The shocking truth behind the death of an American icon—and the conspiracies that kept it secret for decades—in “the best autopsy of Marilyn Monroe” (Cyril H. Wecht, MD, JD) In her tragically short life, Marilyn Monroe embodied American womanhood, innocence, and lust—both as a Hollywood star and in the shadows of her tormented soul. But when she was found naked and dead on the morning of August 5, 1962, she became the subject of a mystery that has perplexed the world for generations. Was her death an accident? Suicide? Or murder? In Crypt 33, two Los Angeles private investigators recount the startling evidence that may solve the case once and for all, finally revealing the truth about: Monroe’s affairs with JFK and Robert Kennedy . . . The identity of the friend who allowed Monroe’s killers into her home . . . Evidence of the deadly drugs and how they were administered to the starlet . . . The rumors of an assassination plot masterminded by the Cosa Nostra and high-ranking government officials . . . The tangled web of wiretaps in Monroe’s home—and what happened to the audio tape recording of her murder . . . Now, at last, the truth of Monroe’s shocking death can be told in a book that “makes the hardest case yet that Marilyn was the victim of foul play” (Kirkus Reviews). “Well and sympathetically told . . . Speriglio and Gregory are fluent, convincing writers.” —Publishers Weekly

As any fan of comics knows, EC Comics still represent the best of golden age writing and artwork. Now, Dark Horse Books is proud to bring you the very first issues of EC's Tales from the Crypt, featuring the amazing artistic talents of Johnny Craig, Al Feldstein, George Roussos, Wally Wood, Harvey Kurtzman, Graham Ingels, and Jack Kamen!

A long-awaited, much-deserved tribute to the only celebrity to rise from the grave and become an American icon. This complete history includes color reproductions of all original "Tales'" covers, four stories from the comic and a never-before-published horror story by one of the "Tales'" trademark artists. Over 1,000 illus. 300 in color.

This volume collects all of George Evans' EC horror. It features "Blind Alleys," one of the most chilling and famous EC stories (adapted for the 1972 movie Tales From the Crypt). A man who abused residents of a home for the blind winds up in an impossibly narrow corridor lined with razor blades as a ravenous dog closes in. "In Gorilla My Dreams," an innocent man's brain is transplanted into a gorilla ... who is then blamed for the death of his former self and hunted down. And in our titular tale, "A Slight Case of Murder," four pretty young women are each gruesomely murdered inside locked rooms with no way for the killer to get in or out. But one man thinks he knows who's behind it. In addition, A Slight Case of Murder and Other Stories also includes Evans's unforgettable adaptation of the Ray Bradbury story "The Small Assassin!" This book superbly showcases these classic comic book stories and enhances the reader's experience with commentary and historical and biographical detail by EC experts.

"Released from an asylum to help with a police enquiry, the quick-witted and foul-smelling narrator, Gonewiththewind, delves deep into the underworld of 1970s Barcelona to investigate the mysterious disappearance of a teenage girl from a convent school." "Helped only by his ageing prostitute sister and the voluptuous nymphomaniac, Mercedes, the narrator's investigations take him deeper into a mystery involving murdered sailors, suicidal daughters, a web of organised crime and a secret, underground crypt." "Both gripping and surprising. The Mystery of the Enchanted Crypt is a hilarious detective story."--BOOK JACKET.

"An ingenious reappraisal of a classic text, Dracula's Crypt presents Stoker's novel as a subtly ironic commentary on England's preoccupation with racial purity. Probing psychobiographical, political, and cultural elements of Stoker's background and milieu, Joseph Valente distinguishes Stoker's viewpoint from that of his virulently racist, hypermasculine vampire hunters, showing how the author's dual Anglo-Celtic heritage and uncertain status as an Irish parvenu among London's theatrical elite led him to espouse a progressive racial ideology at odds with the dominant Anglo-Saxon supremacism. In the light of Stoker's experience, the shabby-genteel Count Dracula can be seen as a doppelganger, an ambiguous figure who is at once the blood-conscious landed aristocrat and the bloodthirsty foreign invader."--BOOK JACKET.

At that time I was but ten years old, my brother Lorand sixteen; our dear mother was still young, and father, I well remember, no more than thirty-six. Our grandmother, on my father's side, was also of our party, and at that time was some sixty years of age; she had lovely thick hair, of the pure whiteness of snow. In my childhood I had often thought how dearly the angels must love those who keep their hair so beautiful and white; and used to have the childish belief that one's hair grows white from abundance of joy. It is true, we never had any sorrow; it seemed as if our whole family had contracted some secret bond of unity, whereby each member thereof bound himself to cause as much joy and as little sorrow as possible to the others.