- MORE THAN 500,000 COPIES SOLD - #1 Bestseller in Spanish, Italian, French, German & Russian - The Best-selling fiction novel of all time on Amazon Spain - "Best Action & Adventure novel for Kindle" According to Amazon Spain Diver Ulysses Vidal finds a fourteenth-century bronze bell of Templar origin buried under a reef off the Honduras coast. It turns out it's been lying there for more than one century, prior to Christopher Columbus's discovery of America. Driven by curiosity and a sense of adventure, he begins the search for the legendary treasure of the Order of The Temple. Together with a medieval history professor and a daring Mexican archeologist they travel through Spain, the Mali desert, the Caribbean Sea and the Mexican jungle. They face innumerable riddles and dangers, but in the end this search will uncover a much more important mystery. A secret, kept hidden for centuries, which could transform the history of humankind, and the way we understand the universe.

From the New York Times bestselling author of Escape From Mr. Lemoncello's Library and coauthor of I Funny and Treasure Hunters, comes a series of spine-tingling mysteries to keep you up long after the lights go out. Halloween is nearing, the one day of the year when the ghostly plane is close enough to the human plane to allow mischief and mayhem. But the ghosts who have their eye on Zack aren't thinking mischief, they are thinking murder. In this fourth volume of Chris Grabenstein's popular Haunted Mysteries series, Zack must once again do battle with malevolent spirits. And with his usual pluck, and the assistance of three dotty aunts, he must save his town from a 200-year-old threat. Once again Chris Grabenstein proves his mastery of the frightening and funny tale. Young readers, especially reluctant ones, have found an inspiration to read in Grabenstein's quirky characters and deadly situations.

Something’s happening to the girls on Denton Street. It’s the summer of 1980 in Cleveland, Ohio, and Phoebe Shaw and her best friend Jacqueline have just graduated high school, only to confront an ugly, uncertain future. Across the city, abandoned factories populate the skyline; meanwhile at the shore, one strong spark, and the Cuyahoga River might catch fire. But none of that compares to what’s happening in their own west side neighborhood. The girls Phoebe and Jacqueline have grown up with are changing. It starts with footprints of dark water on the sidewalk. Then, one by one, the girls’ bodies wither away, their fingernails turning to broken glass, and their bones exposed like corroded metal beneath their flesh. As rumors spread about the grotesque transformations, soon everyone from nosy tourists to clinic doctors and government men start arriving on Denton Street, eager to catch sight of “the Rust Maidens” in metamorphosis. But even with all the onlookers, nobody can explain what’s happening or why—except perhaps the Rust Maidens themselves. Whispering in secret, they know more than they’re telling, and Phoebe realizes her former friends are quietly preparing for something that will tear their neighborhood apart. Alternating between past and present, Phoebe struggles to unravel the mystery of the Rust Maidens—and her own unwitting role in the transformations—before she loses everything she’s held dear: her home, her best friend, and even perhaps her own body.

An open-minded and clear-eyed reexamination of the cultural artifacts of Franco's Spain True, false, or both? Spain's 1939-75 dictator, Francisco Franco, was a pioneer of water conservation and sustainable energy. Pedro Almodóvar is only the most recent in a line of great antiestablishment film directors who have worked continuously in Spain since the 1930s. As early as 1943, former Republicans and Nationalists were collaborating in Spain to promote the visual arts, irrespective of the artists' political views. Censorship can benefit literature. Memory is not the same thing as history. Inside Spain as well as outside, many believe-wrongly-that under Franco's fascist dictatorship, nothing truthful or imaginatively worthwhile could be said or written or shown. In his groundbreaking new book, Franco's Crypt: Spanish Culture and Memory Since 1936, Jeremy Treglown argues that oversimplifications like these of a complicated, ambiguous actuality have contributed to a separate falsehood: that there was and continues to be a national pact to forget the evils for which Franco's side (and, according to this version, his side alone) was responsible. The myth that truthfulness was impossible inside Franco's Spain may explain why foreign narratives (For Whom the Bell Tolls, Homage to Catalonia) have seemed more credible than Spanish ones. Yet La Guerra de España was, as its Spanish name asserts, Spain's own war, and in recent years the country has begun to make a more public attempt to "reclaim" its modern history of fascism. How it is doing so, and the role played in the process by notions of historical memory, are among the subjects of this wide-ranging and challenging book. Franco's Crypt reveals that despite state censorship, events of the time were vividly recorded. Treglown looks at what's actually there-monuments, paintings, public works, novels, movies, video games-and considers, in a captivating narrative, the totality of what it shows. The result is a much-needed reexamination of a history we only thought we knew.

After the devastation of 1666, the Church of England in the City of London was given fifty-one new buildings in addition to the twenty-four that had survived the Great Fire. During the next hundred years others were built in the two cities of London and Westminster, most with a crypt as spacious as the church above. This book relates the amazing stories of these spaces, revealing an often surprising side to life – and death – inside the churches of historic London. The story of these crypts really began when, against the wishes of architects such as Wren and Vanbrugh, the clergy, churchwardens and vestries decided to earn some money by interring wealthy parishioners in their crypts. By 1800 there were seventy-nine church crypts in London, filled with the last remains of Londoners both illustrious and ordinary. Interments in inner London ended in the 1850s; since then, fifty-two crypts have been cleared, and five partially cleared – in each case resulting in the gruesome business of moving human remains. Today, many crypts have a new life as chapels, restaurants, medical centres and museums. With rare illustrations throughout, this fascinating study reveals the incredible history hidden beneath the churches of our capital. Malcolm Johnson is a retired priest, and has a PhD from King's College, London. His well-received St Martin-in- the-Fields was published by Phillimore in 2005.

As any fan of comics knows, EC Comics still represent the best of golden age writing and artwork. Now, Dark Horse Books is proud to bring you the very first issues of EC's Tales from the Crypt, featuring the amazing artistic talents of Johnny Craig, Al Feldstein, George Roussos, Wally Wood, Harvey Kurtzman, Graham Ingels, and Jack Kamen!

Requested by Junior readers.