The Navajo people of Canyon de Chelly must negotiate a delicate balance between the old and the new as they struggle to maintain their traditional ways of life in the midst of archaeologists, U.S. Park Service employees, and the increasing numbers of tourists who come to visit this hauntingly beautiful part of northeastern Arizona. Anthropologist-writer Jeanne Simonelli, who worked at Canyon de Chelly as a seasonal park ranger, interweaves stories of her personal experiences and friendships with canyon residents with discussions of native history and culture in the region. Focusing on the members of one extended Navajo family, Simonelli describes the small moments of their daily lives: shearing goats, baking bread, attending a solemn all-night health ceremony, washing clothes at the local laundromat, playing traditional games and contemporary sports, talking about the history of the Dinthe Navajo peopleand pondering the changes they have witnessed in the canyon and the difficulties they confront. Crossing Between Worlds is sumptuously illustrated with insightful black-and-white photographs that document the everyday activities of Navajo families in one of the most spectacular corners of the American Southwest.

"The Navajo people of Canyon de Chelly must negotiate a delicate balance between the old and the new as they struggle to maintain their traditional ways of life in the midst of archaeologists, U.S. Park Service employees, and the increasing numbers of tourists who come to visit this hauntingly beautiful part of northeastern Arizona. Anthropologist-writer Jeanne Simonelli, who worked at Canyon de Chelly as a seasonal park ranger, interweaves stories of her personal experiences and friendships with canyon residents with discussions of native history and culture in the region."--BOOK JACKET.

"Bill Traylor (ca. 1853-1949) is regarded today as one of the most important American artists of the twentieth century. A black man born into slavery in Alabama, he was an eyewitness to history--the Civil War, Emancipation, Reconstruction, Jim Crow segregation, the Great Migration, and the steady rise of African American urban culture in the South. Traylor would not live to see the civil rights movement, but he was among those who laid its foundation. Starting around 1939, Traylor--by then in his late eighties and living on the streets of Montgomery--took up pencil and paintbrush to attest to his existence and point of view. In keeping with this radical step, the paintings and drawings he made are visually striking and politically assertive; they include simple yet powerful distillations of tales and memories as well as spare, vibrantly colored abstractions. When Traylor died, he left behind more than one thousand works of art. In Between Worlds: The Art of Bill Traylor, Leslie Umberger considers more than two hundred artworks to provide the most comprehensive and in-depth study of the artist to date; she examines his life, art, and powerful drive to bear witness through the only means he had, pictures. The author draws on a wealth of historical documents--including federal and state census records, birth and death certificates, slave schedules, and interviews with family members-- to clarify the record of Traylor's personal history and family life. The story of his art opens in the late 1930s, when Traylor first received attention for his pencil drawings on found board, and concludes with the posthumous success of his oeuvre"--

In The Bridge Between Worlds, Gavin Francis explores bridges old and new, man-made or natural, musing on the view from the bridge through history, geopolitics, psychology and literature. Against the ever-growing obsession with national borders in politics and the media, bridges – whether seen as functional, emblematic or aesthetical – both unite and divide us. From Ponte Sant’Angelo to Brooklyn Bridge, from Victoria Falls Bridge to Tavanasa Bridge, The Bridge Between Worlds reflects on the bridges between nations and individuals, how they act as frontiers and reflects on the lives of people either side of the border.

This book proposes that there is no better, no more complex way to access a community, a society, an era and its cultures than through literature. For millennia, literature from a wide variety of geocultural areas has gathered knowledge about life, about survival, and about living together, without either falling into discursive or disciplinary specializations or functioning as a regulatory mechanism for cultural knowledge. Literature is able to offer its readers knowledge through direct participation in the form of step-by-step intellectual and affective experiences. Through this ability, it can reach and affect audiences across great spatial and temporal distances. Literature – what different times and cultures have been able to understand as such in a broad sense – has always been characterized by its transareal and transcultural origins and effects. It is the product of many logics, and it teaches us to think polylogically rather than monologically. Literature is an experiment in living, and living in a state of experimentation. About the author Ottmar Ette has been Chair of Romance Literature at the University of Potsdam, Germany, since 1995. He is Honorary Member of the Modern Language Association of America (MLA) (elected in 2014), member of the Berlin-Brandenburg Academy of Sciences and Humanities (elected in 2013), and regular member of the Academia Europaea (since 2010).

The purpose of this book is to illustrate the struggles of Deaf women as they negotiate their family, educational, and work lives. This study demonstrates how these women resist and overcome the various obstacles that are put before them as well as how they work to negotiate their identities as Deaf women in the Deaf community, hearing world, and the places 'in between.' The scope of the book traces these women's lives in these three major sectors of their lives and provides a discussion of the implications for other linguistic minorities.

Hong Kong is perched on the fault line between China and the West, a Special Administrative Region of the PRC. Leo Ou-fan Lee offers an insiderÕs view of Hong Kong, capturing the history and culture that make his densely packed home city so different from its generic neighbors. The search for an indigenous Hong Kong takes Lee to the wet markets and corner bookshops of congested Mong Kok, remote fishing villages and mountainside temples, teahouses and noodle stalls, Cantonese opera and Cantopop. But he also finds the ÒrealÓ Hong Kong in a maze of interconnected shopping malls, a jungle of high-rise residential towers, and the neon glow of Chinese-owned skyscrapers in the Central Business District, where land development, global trade, capital accumulation, consumerism, and free-market competition trump every valueÑexcept family. Lee illuminates the relationship between Hong KongÕs geography and its colonial experience, revisiting colonial life on the secluded Peak, in the opium-filled godowns along the harborfront, and in crowded, plague-infested tenements. He examines, with a criticÕs eye, the ÒHong Kong storyÓ in film and fiction: romance in the bars and brothels of Wan Chai, crime in the walled city of Kowloon, ennui on the eve of the 1997 handover. Whether viewed from Tsing Yi Bridge or the deck of the Star Ferry, from Victoria Peak or Lion Rock, Hong Kong sparkles here in all its multifaceted complexity, a city forever between worlds.