Since Columbus arrived in 1492 and called Cuba “the most beautiful country that human eyes have ever seen,” few places on earth have evoked such passion. The thirty-one writers in Cuba in Mind offer ample proof of the fascinations that have lured generations of travelers. In this richly varied anthology of poetry, fiction, and nonfiction, we hear from such famous visitors as Anthony Trollope, Langston Hughes, Ernest Hemingway, and Graham Greene. Poets and journalists offer their responses, from Allen Ginsberg and Jayne Cortez to Alma Guillermoprieto and Robert Stone; and novelists weigh in with such fictional portrayals as Elmore Leonard’s Cuba Libre and Pico Iyer’s Cuba and the Night. Cuban exiles, immigrants, and their offspring provide their unique perspective, from Cristina García’s essay “Simple Life” to excerpts from Oscar Hijuelos’s novel The Mambo Kings Play Songs of Love and from Carlos Eire’s memoir Waiting for Snow in Havana. Embracing salsa and santeria, politics and baseball, the island’s sparkling beaches and the teeming Havana streets, Cuba in Mind captures the vibrancy, the contradictions, the heat and the humor of Cuba as shown by some of the best writers in the English language. Contributors: Thomas Barbour • José Barreiro • Ruth Behar • William Cullen Bryant • Jayne Cortez • Stephen Crane • Andrei Codrescu • Eleanor Early • Carlos Eire • Kimi Eisele • Cristina García • Allen Ginsberg • Graham Greene • Alma Guillermoprieto • Elizabeth Hanly • Ernest Hemingway • Consuelo Hermer • Oscar Hijuelos • Langston Hughes • Pico Iyer • Elmore Leonard • Rosa Lowinger • Marjorie May • Tom Miller • Holly Morris • Ricardo Pau-Llosa • Robert Stone • Jim Shepard • Isadora Tattlin • Anthony Trollope • Walter D. Wilcox

Upon publication in the late 1970s this book was the first major historical analysis of twentieth-century Cuba. Focusing on the way Cuba has been governed, and in particular on the way a changing elite has made claims to legitimate rule, it carefully examines each of Cuba's three main political eras: the first, from Independence in 1902 to the Presidency of Gerardo Machado in 1933; the second, under Batista, from 1934 until 1958; and finally, Castro's revolution, from 1959 to the present. Jorge Domínguez discusses the political roles played by interest groups, mass organizations, and the military. He also investigates the impact of international affairs on Cuba and provides the first printed data on many aspects of political, economic, and social change since 1959. He deals in depth with agrarian politics and peasant protest since 1937, and his concluding chapter on Cuba's present culture is a fascinating insight into a society which--though vitally important--remains mysterious to most readers in the United States. Cuba's role in international affairs is vastly greater than its size. The revolution led by Fidel Castro, the Bay of Pigs invasion, the missile crisis in 1962, the underwriting of revolution in Latin America and recently in Africa--all these events have thrust Cuba onto the modern world stage. Anyone hoping to understand this country and its people, and above all its changing systems of government, will find this book essential.

In this moving and personal account of the forty-three-year-old divide between Cuba and its exile population in the United States, Román de la Campa questions both sides of a family feud that is acutely reflective of its own experience. Taking the three migration waves of Cubans to the United States as a historical background to his own story, the author details the continuing rift between Havana and Miami and the shaping, in the light of globalization and post-socialism, of a Cuban national split which has obvious consequences for both countries.

WINNER OF THE PULITZER PRIZE IN HISTORY WINNER OF THE LOS ANGELES TIMES BOOK PRIZE IN HISTORY “Full of…lively insights and lucid prose” (The Wall Street Journal) an epic, sweeping history of Cuba and its complex ties to the United States—from before the arrival of Columbus to the present day—written by one of the world’s leading historians of Cuba. In 1961, at the height of the Cold War, the United States severed diplomatic relations with Cuba, where a momentous revolution had taken power three years earlier. For more than half a century, the stand-off continued—through the tenure of ten American presidents and the fifty-year rule of Fidel Castro. His death in 2016, and the retirement of his brother and successor Raúl Castro in 2021, have spurred questions about the country’s future. Meanwhile, politics in Washington—Barack Obama’s opening to the island, Donald Trump’s reversal of that policy, and the election of Joe Biden—have made the relationship between the two nations a subject of debate once more. Now, award-winning historian Ada Ferrer delivers an “important” (The Guardian) and moving chronicle that demands a new reckoning with both the island’s past and its relationship with the United States. Spanning more than five centuries, Cuba: An American History provides us with a front-row seat as we witness the evolution of the modern nation, with its dramatic record of conquest and colonization, of slavery and freedom, of independence and revolutions made and unmade. Along the way, Ferrer explores the sometimes surprising, often troubled intimacy between the two countries, documenting not only the influence of the United States on Cuba but also the many ways the island has been a recurring presence in US affairs. This is a story that will give Americans unexpected insights into the history of their own nation and, in so doing, help them imagine a new relationship with Cuba; “readers will close [this] fascinating book with a sense of hope” (The Economist). Filled with rousing stories and characters, and drawing on more than thirty years of research in Cuba, Spain, and the United States—as well as the author’s own extensive travel to the island over the same period—this is a stunning and monumental account like no other.

The Spiritual Traveler series provides a new type of travel writing that allows the reader to experience the consciousness of a nation. It gives future travelers to Cuba another perspective to consider. (Foreign Travel)

“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post