"Crossing the Pond also chronicles the unsuccessful efforts of Nazi propagandists to exploit Native Americans for the Third Reich, as well as the successful efforts of the United States government and the media to recruit Native Americans, utilize their resources, and publicize their activities for the war effort. Attention is also given to the postwar experiences of Native American men and women as they sought the franchise, educational equality, economic stability, the right to purchase alcohol, and the same amount of respect given to other American war veterans."--BOOK JACKET.

From the author of A Field Guide to Getting Lost comes a heartwarming, “emotionally perceptive” (Kirkus Reviews) story about new beginnings, burgeoning friendships, and finding your flock. Callie can’t wait for her new life to start. After a major friendship breakup in San Diego, moving overseas to Scotland gives her the perfect chance to reinvent herself. On top of that, she’s going to live in a real-life castle! But as romantic as life in a castle sounds, the reality is a little less comfortable: it’s run-down, freezing, and crawling with critters. Plus, starting off on the wrong foot with the gardener’s granddaughter doesn’t help her nerves about making new friends. So she comes up with the perfect solution: she’ll be homeschooled. Her parents agree, on one condition: she has to participate in a social activity. Inspired by a journal that she finds hidden in her bedroom, Callie decides to join a birding club. Sure, it sounds unusual, but at least it’s not sports or performing. But when she clashes with the club leader, she risks losing a set of friends all over again. Will she ever be able to find her flock and make this strange new place feel like home?

An irreverent trip through American culture by a critic who “cracks jokes as easily as one would crack walnut shells” (Washington Post). Americans have long been fascinated with the oddness of the British, but the English, says literary critic Terry Eagleton, find their transatlantic neighbors just as strange. Only an alien race would admiringly refer to a colleague as “aggressive,” use superlatives to describe everything from one’s pet dog to one’s rock collection, or speak frequently of being “empowered.” Why, asks Eagleton, must we broadcast our children’s school grades with bumper stickers announcing “My Child Made the Honor Roll”? Why don’t we appreciate the indispensability of the teapot? And why must we remain so irritatingly optimistic, even when all signs point to failure? On his quirky journey through the language, geography, and national character of the United States, Eagleton proves to be at once an informal and utterly idiosyncratic guide to our peculiar race. He answers the questions his compatriots have always had but (being British) dare not ask, like why Americans willingly rise at the crack of dawn, even on Sundays, or why we publicly chastise cigarette smokers as if we’re all spokespeople for the surgeon general. In this pithy, warmhearted, and very funny book, Eagleton melds a good old-fashioned roast with genuine admiration for his neighbors “across the pond.”

Such poems as "Babbling Brook, " "Spring in the Garden, " "Watercolors, " "City River, " and "Ocean Checklist" present some of the many facets of water.

A game of charades ends in coldblooded murder in this entertaining cozy mystery, third in the Crime with the Classics series. Having finished transforming Windy Corner, the grand Victorian mansion she inherited from her great aunt, into a writers’ retreat, widowed literature professor Emily Cavanaugh is ready to receive her first set of guests. But her careful planning is thrown into disarray by the unexpected arrival of outrageous true-crime writer, Cruella Crime, whose unpardonably rude behaviour is causing great offence. As a ferocious ice storm rages outside, the guests entertain one another with a game of charades. But their revelries are brought to a sudden halt by the discovery of a body in one of the guest bedrooms. When it transpires the victim was poisoned, Emily decides to take a leaf out of the book of her favourite detective writer, Agatha Christie, and investigate. But as she pursues her enquiries, it becomes chillingly clear that she herself may have been the intended victim...

For over a century, the town of Gossamer Grove has thrived on its charm and midwestern values, but Annalise Forsythe knows painful secrets, including her own, hover just beneath the pleasant fa ade. When a man is found dead in his run-down trailer home, Annalise inherits the trailer, along with the pictures, vintage obituaries, and old revival posters covering its walls. As she sorts through the collection, she's wholly unprepared for the ramifications of the dark and deadly secrets she'll uncover. A century earlier, Gossamer Grove has been stirred into chaos by the arrival of controversial and charismatic twin revivalists. The chaos takes a murderous turn when Libby Sheffield, working at her father's newspaper, receives an obituary for a reputable church deacon hours before his death. As she works with the deacon's son to unravel the mystery behind the crime, it becomes undeniably clear that a reckoning has come to town--but it isn't until another obituary arrives that they realize the true depths of the danger they've waded into. Two women, separated by a hundred years, must uncover the secrets within the borders of their own town before it's too late and they lose their future--or their very souls.

NYPD detective turned small town PI Laney Bird is in a fight to save lives—including her own—after a neighborhood block party turns deadly. A transplant to the upstate New York hamlet of Sylvan, all Laney wants is a peaceful life for herself and her son. But things rarely remain calm in Laney’s life—and when her neighborhood summer block party explodes in shocking violence and ends with the disappearance of her friend and another woman, she’ll need all her skills as a PI to solve a mystery that reaches far beyond her small town. As people closest to Laney fall under suspicion, the local authorities and even her colleagues question her own complicity. And then there’s fifteen-year-old Alfie, her complicated and enigmatic son, obviously hiding something. Even as Laney struggles to bury evidence of her boy’s involvement, his cagey behavior rings every maternal alarm. Laney’s personal life unravels as she’s drawn into her missing friend’s dark secrets and she realizes she and Alfie are in danger. With treachery blazing hot as the searing summer sun, Laney fights to save lives, her family’s included.