"Teddy bears, dollies, and little green soldiers - they've all had enough of you. They're sick of being treated like playthings for spoiled little brats. They have no rights, no property, no hope for a future of any kind. You've left them with no other option - in order to be free, they must exterminate the human race. Julie is a human girl undergoing reconstructive surgery in order to become a stuffed animal. Her plan: to infiltrate enemy lines in order to save her family from the toy death camps. But when an army of plushy soldiers invade the underground bunker where she has taken refuge, Julie will be forced to move forward with her plan despite her transformation being not entirely complete."--Page 4 of cover

Tony dreads the idea of going to his wife's company dinner party in Eagle Hills; the new upper-middleclass gated community that just popped up outside of Scottsdale, AZ. He hates these Southwestern-style planned suburban neighborhoods. All of the streets look the same. All of the houses look the same. All of the people look the same. Because everything in Eagle Hills looks exactly the same, Tony has trouble finding the dinner party. He quickly becomes lost in the sea of red tile roofs. The streets seem to go on forever. The addresses don't seem to make any sense. After hours of navigating the suburban labyrinth, Tony discovers that there is something terribly wrong with the Eagle Hills gated community. There is something unnatural about the houses around him. There is something inhuman about the people staring at him through the windows. And no matter how far he drives, he can't seem to find his way out. Ultra Fuckers is a work of absurd suburban horror in the tradition of Mellick's previous short novel, The Menstruating Mall.

A computer game so nauseatingly gory that it came with a barf bag. Bright druggy graphics that sickened scores of proper English parents. Gameplay so violent that it inspired one of Britain's most infamous killing sprees. Soft & Cuddly, released for the ZX Spectrum in 1987, wasn't quite any of these things. But in an age of manufactured moral panics, John George Jones's fluorescent punk manifesto sure pissed off a lot of people. Featuring new interviews with the the game's creator, Jarett Kobek's book dives deep into the gritty world of British yellow journalism, snarky computer fanzines, DIY home programming, and Soviet bootleg mixtapes. If Margaret Thatcher's Conservative Party was right that "video nasties" like Soft & Cuddly were the epitome of 80s depravity, then this book is headed straight to Hell.

The testimonies of individuals who survived the Holocaust as children pose distinct emotional and intellectual challenges for researchers: as now-adult interviewees recall profound childhood experiences of suffering and persecution, they also invoke their own historical awareness and memories of their postwar lives, requiring readers to follow simultaneous, disparate narratives. This interdisciplinary volume brings together historians, psychologists, and other scholars to explore child survivors’ accounts. With a central focus on the Kestenberg Holocaust Child Survivor Archive’s over 1,500 testimonies, it not only enlarges our understanding of the Holocaust empirically but illuminates the methodological, theoretical, and institutional dimensions of this unique form of historical record.

When Satan Burger was first being passed around among teenage punks and fans of weird art and film, there was nothing else like it. A book of rebellious spirit that simplistically captured the postmodern malaise of a culture obsessed with consumerism. It quickly gained an underground following, was transcribed by fans and bootlegged online, was translated into Russian and made its way around the world attracting the attention of readers bored with typical mainstream fare. Combining a satirical wit and style on par with legendary humorists such as Kurt Vonnegut and Russell Edson with the crazy punk ethos of cult film directors such as Terry Gilliam, David Lynch, and Takashi Miike, this was a book overflowing with so many new ideas and absurd philosophies that it not only launched the career of underground author Carlton Mellick III, but inspired an entire literary movement. For the fifteenth anniversary of the release of this Bizarro Fiction classic, Eraserhead Press is thrilled to present this special hardcover edition, featuring an introduction by splatterpunk legend John Skipp, illustrations by Ryan Ward, and a new preface by the author. Satan Burger explores a new kind of apocalypse. Not an apocalypse caused by disease or nuclear war, but an apocalypse of boredom. A plague of monotony has spread across the countryside, sucking all passion and inspiration out of everyone over the age of twenty-five, leaving only the disenfranchised youth to fend for themselves in a world crumbling around them. Featuring a narrator who sees his body from a third-person perspective, a man whose flesh is dead but his body parts are alive and running amok, an overweight messiah, the personal life of the Grim Reaper, a race of women who feed on male orgasms, and a motley group of squatter punks that team up with the devil to find their place in a world that doesn't want them anymore.

The Forgotten Holocaust, a story of the forgotten Romani holocaust, encompasses a rich cast of characters, both Romani and Gadje (non-Romani), set over three generations, stretching from England, Holland and Poland to life in a new world. The holocaust story that history swept under the carpet … Can you ever truly escape past nightmares that dog your footsteps? Or do you confront them head on, so that you can live the rest of your life in peace? Auschwitz prisoner Gil Webb suffers the unremitting brutal terror of the purpose-built Gypsy Camp, the Zigeunerlager, where thousands of his fellow Romanies are indiscriminately annihilated in World War Two. Rescued at the end of the war and returned to his English homeland to recuperate, Gil and his new wife sail to a fresh life overseas, hoping to escape his past memories and the depression of post-war Europe.