Conectate con tus emociones, experiencias y lecciones de vida. Te invito a un viaje por unos cuentos mágicos, cortos y ágiles para que no solamente conozcas a Juanita y sus enseñanzas, sino también puedas incorporar jugando el vocabulario y las frases típicas de campo...en inglés. ¡Y preparate para más sorpresas! ¿Arrancamos?Se recomienda a los adultos leer primero ellos los cuentos, para luego compartir los que crean pertinentes con los niños. Get in touch with your emotions, experiences and life lessons. I invite you on a trip along some short, quick-paced magical tales in which you will not only meet Jenny and her teachings, but also playfully incorporate the typical countryside vocabulary and phrases...in English. And be ready for more surprises! Shall we begin?It is recommended that adults read these tales first, so that they can then share the ones they consider appropriate for children.

A magical story of a Guatemalan girl named Juanita, who loved cooking crunchy maize tortillas and counting stars every night. For a long time, Guatemala has had an important place in my heart. My son has raised a beautiful family there, and I believe that when you love the places you visit, the land gives back that love in the form of unforgettable experiences. Mayan temples, majestic volcanoes, most of them active, with the heat throbbing inside them, contrast with the lush green of the tropical forests. Rivers and lakes meander through the mountains, ending in breathtaking waterfalls, which naturally sustain the extensive coffee and corn crops. Corn is the daily bread of Guatemala and the main food for the entire indigenous population throughout the year. Many varieties are grown, and they all are of different colors. The local women make delicious white, yellow, black, and red corn tortillas. The inhabitants of this beautiful country are kind and loving. I met Juanita one sunny morning. That day, Lake Atitlán woke up slowly, and we quietly sailed away, visiting the small villages that surround the lake. When we arrived in Santa Catarina Palopó, a pretty seven-year-old girl with jet-black hair and a gummy smile-she was missing two of her baby teeth-was sitting on the pier, wearing a beautiful huipil embroidered in blue tones. She looked like a little Mayan princess sitting on a wooden throne. The huipil is a square piece of cloth with a hole in the center. Guatemalan women and girls wear it as a blouse, and in each region they weave them in different colors. Juanita sold woven cotton bracelets. She did it to help her mother, who sat on the floor weaving a few meters away from her, while she rocked to sleep a tiny baby that she was carrying on her back. Back in Spain, with a head full of memories, the words began to take shape on paper, until Juanita came to form a part of this little tale. --Lola Walder

A GOOD MORNING AMERICA BOOK CLUB PICK Shortlisted for the 2020 Women's Prize for Fiction “Through a novel with so much depth, beauty, and grace, we, like Ana, are forever changed.” —Jacqueline Woodson, Vanity Fair “Gorgeous writing, gorgeous story.” —Sandra Cisneros Fifteen-year-old Ana Cancion never dreamed of moving to America, the way the girls she grew up with in the Dominican countryside did. But when Juan Ruiz proposes and promises to take her to New York City, she has to say yes. It doesn’t matter that he is twice her age, that there is no love between them. Their marriage is an opportunity for her entire close-knit family to eventually immigrate. So on New Year’s Day, 1965, Ana leaves behind everything she knows and becomes Ana Ruiz, a wife confined to a cold six-floor walk-up in Washington Heights. Lonely and miserable, Ana hatches a reckless plan to escape. But at the bus terminal, she is stopped by Cesar, Juan’s free-spirited younger brother, who convinces her to stay. As the Dominican Republic slides into political turmoil, Juan returns to protect his family’s assets, leaving Cesar to take care of Ana. Suddenly, Ana is free to take English lessons at a local church, lie on the beach at Coney Island, see a movie at Radio City Music Hall, go dancing with Cesar, and imagine the possibility of a different kind of life in America. When Juan returns, Ana must decide once again between her heart and her duty to her family. In bright, musical prose that reflects the energy of New York City, Angie Cruz's Dominicana is a vital portrait of the immigrant experience and the timeless coming-of-age story of a young woman finding her voice in the world.

Voces Femeninas de Hispanoamerica presents in one volume a selection of the most representative and outstanding writing by Latin American women writers from the seventeenth century to the present. Designed as a text for third and fourth-year students, the selections, writers' biographies, historical introduction, and appendixes are entirely in Spanish, with notes to help students with difficult words or passages.

Literary Nonfiction. Poetry. Latinx Studies. LGBTQIA Studies. Edited by Ricardo F. Vivancos-Pèrez and Norma Cantú. Rooted in Gloria Anzaldúa's experiences growing up near the U.S./Mexico border, BORDERLANDS/LA FRONTERA remaps our understanding of borders as psychic, social, and cultural terrains that we inhabit and that inhabit us all. Drawing heavily on archival research and a comprehensive literature review while contextualizing the book within her theories and writings before and after its 1987 publication, this critical edition elucidates Anzaldúa's complex composition process and its centrality in the development of her philosophy. It opens with two introductory studies; offers a corrected text, explanatory footnotes, translations, and four archival appendices; and closes with an updated bibliography of Anzaldúa's works, an extensive scholarly bibliography on Borderlands, a brief biography, and a short discussion of the Gloria E. Anzaldúa Papers. "Ricardo F. Vivancos-Pèrez's meticulous archival work and Norma Elia Cantú's life experience and expertise converge to offer a stunning resource for Anzaldúa scholars; for writers, artists, and activists inspired by her work; and for everyone. Hereafter, no study of Borderlands will be complete without this beautiful, essential reference."--Paola Bacchetta