Poetry. " Leslie Scalapino is a stunningly original writer. Poised on an edge between space and claustrophobia, this poet bears stark witness to the broken narratives of thousands dead or off shore. CROUD AND NOT EVENING OR LIGHT scatters literary criticism, drama and the photographic index across a wilderness of everyday language like love"-Susan Howe.

The question of the relation between the visual and the textual in literature is at the heart of an increasing number of scholarly projects, and in turn, the investigation of evolving visual-verbal dynamics is becoming an independent discipline. This volume explores these profound literary shifts through the work of twelve talented, and in some cases, emerging scholars who study text and image relations in diverse forms and contexts. The inter-medial conjunctures investigated in this book play with and against the traditional roles of the visual and the verbal. The Future of Text and Image presents explorations of the incorporation of visual elements into works of literature, of visual writing modes, and of the textuality and literariness of images. It focuses on the special potential literature offers for the combination of these two functions. Alongside examinations of major forms and genres such as memoirs, novels, and poetry, this volume expands the discussion of text and image relations into more marginal forms, for instance, collage books, the PostSecret collections of anonymous postcards, and digital poetry. In other words, while exploring the destiny of text and image as an independent discipline, this volume simultaneously looks at the very literal future of text and image forms in an ever-changing technological reality. The essays in this book will help to define the emergent practices and politics of this growing field of study, and at the same time, reflect the tremendous significance of the visual in today’s image culture.

Poetry. For this new collection of poems and prose, Leslie Scalapino has gathered four sequences into what she calls "an aeolotropic series." The poems reflect each other like crystals and change like highly polished glass illuminated by a shifting light. They follow the mind from thought and observation to afterthought, reflection, and obsession.

Time spent in Japan, and everyday life in Berkeley and Oakland, come together as a kaleidoscope of words and consciousness in New Time. Leslie Scalapino pushes at the edges / spatial shape of language and experience in her new collection by writing that is itself events, which are to "punch a hole in reality." Real events, occurring in real time, are transformed in the act of writing them as perceived rather than interpreted. Phrases repeat, conjoin, break apart, and return in this challenging and innovative work, as Scalapino moves toward a "new time" wherein there is no 'inner' — one's illusion that is "the adamant social being / is inner" and "the body is a new form."