Knowlton Nash's detailed and widely praised history of the CBC, "The Microphone Wars (1994), provided a superbly researched view of the trials and triumphs faced by Canada's embattled public broadcaster since its birth sixty years ago. But for most Canadians, the CBC is not its backroom movers and shakers, nor even its boardroom masters. The CBC is its programs and its stars. And now Nash has written their book. Based on interviews with more than 120 performers, producers, and behind-the-scenes players, "Cue the Elephant is packed to the covers with revelations and surprising anecdotes that range from the serious to the plain ridiculous, from the hilarious to the very poignant. Goofs, gossip, peeves, and rivalries sprinkle the pages as Nash relates hundreds of memorable incidents: Prime Minister Pierre Trudeau changing his baby's diaper backstage at "Front Page Challenge"; the professional battles between Wayne and Shuster; Juliette's struggle to keep cameramen from "shooting up her nose"; Tommy Hunter's fights with producers; announcer Allan McFee's creative use of a can of asparagus and his attempt to asphyxiate a producer; Barbara Frum's devotion to her messy dog, Diva; Peter Mansbridge's worry about going bald; and the long-mysterious expense account acronym PACR, which was finally discovered to stand for Pissed Away, Can't Remember. Whether you're curious about the real reason for the cancellation of "Front Page Challenge," "The Beachcombers," and "Street Legal," or want to know what Anne Murray, Gordon Pinsent, and Cynthia Dale are really like, "Cue the Elephant provides an engrossing, funny, and nostalgic look at the stars of the CBC - from the radio days of FosterHewitt, the Happy Gang, and Rawhide to the current hit television shows.

For centuries elephants in Thailand have been revered as a national symbol, worshiped as living gods and employed as beasts of burden in the nation's thriving timber industry. But when logging was banned in Thailand in 1990, these noble animals fell on hard times. Reduced to performing tricks for tourists by day and illegal heavy labor by night, Thailand's elephants were exhausted, malnourished, and dying in alarming numbers. Hearing of their plight, a pair of unlikely heroes came to the rescue, Wildly eccentric Russian emigre artists Vitaly Komar and Alexander Melamid devised a brilliant scheme: to create the world's first quadruped occupational retraining program-a network of art schools for unemployed elephants. Taking a cue from elephant trainers in a number of American zoos, Komar and Melamid taught the animals to hold brushes in their trunks and apply paint to canvas. And the results were astonishing: Not only did the elephants' paintings closely resemble the expansive gestural work of such Abstract Expressionist artists as Jackson Pollock, Willem de Kooning, and Franz Kline, but the pachyderm painters also began to develop clearly distinct regional styles-lyrical and expressive in the northern Thai school, subtle and atmospheric in the east, dynamic and angst ridden in the central school. Sanctioned by the World Wildlife Fund, the Asian Elephant Art and Conservation Project has been a remarkable success; paintings by some of the most talented elephant artists have been auctioned at Christie's for thousands of dollars, generating funds to provide proper care for the elephants and support for their trainers. When Elephants Paint follows Komar and Melamid and their eclectic entourage through Thailand's lush jungles and steaming cities, describing the odd encounters and creative cajoling that helped turn this seemingly whimsical idea into a concrete, beneficial reality. Illustrated with more than 100 photographs, including actual elephant paintings, this riotously funny and provocative book offers a valuable lesson in wildlife conservation and startling revelations about the nature of art itself.

As species extinction, environmental protection, animal rights, and workplace safety issues come to the fore, zoos and aquariums need keepers who have the technical expertise and scientific knowledge to keep animals healthy, educate the public, and create regional, national, and global conservation and management communities. This textbook offers a comprehensive and practical overview of the profession geared toward new animal keepers and anyone who needs a foundational account of the topics most important to the day-to-day care of zoo and aquarium animals. The three editors, all experienced in zoo animal care and management, have put together a cohesive and broad-ranging book that tackles each of its subjects carefully and thoroughly. The contributions cover professional zookeeping, evolution of zoos, workplace safety, animal management, taxon-specific animal husbandry, animal behavior, veterinary care, public education and outreach, and conservation science. Using the newest techniques and research gathered from around the world, Zookeeping is a progressive textbook that seeks to promote consistency and the highest standards within global zoo and aquarium operations.

Inspired by true events, this vivid and moving story of a young woman zookeeper and the elephant she's compelled to protect through the German blitz of Belfast during WWll speaks to not only the tragedy of the times, but also to the ongoing sectarian tensions that still exist in Northern Ireland today—perfect for readers of historical and literary fiction alike. Belfast, October 1940. Twenty-year-old zookeeper Hettie Quin arrives at the city docks in time to meet her new charge: an orphaned three-year-old Indian elephant named Violet. As Violet adjusts to her new solitary life in captivity and Hettie mourns the recent loss of her sister and the abandonment of her father, new storm clouds gather. A world war rages, threatening a city already reeling from escalating tensions between British Loyalists and those fighting for a free and unified Ireland. The relative peace is shattered by air-raid sirens on the evening of Easter Tuesday 1941. Over the course of the next five hours, hundreds of bombs rain down upon Belfast, claiming almost a thousand lives and decimating the city. Dodging the debris and carnage of the Luftwaffe attack, Hettie runs to the zoo to make sure that Violet is unharmed. The harrowing ordeal and ensuing aftermath set the pair on a surprising path that highlights the indelible, singular bond that often brings mankind and animals together during horrifying times. Inspired by a largely forgotten chapter of World War II, S. Kirk Walsh deftly renders the changing relationship between Hettie and Violet, and their growing dependence on each other for survival and solace. The Elephant of Belfast is a complicated and beguiling portrait of hope and resilience--and how love can sustain us during the darkest moments of our lives.

From an internationally renowned field scientist comes this fascinating story of her unexpected discovery of a RsecretS new mode of elephant communication. This unforgettable journey takes readers into the wilds of Africa where naturalists do their difficult work in a troubled land.

How the lives and labors of nineteenth-century circus elephants shaped the entertainment industry. Consider the career of an enduring if controversial icon of American entertainment: the genial circus elephant. In Entertaining Elephants Susan Nance examines elephant behavior—drawing on the scientific literature of animal cognition, learning, and communications—to offer a study of elephants as actors (rather than objects) in American circus entertainment between 1800 and 1940. By developing a deeper understanding of animal behavior, Nance asserts, we can more fully explain the common history of all species. Entertaining Elephants is the first account that uses research on animal welfare, health, and cognition to interpret the historical record, examining how both circus people and elephants struggled behind the scenes to meet the profit necessities of the entertainment business. The book does not claim that elephants understood, endorsed, or resisted the world of show business as a human cultural or business practice, but it does speak of elephants rejecting the conditions of their experience. They lived in a kind of parallel reality in the circus, one that was defined by their interactions with people, other elephants, horses, bull hooks, hay, and the weather. Nance’s study informs and complicates contemporary debates over human interactions with animals in entertainment and beyond, questioning the idea of human control over animals and people's claims to speak for them. As sentient beings, these elephants exercised agency, but they had no way of understanding the human cultures that created their captivity, and they obviously had no claim on (human) social and political power. They often lived lives of apparent desperation.