Looking for a different kind of mystery novel that's not cut from the typical traditional mold? "Crystal Palaces" combines romance with an engageing intermixing of jealousy, murder and mystery that draws you into guessing, not only who killed Jerome Fisher but what weapon was used and why. Case Diamond and his family of associates will lay the foundation for this stories' resolution but will leave you anticipating the second and third episodes of the "trilogy" to come.

"Anne S. Cunningham reveals conservatory secrets for maintaining healthy plants and discusses the increasing focus on global biodiversity as well as the architectural elements that make each glasshouse unique. The glossary, bibliography, and index are especially helpful, as are hours of operation and contact information provided for each conservatory. Crystal Palaces is essential reading - or an ideal gift - for any gardener or garden lover."--BOOK JACKET.

Launched in 2002, Swarovski Crystal Palace is a shimmering series of sculptural pieces that had its debut at the Milan Furniture Fair. Through a brief history of Swarovski crystal we learn of its refined tradition as well as its bold vision for the future. Along the way, we delve deeper into the Crystal Palace designers.

The Crystal Palace was built in Hyde Park to house the treasures of the world for the Great Exhibition of 1851. It became a microcosm of Victorian life, industry and leisure, reflecting every aspect of its age. Designed by Joseph Paxton as a temporary structure its success meant that when it closed it was moved to Sydenham and rebuilt. "... widely regarded as the most authoritative book written about the history of the famous glass Crystal Palace ... " Kentish Times

This volume covers one of the most influential buildings of the 19th century. Joseph Paxton's Crystal Palace was the first public building to omit references to the past. Amid the historicist debates and battle of the styles of mid-19th-century Britain, Paxton's design was rational and straightforward.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Before Marcuse and Laing, before Heidegger and Sartre, even before Freud, the way was prepared for the anarcho-psychological critique of economic man, of all codes of ideology or absolute morality, and of scientific habits of mind. First published in 1974, this title traces this philosophical tradition to its roots in the nineteenth century, to the figures of Stirner, Nietzsche and Dostoevsky, and to their psychological demolition of the two alternative axes of social theory and practice, a critique which today reads more pertinently than ever, and remains unanswered. To understand this critique is crucial for an age which has shown a mounting revulsion at the consequences of the Crystal Palace, symbol at once of technologico-industrial progress and its rationalist-scientist ideology, an age whose imaginative preoccupations have telescoped onto the individual, and whose interest has switched from the social realm to that of anarchic, inner, 'psychological man'.