"A marvelous addition to the literature of inspirational sports stories." - Booklist (Starred Review) "This remarkable and inspiring story shines." - Publishers Weekly (Starred Review) "Crossing the Line will not just leave you with hope, but also ideas on how to make that hope transferable” - New York Times bestselling author Wes Moore An inspiring memoir of defying the odds from Kareem Rosser, captain of the first all-black squad to win the National Interscholastic Polo championship. Born and raised in West Philadelphia, Kareem thought he and his siblings would always be stuck in “The Bottom”, a community and neighborhood devastated by poverty and violence. Riding their bicycles through Philly’s Fairmount Park, Kareem’s brothers discover a barn full of horses. Noticing the brothers’ fascination with her misfit animals, Lezlie Hiner, founder of The Work to Ride stables, offers them their escape: an after school job in exchange for riding lessons. What starts as an accidental discovery turns into a love for horseback riding that leads the Rossers to discovering their passion for polo. Pursuing the sport with determination and discipline, Kareem earns his place among the typically exclusive players in college, becoming part of the first all-Black national interscholastic polo championship team—all while struggling to keep his family together. Crossing the Line: A Fearless Team of Brothers and the Sport That Changed Their Lives Forever is the story of bonds of brotherhood, family loyalty, the transformative connection between man and horse, and forging a better future that comes from overcoming impossible odds.

Shan Frankland forever abandoned the world she knew to come to the rescue of a lost colony on a distant and dangerous planet -- a hostile world coveted by two alien races and fiercely protected by a third. But in the course of her mission, she overstepped a boundary and stumbled into forbidden lands. And she can never go back -- to being neutral, to being safe. To being human. War is coming again to Cavanagh's Star -- and this time, the instigators will be the troublesome gethes from the faraway planet Earth. Former Environmental Enforcement Officer Shan Frankland has already crossed a line, and now she is a prize to be captured ... or a threat to be eliminated. But saving a coveted world and its fragile native population may require of her one unthinkable sacrifice: the destruction of her own ruthless, invading species.

Jocelyn Steely was kidnapped as a child and trained as a North Korean spy, but the tables turn when she becomes a double agent for the very American spy organization she's been sent to destroy.

2018 Winner of the Ned Kelly Awards for Best Crime Fiction "As one for whom certain story lines and characters have become as real as life itself, Crossing the Lines was a pure delight, a swift yet psychologically complex read, cleverly conceived and brilliantly executed." -Dean Koontz, New York Times bestselling author Sulari Gentill, author of the 1930s Rowland Sinclair Mysteries, jumps to the post-modern in Crossing the Lines. A successful writer, Madeleine, creates a character, Edward, and begins to imagine his life. He, too, is an author. Edward is in love with a woman, Willow, who's married to a man Edward loathes, and who loathes him, but he and Willow stay close friends. She's an artist. As Madeleine develops the plot, Edward attends a gallery show where a scummy critic is flung down a flight of fire stairs...murdered. Madeleine, still stressed from her miscarriages and grieving her inability to have a child, grows more and more enamored of Edward, spending more and more time with him and the progress of the investigation and less with her physician husband, Hugh, who in turn may be developing secrets of his own. As Madeline engages more with Edward, he begins to engage back. A crisis comes when Madeleine chooses the killer in Edward's story and Hugh begins to question her immersion in her novel. Yet Crossing the Lines is not about collecting clues and solving crimes. Rather it's about the process of creation, a gradual undermining of the authority of the author as the act of writing spirals away and merges with the story being told, a self-referring narrative crossing over boundaries leaving in question who to trust, and who and what is true. For fans of Paul Auster, Jesse Kellerman, Vera Caspary's Laura, Martin Amis, Haruki Murakami, Marisha Pessl

William Finnegan's compelling account of a year spent teaching in a colored high school, "across the line," in Cape Town, South Africa brings the irrationality and injustice of apartheid into focus for the American reader. A new preface, written after the author's observation of the historic 1994 elections evaluates the progress made--and not made--toward dismantling the apartheid system.

As W. E. B. DuBois famously prophesied in The Souls of Black Folk, the fiction of the color line has been of urgent concern in defining a certain twentieth-century U.S. racial “order.” Yet the very arbitrariness of this line also gives rise to opportunities for racial “passing,” a practice through which subjects appropriate the terms of racial discourse. To erode race’s authority, Gayle Wald argues, we must understand how race defines and yet fails to represent identity. She thus uses cultural narratives of passing to illuminate both the contradictions of race and the deployment of such contradictions for a variety of needs, interests, and desires. Wald begins her reading of twentieth-century passing narratives by analyzing works by African American writers James Weldon Johnson, Jessie Fauset, and Nella Larsen, showing how they use the “passing plot” to explore the negotiation of identity, agency, and freedom within the context of their protagonists' restricted choices. She then examines the 1946 autobiography Really the Blues, which details the transformation of Milton Mesirow, middle-class son of Russian-Jewish immigrants, into Mezz Mezzrow, jazz musician and self-described “voluntary Negro.” Turning to the 1949 films Pinky and Lost Boundaries, which imagine African American citizenship within class-specific protocols of race and gender, she interrogates the complicated representation of racial passing in a visual medium. Her investigation of “post-passing” testimonials in postwar African American magazines, which strove to foster black consumerism while constructing “positive” images of black achievement and affluence in the postwar years, focuses on neglected texts within the archives of black popular culture. Finally, after a look at liberal contradictions of John Howard Griffin’s 1961 auto-ethnography Black Like Me, Wald concludes with an epilogue that considers the idea of passing in the context of the recent discourse of “color blindness.” Wald’s analysis of the moral, political, and theoretical dimensions of racial passing makes Crossing the Line important reading as we approach the twenty-first century. Her engaging and dynamic book will be of particular interest to scholars of American studies, African American studies, cultural studies, and literary criticism.

Katie McGarry captivated readers with her “riveting, emotional”* young adult fiction debut, Pushing the Limits. In this gripping companion novella, she tells the story of Lila and Lincoln, who discover that sometimes it’s worth crossing the line for love… Lila McCormick first met Lincoln Turner when tragedy struck both their lives. But she never expected their surprise encounter would lead to two years of exchanging letters-or that she’d fall for the boy she’s only seen once. Their relationship is a secret, but Lila feels closer to Lincoln than anyone else. Until she finds out that he lied to her about the one thing she depended on him for the most. Hurting Lila is the last thing Lincoln wanted. For two years, her letters have been the only thing getting him through the day. Admitting his feelings would cross a line he’s never dared breach before. But Lincoln will do whatever it takes to fix his mistakes, earn Lila’s forgiveness-and finally win a chance to be with the girl he loves. Look for more contemporary YA by Katie McGarry with Pushing the Limits and Dare You To from Harlequin TEEN. *Simone Elkeles, New York Times bestselling author of the Perfect Chemistry series “Brimming with dark memories, veiled secrets, and steamy moments.” —Publishers Weekly on Pushing the Limits Originally published in April 2013.