Turn your life’s stories into a quilted journal that you, your children, and your grandchildren will cherish forever. May Lou Weidman’s story quilts are beloved by quilters everywhere, and now she shows you how to do it yourself. 9 easy projects teach you the techniques so you can apply them to your own story quilts. Dozens of Mary Lou’s bright, happy celebration quilts are sprinkled throughout the book, plus she shares a gallery of her students’ work to inspire you. Mary Lou covers each step of the creative process, from drawing the initial plans through choosing fabrics and putting it all together. Learn how to expand your imagination and turn your own stories into dazzling celebration quilts. More than just a quilting book - Mary Lou shares her insights for living a peaceful, creative, and productive life.

Horror’s pleasures fundamentally hinge on looking backward, either on destabilising trauma, or as a period of comfort and happiness which is undermined by threat. However, this stretches beyond the scares on our screens to the consumption and criticism of the monsters of our past. The horror films of our youth can be locations of psychological and social trauma, or the happy place we go back to for comfort when our lives become unsettled. Horror That Haunts Us: Nostalgia, Revisionism, and Trauma in Contemporary American Horror is a collection of essays that brings together multiple theoretical and critical approaches to consider the way popular horror films from the last fifty years communicate, embody, and rework our view of the past. Whether we look at our current relationship to the scary movies of decades ago as personal or cultural memory, the way historical and sociopolitical events and frameworks – especially traumas – reframe the way we look at our pasts, or even the way recent horror films and video games look back at our past (and the past of the genre itself) through a filter of experience and history, this collection will show the close relationship between nostalgia and popular horror. These essays also demonstrate a range of unique and diverse points of view from both established and emerging scholars on the subject of horror and the past. Edited by seasoned horror experts Karrá Shimabukuro and Wickham Clayton, Horror That Haunts Us is a book with the aim of examining why we return again and again to certain popular horror films, either as remakes or reboots or as the basis for pastiche and homage.

From the author of the definitive heavy metal history, Bang Your Head, a behind-the-scenes look a century of horror films Reel Terror is a love letter to the wildly popular yet still misunderstood genre that churns out blockbusters and cult classics year after year. From The Cabinet of Dr. Caligari to Paranormal Activity, Konow explores its all-time highs and lows, why the genre has been overlooked, and how horror films just might help us overcome fear. His on-set stories and insights delve into each movie and its effect on American culture. For novices to all out film buffs, this is the perfection companion to this Halloween's movie marathons.

Spawning ten popular sequels to date, the Friday the 13th series has changed the way we interact with movies, grapple with primal conflict and comprehend the vary nature of good and evil. Bracke guides us from the series' humblest beginnings to its blockbuster success, through the political and moral minefields of the 1980s and 1990s.

This book explores the transmedial nature of the storyworlds created by and/or affiliated with television auteur, writer, and filmmaker, Joss Whedon. As such, the book addresses the ways in which Whedon’s storyworlds, or ‘verses, employ transmedia, both intrinsically as texts and extrinsically as these texts are consumed and, in some cases, reworked, by audiences. This collection walks readers through fan and scholar-fan engagement, intrinsic textual transmediality, and Whedon’s lasting influence on televisual and transmedia texts. In closing, the editors argue for the need to continue research into how the Whedonverse(s) lend themselves to transmedial study, engage audiences in ways that take advantage of multiple media, and encourage textual internalization of these engagements within audiences.

The women who starred in low-budget cult movies created many memorable experiences for those fans of late night flicks such as Saturday Night Frights, Movie Macabre and Up All Night. Brinke Stevens, who played Linda in The Slumber Party Massacre, recalls, "Suddenly I was riding in limos, flying to foreign countries for film festivals, appearing on dozens of popular talk and entertainment TV shows, and truly feeling like a glamorous movie star." This collection of revealing interviews provides insights into the lives of 20 cult film actresses. They discuss the pros and cons of making these movies and the directions their careers have taken since. Among the films they starred in are Night of the Living Dead, The Slumber Party Massacre, Friday the 13th, A Nightmare on Elm Street, Halloween, Sleepaway Camp and Elvira's Haunted Hills.

The role of the DVD market in the growth of ultraviolent horror in the 2000s