An older man is infatuated with a beautiful young woman. He is over the moon when she agrees to marry him. Little does he know what she has in store for him! Her dominant nature is unleashed. Before long, he is reduced to the status of a humble sissified domestic drudge waiting hand and foot on his young Mistress — and her boyfriend!

Master Marcus moves in and takes control of a white wife, Rebecca, and her submissive sissy maid husband. Both Marcus and Rebecca have a long-term plan and everyone lives happily ever-after, when they are Black Owned.

The latest book by Thomas Newgen and Barbara Deloto, "Changes" has five different stories about forced feminization. The authors of, the ever popular, "Virgin Bride - An Erotic Tale - A Husband becomes a Bride." and, "Shapeshifter" have now created five exciting stories of men being turned into women (almost) by their female transformers. "Neighborly Advice" is about a wife that talks with her psychiatrist neighbor about sexuality and through her advice brings excitement into their lives by teaching the wife to transform the husband into a woman and become like a girlfriend instead of a husband as they enjoy themselves immensely while he's dressed as a woman. "I Once Was a Man, Until My Wife Got Done with Me" is about a wife who wants her husband to understand how a woman wants to be treated by a man by turning him into a woman through her training of him. "Natasha's Weekend" is about a woman's special, monthly party, where she becomes a dom for a day and turns her husband into her sissy slave to serve at the party. "What Happened to Me!?" is about a husband that regularly came home after too many drinks one too many times until she takes control and literally puts her shoe on his foot along with other limiting, and life changing restraints and changes. "A New Job: Great Pay, But at What Price?" is about a man that is hired at an outrageously high salary by a beautiful, powerful, woman boss that makes him wear women's clothing on his first day of work and ultimately changes his life completely. All the stories are about men learning about the pleasures of dressing like a woman, femininity, sexuality, sensuality, and pleasing from the feminized side of life. All of them are highly erotic and incredibly titillating! Adults only! Don't miss this one.

A daring collaboration among scholars, Black Sexual Economies challenges thinking that sees black sexualities as a threat to normative ideas about sexuality, the family, and the nation. The essays highlight alternative and deviant gender and sexual identities, performances, and communities, and spotlights the sexual labor, sexual economy, and sexual agency to black social life. Throughout, the writers reveal the lives, everyday negotiations, and cultural or aesthetic interventions of black gender and sexual minorities while analyzing the systems and beliefs that structure the possibilities that exist for all black sexualities. They also confront the mechanisms of domination and subordination attached to the political and socioeconomic forces, cultural productions, and academic work that interact with the energies at the nexus of sexuality and race. Contributors: Marlon M. Bailey, Lia T. Bascomb, Felice Blake, Darius Bost, Ariane Cruz, Adrienne D. Davis, Pierre Dominguez, David B. Green Jr., Jillian Hernandez, Cheryl D. Hicks, Xavier Livermon, Jeffrey McCune, Mireille Miller-Young, Angelique Nixon, Shana L. Redmond, Matt Richardson, L. H. Stallings, Anya M. Wallace, and Erica Lorraine Williams

NATIONAL BESTSELLER • The lives of three women—transgender and cisgender—collide after an unexpected pregnancy forces them to confront their deepest desires in “one of the most celebrated novels of the year” (Time) “Reading this novel is like holding a live wire in your hand.”—Vulture One of the New York Times’s 100 Best Books of the 21st Century Named one of the Best Books of the Year by more than twenty publications, including The New York Times Book Review, Entertainment Weekly, NPR, Time, Vogue, Esquire, Vulture, and Autostraddle PEN/Hemingway Award Winner • Finalist for the Lambda Literary Award, the National Book Critics Circle Award, and the Gotham Book Prize • Longlisted for The Women’s Prize • Roxane Gay’s Audacious Book Club Pick • New York Times Editors’ Choice Reese almost had it all: a loving relationship with Amy, an apartment in New York City, a job she didn't hate. She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men. Ames isn't happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese—and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames's boss and lover, Katrina, reveals that she's pregnant with his baby—and that she's not sure whether she wants to keep it—Ames wonders if this is the chance he's been waiting for. Could the three of them form some kind of unconventional family—and raise the baby together? This provocative debut is about what happens at the emotional, messy, vulnerable corners of womanhood that platitudes and good intentions can't reach. Torrey Peters brilliantly and fearlessly navigates the most dangerous taboos around gender, sex, and relationships, gifting us a thrillingly original, witty, and deeply moving novel.

The grotesque - the exagggerated, the deformed, the monstrous - has been a well-considered subject for students of comparative literature and art. In a major addition to the literature of art, cultural criticism and feminist studies, Mary Russo re-examines the grotesque in the light of gender, exploring the works of Angela Carter David Cronenberg Bahktin Kristeva Freud Zizek. Mary Russo looks at the portrayal of the grotesque in Western culture and by combining the iconographic and the historical, locates the role of the woman's body in the discourse of the grotesque.