In the power struggle between two elite groups, one feisty girl will bring them to their knees... Life is a cruel game where only the most ruthless survive. It's a truth my mother rebelled against, and she paid for it with her life. Now, I play their game. Publicly accepting the destiny that lies in wait for me when I turn eighteen. But, behind closed doors, I plot my escape. Trent, Charlie, and my twin, Drew, rule the hallways of Rydeville High with arrogance and an iron fist. I execute my role perfectly, hating every second, but they never let me forget my place in this world. Everyone obeys the rules. They have for generations. Because our families have always been in control. Until Cam, Sawyer, and Jackson show up. Throwing their new money around. Challenging the status quo. Setting hearts racing with their gorgeous faces, hot bodies, and bad boy attitudes. Battle lines are drawn. Sides are taken. And I'm trapped in the middle, because I made a mistake one fateful night when I gave my V-card to a stranger in a blatant F you to my fiancé. I thought it was the one thing I owned. A precious memory to carry me through each dark day. I couldn't have been more wrong. Because the stranger was Camden Marshall, leader of the new elite and my perpetual tormenter. He hates me with a passion unrivaled, and he won't be the only one. Fire will rain down if the truth is revealed, threatening alliances, and the power struggle will turn vicious. My life will hang in the balance. But I'll be ready, and I'm not going down without a fight. Due to mature content and themes this book is recommended to readers eighteen and over.

Press kit includes 2 pamphlets and 8 photographs.

I don't remember the moment it happened, but I recall cursing myself for allowing it. Julian Caradonno, the crown prince of the Caradonno crime family:He was my hero. He was my lover.But now, he is my enemy. His love was a blade that stabbed me in the back. All I see is revenge for the naïve, lovestruck girl I was. It wasn't until the Savage King of Russia, Ivan Petrov, emancipated me from that silly girl who had faith in fairytales. My name is Sonya DeLuca. There is no mercy for a kingdom that is built on cruel intentions.

Keeping to a theme started in Crewel Twists, this book continues the concept of using non-traditional techniques and materials in crewel or Jacobean embroidery. It showcases four large projects, each with an accompanying small project similar in technique, and shows needle workers how to be creative with threads, alternative stitches and beads. Traditional techniques are explained but are extended with the use of bead embroidery, needle lace techniques, and stitches not normally used in crewel work. Many new needle lace and bead embroidery techniques are incorporated, and the book also explores weaving techniques used to create textures like twill and lace weaves, as well as patterns similar to tartan and houndstooth check. Every project is clearly explained with step-by-step instructions and lots of photographs, and the completed embroideries are once again displayed in ways that are both decorative and functional in the home. Templates of the original designs complete this magnificent source for creative embroidery.

Annette (Reese Witherspoon) unwittingly becomes a pawn in Sebastian's (Ryan Phillippe) and Kathryn's (Sarah Michelle Gellar) deliciously diabolical wager of sexual conquest when she writes an article in Seventeen Magazine about how she intends to stay pure until she marries her boyfriend. However, Sebastian gets more than he bargained for as he attempts to woo Annette into his bed.

A searing indictment of the American penal system that finds the roots of the recent prisoner abuse at Abu Ghraib and Guantánamo in the steady dismantling of the Eighth Amendment's prohibition of "cruel and unusual" punishment. The revelations of prisoner abuse and torture at Abu Ghraib and more recently at Guantánamo were shocking to most Americans. And those who condemned the treatment of prisoners abroad have focused on U.S. military procedures and abuses of executive powers in the war on terror, or, more specifically, on the now-famous White House legal counsel memos on the acceptable limits of torture. But in The Story of Cruel and Unusual, Colin Dayan argues that anyone who has followed U.S. Supreme Court decisions regarding the Eighth Amendment prohibition of "cruel and unusual" punishment would recognize the prisoners' treatment at Abu Ghraib and Guantánamo as a natural extension of the language of our courts and practices in U.S. prisons. In fact, it was no coincidence that White House legal counsel referred to a series of Supreme Court decisions in the 1980s and 1990s in making its case for torture.Dayan traces the roots of "acceptable" torture to slave codes of the nineteenth century that deeply embedded the dehumanization of the incarcerated in our legal system. Although the Eighth Amendment was interpreted generously during the prisoners' rights movement of the late 1960s and 1970s, this period of judicial concern was an anomaly. Over the last thirty years, Supreme Court decisions have once again dismantled Eighth Amendment protections and rendered such words as "cruel" and "inhuman" meaningless when applied to conditions of confinement and treatment during detention. Prisoners' actual pain and suffering have been explained away in a rhetorical haze—with rationalizations, for example, that measure cruelty not by the pain or suffering inflicted, but by the intent of the person who inflicted it. The Story of Cruel and Unusual is a stunningly original work of legal scholarship, and a searing indictment of the U.S. penal system.