This work describes how, in Brazil, Catholic priests and the colonial government as early as 1573 allowed and encouraged the African slaves to celebrate Epiphany and the Festival of the Three Kings.

Written by some of the best-known independent scholars, citizen journalists, cyber-activists, and bloggers living in Cuba today, this book presents a critical, complete, and unbiased overview of contemporary Cuba. In this era of ever-increasing globalization and communication across national borders, Cuba remains an isolated island oddly out of step with the rest of the world. And yet, Cuba is beginning to evolve via the important if still insufficient changes instituted by Raul Castro, who became president in 2008. This book supplies a uniquely independent, accurate, and critical perspective in order to evaluate these changes in the context of the island's rich and complex history and culture. Organized into seven topical chapters that address geography, history, politics and government, economics, society, culture, and contemporary issues, readers will gain a broad, insightful understanding of one of the most unusual, fascinating, and often misunderstood nations in the Western Hemisphere.

A luminous history of Cuba’s most dynamic and defining rituals and the ever-improvisational character of Cuban culture In the Cuban town of Sagua la Grande, a young Roberto González Echevarría peers out the window of his family home on the morning of the Nochebuena fiesta as preparations begin for the slaughter of a feast day pig. The author recalls “watching them at a distance, though thinking, fearing, that once I grew older I would have to participate in the whole event.” Now an acclaimed scholar of Latin American literature, González Echevarría returns to the rituals that defined his young life in Cuban Fiestas. Drawing from art, literature, film, and even the national sport of baseball, he vividly reveals the fiesta as a dynamic force of both destruction and renewal in the life of a people. Roberto González Echevarría masterfully exposes the distinctive elements of the fiesta cubana that give depth and coherence to more than two centuries of Cuban cultural life. Reaching back to nineteenth-century traditions of Cuban art and literature, and augmenting them, in the twentieth, with the arts of narrative, the esthetic performances of sport and entertainment in nightclubs, on the baseball diamond, and in movie theaters, Cuban Fiestas renders the lilting strains of the fiesta and drum beats of the passage of time as keys to understanding the dynamic quality of Cuban culture. González Echevarría’s explorations are also illuminated by autobiographical vignettes that unveil the ever-shifting impact of the fiesta on the author’s own story of exile and return.

The Spanish had an enormous impact on Cuba's history and culture introducing the Spanish language to the island and Roman Catholicism. Other cultures have also contributed particularly in the area of the arts and food. Cuba the culture features the traditions and celebrations of the country's many different cultural influences.

In The Cuban Hustle, Sujatha Fernandes explores the multitudinous ways artists, activists, and ordinary Cubans have hustled to survive and express themselves in the aftermath of the Soviet Union’s collapse. Whether circulating information on flash drives as a substitute for the internet or building homemade antennas to listen to Miami’s hip hop radio stations, Cubans improvise alternative strategies and workarounds to contend with ongoing isolation. Throughout these essays, Fernandes examines the emergence of dynamic youth cultures and social movements as Cuba grappled with economic collapse, new digital technologies, the normalization of diplomatic ties with the United States during the Obama administration, and the regression of US-Cuban relations in the Trump era. From reflections on feminism, new Cuban cinema, and public art to urban slums, the Afro-Cuban movement, and rumba and hip hop, Fernandes reveals Cuba to be a world of vibrant cultures grounded in an ethos of invention and everyday hustle.

Originally published in 2003, The Light Inside is a ground-breaking study of an Afro-Cuban secret society, its sacred arts, and their role in modern Cuban cultural history. Enslaved Africans and creoles developed the Abakuá Society, a system of men’s fraternal lodges, in urban Cuba beginnings in 1836. Drawing on years of fieldwork in the country, the book’s novel approach builds on close readings of dazzling Abakuá altars, chalk-drawn signs, and hooded masquerades. It looks at the art history of Abakuá altars, not only tracing changing styles but also how they evolve through cycles of tradition and renovation. The Light Inside reflects the essence of the artists’ creativity and experience: through adornment, altars project the powerful spirituality of Abakuá practice, an aesthetic strategy. The book also traces a biography of Abakuá objects – their shifting forms and meanings – as they participated in successive periods of Cuban cultural history. The book constructs close rhetorical and visual analyses of changing representations of the Abakuá, spanning nineteenth-century arts and letters, modern ethnographic texts, museum displays, paintings, and late twentieth century commercial kitsch. This interdisciplinary work combines art history, African Diaspora, cultural studies and cultural anthropology with Latin American.

Features the history of Cuba's people and their daily lives. This book features photographs that portray life in the country's many cities as well as the poverty which exists for many of Cuba's people. It includes topics such as: life in the city; life in the village; life on a plantation; and more. It is aimed at children aged 9-14 years.