book they can call their own. The effort and knowledge contained in The Cult Film Reader will satisfy even the most ravenous zombie's desire for detail and insight. This book will gnaw, scratch and infect you just like the cult films themselves." Brett Sullivan, Director of Ginger Snaps Unleashed and The Chair "The Cult Film Reader is a great film text book and a fun read." John Landis, Director of The Blues Brothers, An American Werewolf in London and Michael Jackson's Thriller "Excellent overview of the subject, and a comprehensive collection of significant scholarship in the field of cult film. Very impressive and long overdue." Steven Rawle, York St John University, UK Whether defined by horror, kung-fu, sci-fi, sexploitation, kitsch musical or ‘weird world cinema’, cult movies and their global followings are emerging as a distinct subject of film and media theory, dedicated to dissecting the world’s unruliest images. This book is the world’s first reader on cult film. It brings together key works in the field on the structure, form, status, and reception of cult cinema traditions. Including work from key established scholars in the field such as Umberto Eco, Janet Staiger, Jeffrey Sconce, Henry Jenkins, and Barry Keith Grant, as well as new perspectives on the gradually developing canon of cult cinema, the book not only presents an overview of ways in which cult cinema can be approached, it also re-assesses the methods used to study the cult text and its audiences. With editors’ introductions to the volume and to each section, the book is divided into four clear thematic areas of study – The Conceptions of Cult; Cult Case Studies; National and International Cults; and Cult Consumption – to provide an accessible overview of the topic. It also contains an extensive bibliography for further related readings. Written in a lively and accessible style, The Cult Film Reader dissects some of biggest trends, icons, auteurs and periods of global cult film production. Films discussed include Casablanca, The Rocky Horror Picture Show, Eraserhead, The Texas Chainsaw Massacre, Showgirls and Ginger Snaps. Essays by: Jinsoo An; Jane Arthurs; Bruce Austin; Martin Barker; Walter Benjamin; Harry Benshoff; Pierre Bourdieu; Noel Carroll; Steve Chibnall; Umberto Eco; Nezih Erdogan; Welch Everman; John Fiske; Barry Keith Grant ; Joan Hawkins; Gary Hentzi; Matt Hills; Ramaswami Harindranath; J.Hoberman; Leon Hunt; I.Q. Hunter; Mark Jancovich; Henry Jenkins; Anne Jerslev; Siegfried Kracauer; Gina Marchetti; Tom Mes; Gary Needham; Sheila J. Nayar; Annalee Newitz; Lawrence O’Toole; Harry Allan Potamkin; Jonathan Rosenbaum; Andrew Ross; David Sanjek; Eric Schaefer; Steven Jay Schneider; Jeffrey Sconce; Janet Staiger; J.P. Telotte; Parker Tyler; Jean Vigo; Harmony Wu

Some films should never have been made. They are too unsettling, too dangerous, too challenging, too outrageous and even too badly made to be let loose on unsuspecting audiences. Yet these films, from the shocking Cannibal Holocaust to the apocalyptic Donnie Darko, from the destructive Tetsuo to the awfully bad The Room, from the hilarious This Is Spinal Tap to the campy Showgirls, from the asylum of Das Cabinet des Dr. Caligari to the circus of Freaks, from the gangs of The Warriors to the gangsters of In Bruges and from the flamboyant Rocky Horror Picture Show to the ultimate cool of The Big Lebowski, have all garnered passionate fan followings. Cult cinema has made tragic misfits, monsters and cyborgs, such as Edward Scissorhands or Blade Runner's replicants, heroes of our times. 100 Cult Films explains why these figures continue to inspire fans around the globe. Cult film experts Ernest Mathijs and Xavier Mendik round up the most cultish of giallo, blaxploitation, anime, sexploitation, zombie, vampire and werewolf films, exploring both the cults that live hidden inside the underground (Nekromantik, Café Flesh) and the cult side of the mainstream (Dirty Dancing, The Lord of the Rings, and even The Sound of Music). 100 Cult Films is a true trip around the world, providing a lively and illuminating guide to films from more than a dozen countries, across nine decades, representing a wide range of genres and key cult directors such as David Cronenberg, Terry Gilliam and David Lynch. Drawing on exclusive interviews with some of the world's most iconic cult creators and performers, including Dario Argento, Pupi Avati, Alex Cox, Ruggero Deodato, Jesús Franco, Lloyd Kaufman, Harry Kümel, H. G. Lewis, Christina Lindberg, Takashi Miike, Franco Nero, George A. Romero and Brian Yuzna, and featuring a foreword by cult director Joe Dante, 100 Cult Films is your ultimate ticket to the midnight movie show.

One hundred all-time cult favorites are discussed with essays on what is special about each, what its claim to fame is, and who its most avid fans are.