Camus’s Meursault and Thelma and Louise meet up under the blazing sun. Vexed by the ‘unremarkable star’ that ‘presses’ Camus’s Meursault to commit murder, Because the Sun considers the blazing sun as a material symbol of ambient violence – violence absorbed like heat and fired at the nearest victim. Likewise, as a friendship between women confronts gendered aggression in Thelma and Louise, the sun becomes the repository of pain, the high noon that pushes us through desert after desert. Because the Sun’s pastiche of voices embodies both stylistic and formal relentlessness by teasing out tonalities that blend and merge into each other, generating a blinding effect, like looking into the sun. “Breathless and death defying, the poems in Because the Sun are high-wire work. They sway above us in a blazing light of Burgoyne’s making. It is so rare that a book of poems is both a tuning fork for our minds as well as a balm for our bodies. But that is exactly what happens page after page in this blazing book.” —Michael Dickman, author of Days & Days “This beautiful work wraps Camus’s The Stranger in a poetics concerning erasure/+ hope. Out of the titular Sun’s burning punctum burst telling shards of what is erased by Camus’s remarkable construction of whiteness in-the-masculine: the dead ‘Arab,’ the female body’s interminable violations – but also its warming, even blinding capacity for consequential pleasures.” —Gail Scott, author of Heroine “Sarah Burgoyne begins with the sun and ends with flowers. In between is a complicated exploration of what it means to exist within a tradition that is Camus, Rimbaud, Blake. Taking her cue from Sara Ahmed, she notices how hard it is to challenge this tradition and yet that it matters to do it anyway.” —Juliana Spahr, author of That Winter the Wolf Came

The expansion of the suburban environment is a fascinating cultural development. In fact, the United States is primarily a suburban nation, with far more Americans living in the suburbs that in either urban or rural areas. Why were suburbs created to begin with? How do we define them? Are they really the promised land of the American middle class? The concept of space and how we create it is a concept that is receiving a great deal of academic attention, but no one has looked carefully at the suburban landscape through the lens of fiction and of film.

" ... Concise explanations and descriptions - easily read and readily understood - of what we know of the chain of events and processes that connect the Sun to the Earth, with special emphasis on space weather and Sun-Climate."--Dear Reader.

The big picture : how Buffy the vampire slayer turned me into a TV critic -- The long con ("The Sopranos") -- The great divide : Norman Lear, Archie Bunker, and the rise of the bad fan -- Difficult women ("Sex and the city") -- Cool story, bro ("True detective," "Top of the lake" and "The fall") -- Last girl in Larchmont : the legacy of Joan Rivers -- Girls girls girls : "Girls," "Vanderpump rules," "House of cards and Scandal," "The Amy Schumer show," "Transparent" -- Confessions of the human shield -- How jokes won the election -- In praise of sex and violence : "Hannibal," "Law et order : SVU," "Jessica Jones," -- "The jinx," "The Americans" -- The price is right : what advertising does to TV -- In living color : Kenya Barris' -- Breaking the box : "Jane the virgin," "The comeback," "The good wife," "The newsroom," "Adventure time," "The leftovers," "High maintenance." -- Riot girl : Jenji Kohan's hot provocations -- A disappointed fan is still a fan ("Lost") -- Mr. big : how Ryan Murphy became the most powerful man in television.

An exuberant debut that sweeps across the twentieth century—beginning where one world-famous love story left off to introduce us to another With Sophie Tucker belting from his hand-crank phonograph and a circle of boarding-school admirers laughing uproariously around him, Ben "Trouble" Pinkerton first appears to us through the amazed eyes of his Blaze Academy schoolmate, the crippled orphan Woodley Sharpless. Soon Woodley finds his life inextricably linked with this strange boy's. The son of Lieutenant Benjamin Pinkerton and the geisha Madame Butterfly, Trouble is raised in the United States by Pinkerton (now a Democrat senator) and his American wife, Kate. From early in life, Trouble finds himself at the center of some of the biggest events of the century—and though over time Woodley's and Trouble's paths diverge, their lives collide again to dramatic effect. From Greenwich Village in the Roaring Twenties, to WPA labor during the Great Depression; from secret work at Los Alamos, New Mexico, to a revelation on a Nagasaki hillside by the sea—Woodley observes firsthand the highs and lows of the twentieth century and witnesses, too, the extraordinary destiny of the Pinkerton family. David Rain's The Heat of the Sun is a high-wire act of sustained invention—as playful as it is ambitious, as moving as it is theatrical, and as historically resonant as it is evocative of the powerful bonds of friendship and of love.

After his father's heart attack in 1984, Peter Godwin began a series of pilgrimages back to Zimbabwe, the land of his birth, from Manhattan, where he now lives. On these frequent visits to check on his elderly parents, he bore witness to Zimbabwe's dramatic spiral downwards into the jaws of violent chaos, presided over by an increasingly enraged dictator. And yet long after their comfortable lifestyle had been shattered and millions were fleeing, his parents refuse to leave, steadfast in their allegiance to the failed state that has been their adopted home for 50 years. Then Godwin discovered a shocking family secret that helped explain their loyalty. Africa was his father's sanctuary from another identity, another world. When a Crocodile Eats the Sun is a stirring memoir of the disintegration of a family set against the collapse of a country. But it is also a vivid portrait of the profound strength of the human spirit and the enduring power of love.

Leah Buchanan's family has been in service to vampires for five centuries. Even so, Leah wants nothing to do with her family's legacy. But when she's summoned to her Selection by the Vampire Dominion, under familial pressure, she has no choice but to go. Lucien has been living under the strict edicts of the Vampire Dominion for centuries but he's tired of these ancient laws stripping away everything that is the essence of the vampire. So he's taking it back. This is because Lucien has been watching and waiting for decades for Leah to become available for a Selection and he will not be limited with what he can do with her. He will have her, all of her. Therefore, Lucien is going to tame Leah, even if he gets hunted and killed for doing it. What neither Leah nor Lucien expects is the strong bond that will form between them, connecting them on unprecedented levels for mortals or immortals. And what will grow between them means they will challenge their ways of life and their union will begin the Prophesies which makes them one of three couples who will save humanity...or die in the effort.