This volume is the second of the series Corollaria Crustumina aimed at the publication of conference proceedings, doctoral theses and specialist studies concerning the Latin settlement of Crustumerium (Rome) and Italian protohistory. It contains multidisciplinary papers of an international group of archaeologists discussing new fieldwork data and theories of broad relevance to Italian archaeology and with specific relevance to the study of Crustumerium's settlement, cemeteries and material culture in light of the site's cultural identity.

This volume collects more than 60 papers by contributors from the British Isles, Italy and other parts of continental Europe, and North and South America, focussing on recent developments in Italian archaeology from the Neolithic to the modern period.

The story begins, as stories do in all good thrillers, with a botched robbery and a police chase. Eight Apuleian vases of the fourth century B.C. are discovered in the swimming pool of a German-based art smuggler. More valuable than the recovery of the vases, however, is the discovery of the smuggler's card index detailing his deals and dealers. It reveals the existence of a web of tombaroli -- tomb raiders -- who steal classical artifacts, and a network of dealers and smugglers who spirit them out of Italy and into the hands of wealthy collectors and museums. Peter Watson, a former investigative journalist for the London Sunday Times and author of two previous expos's of art world scandals, names the key figures in this network that has depleted Europe's classical artifacts. Among the loot are the irreplaceable and highly collectable vases of Euphronius, the equivalent in their field of the sculpture of Bernini or the painting of Michelangelo. The narrative leads to the doors of some major institutions: Sothebys, the Getty Museum in L.A., the Museum of Fine Arts in Boston, and the Metropolitan Museum of Art in New York among them. Filled with great characters and human drama, The Medici Conspiracy authoritatively exposes another shameful round in one of the oldest games in the world: theft, smuggling and duplicitous dealing, all in the name of art.

“Hyden leans into a tone reminiscent of a bard regaling those around a campfire with stories of a hero’s great exploits… [He tells] a fascinating origin story.” – Booklist According to legend, Romulus was born to a Vestal Virgin and left for dead as an infant near the Tiber River. His life nearly ended as quickly as it began, but fate had other plans. A humble shepherd rescued the child and helped raise him into manhood. As Romulus grew older, he fearlessly engaged in a series of perilous adventures that ultimately culminated in Rome’s founding, and he became its fabled first king. Establishing a new city had its price, and Romulus was forced to defend the nascent community. As he tirelessly safeguarded Rome, Romulus proved that he was a competent leader and talented general. Yet, he also harbored a dark side, which reared its head in many ways and tainted his legacy, but despite all of his misdeeds, redemption and subsequent triumphs were usually within his grasp. Indeed, he is an example of how greatness is sometimes born of disgrace. Regardless of his foreboding flaws, Rome allegedly existed because of him and became massively successful. As the centuries passed, the Romans never forgot their celebrated founder. This is the story that many ancient Romans believed.