WINNER OF THE PULITZER PRIZE IN HISTORY WINNER OF THE LOS ANGELES TIMES BOOK PRIZE IN HISTORY “Full of…lively insights and lucid prose” (The Wall Street Journal) an epic, sweeping history of Cuba and its complex ties to the United States—from before the arrival of Columbus to the present day—written by one of the world’s leading historians of Cuba. In 1961, at the height of the Cold War, the United States severed diplomatic relations with Cuba, where a momentous revolution had taken power three years earlier. For more than half a century, the stand-off continued—through the tenure of ten American presidents and the fifty-year rule of Fidel Castro. His death in 2016, and the retirement of his brother and successor Raúl Castro in 2021, have spurred questions about the country’s future. Meanwhile, politics in Washington—Barack Obama’s opening to the island, Donald Trump’s reversal of that policy, and the election of Joe Biden—have made the relationship between the two nations a subject of debate once more. Now, award-winning historian Ada Ferrer delivers an “important” (The Guardian) and moving chronicle that demands a new reckoning with both the island’s past and its relationship with the United States. Spanning more than five centuries, Cuba: An American History provides us with a front-row seat as we witness the evolution of the modern nation, with its dramatic record of conquest and colonization, of slavery and freedom, of independence and revolutions made and unmade. Along the way, Ferrer explores the sometimes surprising, often troubled intimacy between the two countries, documenting not only the influence of the United States on Cuba but also the many ways the island has been a recurring presence in US affairs. This is a story that will give Americans unexpected insights into the history of their own nation and, in so doing, help them imagine a new relationship with Cuba; “readers will close [this] fascinating book with a sense of hope” (The Economist). Filled with rousing stories and characters, and drawing on more than thirty years of research in Cuba, Spain, and the United States—as well as the author’s own extensive travel to the island over the same period—this is a stunning and monumental account like no other.

Upon publication in the late 1970s this book was the first major historical analysis of twentieth-century Cuba. Focusing on the way Cuba has been governed, and in particular on the way a changing elite has made claims to legitimate rule, it carefully examines each of Cuba's three main political eras: the first, from Independence in 1902 to the Presidency of Gerardo Machado in 1933; the second, under Batista, from 1934 until 1958; and finally, Castro's revolution, from 1959 to the present. Jorge Domínguez discusses the political roles played by interest groups, mass organizations, and the military. He also investigates the impact of international affairs on Cuba and provides the first printed data on many aspects of political, economic, and social change since 1959. He deals in depth with agrarian politics and peasant protest since 1937, and his concluding chapter on Cuba's present culture is a fascinating insight into a society which--though vitally important--remains mysterious to most readers in the United States. Cuba's role in international affairs is vastly greater than its size. The revolution led by Fidel Castro, the Bay of Pigs invasion, the missile crisis in 1962, the underwriting of revolution in Latin America and recently in Africa--all these events have thrust Cuba onto the modern world stage. Anyone hoping to understand this country and its people, and above all its changing systems of government, will find this book essential.

In October 1962 school children huddled under their desks and diplomats feverishly negotiated as the world sat on the brink of nuclear war. The Cuban Missile Crisis was the most dangerous moment in modern history and resulted in a changed worldview for the United States, the Soviet Union, and Cuba. In tracing the developments of the missile crisis and beyond, Sad and Luminous Days presents and interprets a heretofore unavailable (and largely unknown) secret speech that Castro delivered to the Cuban leadership in 1968. In it, Castro reflects on the crisis and reveals the distrust and bitterness that characterized Cuban-Soviet relations in 1968. Blight and Brenner frame the annotated speech with an examination of the missile crisis itself, and an analysis of Cuban-Soviet relations between 1962–1968, ending with an epilogue that highlights the lessons the missile crisis offers us in the current search for security and a stable world order. Sad and Luminous Days sheds new light on Cuban-Soviet relations and should be required reading not only for Cold-War scholars and historians, but also for anyone intrigued by the drama of the thirteen momentous days in October 1962.

From America’s number one Cuba reporter, PEN award–winning investigative journalist Ann Louise Bardach, comes the big book on Cuba we’ve all been waiting for. An incisive and spirited portrait of the twentieth century’s wiliest political survivor and his fiefdom, Cuba Confidential is the gripping story of the shattered families and warring personalities that lie at the heart of the forty-three-year standoff between Miami and Havana. Famous to many Americans for her cover stories and media appearances, Ann Louise Bardach has been covering Cuba for a decade. She’s talked to the crooks, spooks and politicians who have made history, and to their hired assassins and confidants. Based on exclusive interviews with Fidel Castro, his sister Juanita, his former brother-in-law Rafael Díaz-Balart, the family of Elián González, the friends and family of the legendary American fugitive Robert Vesco, the intrepid terrorist Luis Posada Carriles, and the inner circles of Jeb Bush and the late exile leader Jorge Mas Canosa, Cuba Confidential exposes the hardball take-no-prisoners tactics of the Cuban exile leadership, and its manipulation and exploitation by ten American presidents. Bardach homes in on Fidel Castro and his cronies, taking us closer than we’ve ever been—and on the militant exiles who have devoted their lives, with CIA connivance, to trying to eliminate him. From Calle Ocho to Juan Miguel González’s kitchen table in Cárdenas, from Guantánamo Bay to Union City to Washington, D.C., Ann Louise Bardach serves up an unforgettable portrait of Cuba and its exiles.

Listening in Detail is an original and impassioned take on the intellectual and sensory bounty of Cuban music as it circulates between the island, the United States, and other locations. It is also a powerful critique of efforts to define "Cuban music" for ethnographic examination or market consumption. Contending that the music is not a knowable entity but a spectrum of dynamic practices that elude definition, Alexandra T. Vazquez models a new way of writing about music and the meanings assigned to it. "Listening in detail" is a method invested in opening up, rather than pinning down, experiences of Cuban music. Critiques of imperialism, nationalism, race, and gender emerge in fragments and moments, and in gestures and sounds through Vazquez's engagement with Alfredo Rodríguez's album Cuba Linda (1996), the seventy-year career of the vocalist Graciela Pérez, the signature grunt of the "Mambo King" Dámaso Pérez Prado, Cuban music documentaries of the 1960s, and late-twentieth-century concert ephemera.

Isadora Tattlin is the American wife of a European energy consultant posted to Havana in the 1990s. Wisely, the witty Mrs. Tattlin began a diary the day her husband informed her of their new assignment. One of the first entries is her shopping list of things to take, including six gallons of shampoo. For although the Tattlins were provided with a wonderful, big house in Havana, complete with a staff of seven, there wasn't much else money could buy in a country whose shelves are nearly bare. The record of her daily life in Cuba raising her two small children, entertaining her husband's clients (among them Fidel Castro and his ministers and minions), and contending with chronic shortages of, well . . . everything (on the street, tourists are hounded not for money but for soap), is literally stunning. Adventurous and intuitive, Tattlin squeezed every drop of juice--both tasty and repellent--from her experience. She traveled wherever she could (it's not easy--there are few road signs or appealing places to stay or eat). She befriended artists, attended concerts and plays. She gave dozens of parties, attended dozens more. Cuba Diaries--vividly explicit, empathetic, often hilarious--takes the reader deep inside this island country only ninety miles from the U.S., where the average doctor's salary is eleven dollars a month. The reader comes away appalled by the deprivation and drawn by the romance of a weirdly nostalgic Cuba frozen in the 1950s.