A master class from the exhilarating writer Julio Cortázar “I want you to know that I’m not a critic or theorist, which means that in my work I look for solutions as problems arise.” So begins the first of eight classes that the great Argentine writer Julio Cortázar delivered at UC Berkeley in 1980. These “classes” are as much reflections on Cortázar’s own writing career as they are about literature and the historical moment in which he lived. Covering such topics as “the writer’s path” (“while my aesthetic world view made me admire writers like Borges, I was able to open my eyes to the language of street slang, lunfardo…”) and “the fantastic” (“unbeknownst to me, the fantastic had become as acceptable, as possible and real, as the fact of eating soup at eight o’clock in the evening”), Literature Class provides the warm and personal experience of sitting in a room with the great author. As Joaquin Marco stated in El Cultural, “exploring this course is to dive into Cortázar designing his own creations.… Essential for anyone reading or studying Cortázar, cronopio or not!”

The power of Eros, the enduring beauty of art, a love-hate nostalgia for his Argentine homeland, the bonds of friendship and the tragic folly of politics are some of the themes of Save Twilight. Informed by his immersion in world literature, music, art, and history, and most of his own emotional geography, Cortazar's poetry traces his paradoxical evolution from provincial Argentinean sophisticate to cosmopolitan Parisian Romantic, always maintaining the sense of astonishment of an artist surprised by life.

A collection of eight stories never before published in English which combine--as all of Cortazar's stories do--realism with the fantastic, and display Cortazar's mastery at describing the ordinary moment. These stories show the heroism required when ordinary people struggle with the impossible.

Collection of 48 science fiction stories by Isaac Asimov.

Available in English for the first time, a collection of deeply humane stories depicting marginalized populations by one of the greatest South American writers of the 20th century. The Peruvian writer Julio Ramón Ribeyro is one of the masters of the short story and a major contributor to the great flourishing of Latin American literature that followed the Second World War. In a letter to an editor, Ribeyro said about his stories, “in most of [them] those who are deprived of words in life find expression—the marginalized, the forgotten, those condemned to an existence without harmony and without voice. I have restored to them the breath they’ve been denied, and I’ve allowed them to modulate their own longings, outbursts, and distress.” This is work of deep humanity, imbued with a disorienting lyricism that is Ribeyro’s alone. The Word of the Speechless, edited and translated by Katherine Silver, introduces readers to an indispensable and unforgettable voice of Latin American fiction.

Dive into the chilling world of "Winged Death," a classic tale from the 1930s by the master of horror, H.P. Lovecraft, and Hazel Heald. This story weaves a dark narrative filled with suspense and the unknown, showcasing Lovecraft's signature style. A must-read for fans of horror and historical fiction.

In Edgar Allan Poe's "The Tell-Tale Heart", the narrator tries to prove his sanity after murdering an elderly man because of his "vulture eye". His growing guilt leads him to hear the old man's heart beating under the floorboards, which drives him to confess the crime to the police.